Article 20 actor score Ma Li and Zhao Liying fault gap, Lei Jiayin 9 3 points first

Mondo Entertainment Updated on 2024-02-20

The movie "Article 20" directed by Zhang Yimou is like a bright firework, bursting out with dazzling brilliance in the hot Spring Festival file.

In just 8 days, the film not only broke a number of box office records, but also won the championship of Spring Festival and Valentine's Day family films in mainland film history.

It has refreshed 16 records in a short period of time, with a total box office of more than 1.2 billion, although it did not surpass "Man Jianghong" during last year's Spring Festival.

Despite the fierce competition, the film still stood out with a box office score of more than 1.2 billion, showing its eye-catching charm.

This wave of success was undoubtedly sparked by the extraordinary talent of director Zhang Yimou, who skillfully turned the film into a comedic feast.

Zhang Yimou's unique perspective has successfully integrated two different themes, provoking people's deep thinking about the real-world social issues contained in them.

This movie not only made the audience laugh, but also triggered deep thinking, and the word of mouth was as high as 77 points, which fully proves Zhang Yimou's superb directing skills.

In the performance of this comedy, some performances have also experienced twists and turns, and there may be some negative comments from the audience about Ma Li's character image.

The audience felt deeply intimate, but her performance made people resonate with her role, and her down-to-earth acting skills.

Although Gao Ye and Liu Yaowen's acting skills have been criticized by some audiences, the main reason is that the characters they play are not in line with the audience's expectations.

It is through this contrast that the audience feels the multifaceted nature of the characters, and the actors' performances are more colorful.

Zhang Yi and Lei Jiayin's performances were highly praised, but at the same time, they were also affected by the aesthetic fatigue of some audiences with Lei Jiayin's previous roles.

Maybe it's because the audience has become accustomed to the image created by Lei Jiayin on the screen, and has some preconceived perceptions of his performance.

Their tacit cooperation and excellent performance in the film have undoubtedly become an indispensable highlight.

Zhao Liying's performance in the film has received high praise, especially in the sign language performance when expressing the emotions of the deaf character, which deserves special mention.

Zhao Liying deeply moved the audience with her excellent acting skills, and successfully ranked second in the acting rankings.

With his impressive performance, Fan Wei stood out in a short period of time and won the first place, becoming the highlight of the performance in this movie.

Behind the success is often accompanied by controversy, and some viewers have negative evaluations of Ma Li's character, feeling that her image is too exaggerated and lacks realism.

Perhaps it was because Gao Ye and Liu Yaowen's performances did not match the audience's expectations of the characters to a certain extent, which led to some criticism.

Some in the audience were disgusted by Lei Jiayin's aesthetic fatigue in previous roles.

Perhaps it was these controversies that contributed to the film's partial success, as it provoked the audience to think independently about the actors' performances, which made the film more topical.

Director Zhang Yimou's unique creativity and talent are on full display in "Article 20", a film that successfully captivates audiences.

The film successfully balances comedic elements with profound social implications, allowing the audience to laugh and think deeply at the same time.

Zhang Yimou successfully fused two different themes together, showing a unique sense of observation and bringing an audio-visual feast to the audience.

Zhao Liying and Fan Wei's performances in the film are excellent, and they show their unique acting charm.

Zhao Liying's excellent acting skills gave the character a vivid soul and was deeply imprinted in the hearts of the audience.

Fan Wei added a lot of laughter to the film with his unique comedy style, and the tacit cooperation of the actors also made the whole film more complete and interesting.

While succeeding, it will inevitably cause controversy and questioning, and the audience has different views on the character image and actor performance in the film.

The reason the film has been widely discussed is precisely because of this disagreement, with some arguing that some of the characters are over-the-top and don't fit well with the overall style of the film.

Another part of the audience believes that this is the innovation of the film, which makes "Article 20" even more compelling. There are such controversies and doubts.

In this controversial process, the audience was also stimulated to think and discuss the film at a deeper level, and the director and actors may be able to learn from the audience's feedback.

In order to further improve their creative level, the success of the film depends not only on the box office and word-of-mouth, but more importantly, whether it can touch the hearts of the audience.

To be able to leave a deep impression after watching the movie, it is necessary to respond rationally to controversies and questions.

Perhaps it will be able to win more praise for the film and leave a lasting impact on the film industry.

As far as I'm concerned, I think the reason for the controversy of Article 20 is that it dares to break the mold and express something different.

Perhaps in order to highlight the character's eccentric personality, Ma Li's exaggerated image raised questions, and Gao Ye and Liu Yaowen's performances were controversial because of this.

Perhaps in order to highlight the multi-dimensional characteristics of the role, Lei Jiayin has shown aesthetic fatigue in his previous roles.

Maybe it's because he's maintained a certain stable image throughout his acting career, this kind of adventure and innovation.

What Chinese films need, the audience must also accept, whether it is praise or criticism.

Article 20 is dedicated to exploring new possibilities for Chinese cinema, which is one of the reasons for its success.

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