The spring solstice flowers are like brocade hidden in Hanmo
——Spring in the pen of ancient calligraphers
Heavy snowfall in many places in the south
"A moment of spring water, the shadow of flowers is enchanting", spring from the recovery of all things to the warm and sunny sunny, always with full of emotions to show people full of vitality. Regardless of ancient or modern times, literati and artists always have endless talents in the face of Xu Chunguang. It's no wonder that in the face of the charming spring, who is not tempted? Among the calligraphy works that have been handed down through the ages, there are naturally also masterpieces about "spring". The following is a selection of some books to explore the spring light of the ancients.
Su Shixing's book "Dongting Spring Color".
Su Shixing's book "Dongting Spring Fu" is his own content, if you look at it literally, it seems to be writing about the spring of Dongting Lake, in fact, the so-called "Dongting Spring" is a kind of wine made from Taihu citrus. I have to admire Su Shi's imagination, even if he is writing about how to make wine, he can also imagine the magnificence of "the spring breeze is mighty in the sky, and the white waves are full of Cangwan". Fiction and reality, ethereal and ethereal, which ones are real scenes in the text, and which ones are fiction? It doesn't matter, the important thing is that the mood arrives, the words are clear, and the rest is up to the reader to understand.
Dongting Spring Color Fu" and "Zhongshan Pine Mash Fu" are packed in one volume, the paper is fine and the ink is good, the complexion is like new, and it is the work with the largest number of words in Su Shi's hand-me-down ink. This work is vigorous, elegant, chic and elegant, and the knot is extremely tight, which reflects the characteristics of Su Shi's calligraphy "short and fat". Ming Zhang Xiaosiyun: "These two endowments are under the pen, the structure is rigorous, the magnificent atmosphere is depressed, and the posture of returning to Xiang is really like a lion squatting and a tiger." Wang Shizhenyun: "This is not only a quaint victory, and the posture is full of postures, and the structure is meticulous, without a single stroke of manipulation, it should be the best in Meishan." ”
Huang Tingjian's cursive script "Flower Qi Xun Ren Post".
The flowers are scented and people want to break Zen, and the mood is actually middle-aged. Spring poetry is like a boat, eight sections of the beachhead boat. "One day in 1100 A.D., Huang Tingjian was in retreat at home when someone suddenly brought a room full of flowers. It was Wang Xu, the concubine, who sent the flowers, because Huang Tingjian had promised to write poems to him, but he didn't receive them for a long time, so Wang Shu sent flowers to remind him. Unexpectedly, this flower qi completely disturbed Huang Tingjian's meditation.
With a slight translation of Huang Tingjian's poem, it becomes a story or a story: my meditation was broken by the rich fragrance of this flower, and now my mood is past middle age, and I don't want to be disturbed, but you just sent these flowers in the spring to urge me to write poems, but I don't know that my current state is like a small boat bustling in the reverse current of the eight-section beachhead.
Huang Tingjian writes about Zen machines, but the first thing that attracts people is the four words "flower breath scent", which seems to really carry a breath that can knock people down at once. This is the magic of spring, which can make a person like Huang Tingjian, who has a deep cultivation of Zen, suddenly mess up. Under such an inexplicable state of mind, Huang Tingjian so "unintentionally" wrote a short note, which became one of the wonderful scriptures left in his life: the pen gesture is vigorous, clumsy is better than skillful, the fat pen has bones, the thin pen has flesh, "* vertical and horizontal, strong as flying".
Ni Zhankai's book "Jiangnan Spring Words".
Ni Zan is a master who jumps out of the world, does not care about politics, does not produce, is high and arrogant, and is clean and self-conscious. Therefore, in his ordinary poems, we can always read a faint Confucian "poetry" thought, but we rely on the "old" and escape from "Zen". Ni Zhan's heart must be very conflicted, always giving people an unapproachable sense of distance.
In "Jiangnan Spring", Ni Zan writes about frightened birds breaking the tranquility of apricot blossoms, falling flowers crossing clothes, and willow flowers falling into the water and turning into green weeds, with delicate brushstrokes and subtle perspectives. However, his spring does not feel warm and warm, but unusually cold. Ni Zhan's poems are always easy to read, but difficult to read.
Ni Zan is the ceiling of literati painting in the Yuan Dynasty, and his calligraphy is also the high standard of that era. "Jiangnan Spring" is Ni Zhan's representative work, which is tranquil and thin, quiet and elegant, simple and sparse, but elegant and natural. Such a small Kai is too harmonious with the artistic conception of "Jiangnan Spring".
Wen Zhengming's book "Moonlit Night View Magnolia Poetry Axis".
Magnolia is the most unbearable flower, and when the east wind blows, it will compete to bloom and become a messenger of spring return to the earth. Don't look at the magnolia blooming urgently, but it is not sloppy at all, one by one, both graceful and dignified, and high-spirited and free.
Yiye Qiongbao is not a good plant, and it seems that Shu is also a jade house. The fairy Qiao reflects the moon and the Yao platform, and the plain wrist cloak is long. Wipe the face He Lang suspects Fu Fan, and the predecessor Han Shou has a lingering fragrance. In the middle of the night, the fragrance is empty, as if a group of concubines are unraveling. "We see magnolia in the daytime, and Wen Zhengming wants to enjoy it on a moonlit night. If you think about it, you can feel the beauty: the white magnolia flowers are more transparent and pure under the moonlight; The wind with a faint fragrance blows, and the spirit is refreshed; The plump flowers swayed, as if one could hear the crisp sound of the woman's accessories. The enjoyment of a wonderful spring night is all-encompassing, not only sight, smell, hearing, but also fantasy.
Wen Zhengming's calligraphy is vigorous and delicate, so that the turn is smooth, chic and natural, and he is able to integrate the elegant, pure, mellow style into the approachable pen and ink, which makes people feel more intimate.