Congratulations, this Spring Festival, Zhao Liying is full of presence again. In the popular "Article 20", she plays a hearing-impaired mother, and long before the movie was released, she blew up the whole network with a **. 
The background color of the characters is suffering and tragic, but the belief that they stubbornly want to live well, as well as Zhao Liying's brilliant interpretation, make the characters exude the beauty of the sun. I have to say that the director will shoot. Seven years ago, Han Han filmed "Riding the Wind and Waves", and Zhao Liying was also very beautiful in the film, and in a bunch of men's scenes, she made her own mark. Zhang Suzhen is beautiful, brave, strong, and gentle, combining the advantages of women in the world, and then through Zhao Liying's expressive interpretation, this has a breathtaking long-term vitality. 
Think about it when she became popular with "Flower Thousand Bone", it was many years ago, and at that time she was a rare round-faced cutie in the entertainment industry, belonging to the small jasper type. 
Even if she becomes a queen, she is also a ** child trapped by love. 
Beauty is really beautiful, but it's a little superficial, and it seems a little stingy after all. But this is by no means Zhao Liying's problem, in fact, how can Sister Zhao, who has worked hard to become the top performer of domestic entertainment from scratch, just be stupid and sweet? She has a lot of energy in her heart, and there is a kind of "stubbornness" in her bones, from her gradual departure from the field of idol dramas to realistic themes such as "Happiness to Ten Thousand Homes" and "The Wind Blows in the Summer", I know that she is by no means more than just the quiet years on the surface, she has great ambitions. How about the limited way of playing? It's about jumping out of the way. A thicker and more attractive temperament, which is revealed. If a smart director discovers and follows up at the right time, it is easy to produce a masterpiece. Isn't this the embodiment of Dadao's ability? They are good at discovering the hidden or emerging sparkle of the actor, and then use the lens to capture and convey it to the audience, so we discover the multi-faceted nature of "her", as well as the deeper and more connotative beauty. Therefore, it is no wonder that the beauties are scrambling to show a glance in the director's lens, and they don't know when it will be a glance for ten thousand years. 
Yang Mi, who is also an 85-year-old flower, is also from an idol drama, and in recent years, I don't know if it has been less restrained by his old club, and the theme of the role he plays has become more and more energetic. Earlier, she tried different types of roles such as a mother who traveled through time and space many times to save her children ("Rescue Against Time") and a blind girl ("I Am a Witness"), probably because fate has not arrived, and she is always in a bad breath. Until Lu Yang's "Assassination of the ** Family", the killer Tu Ling, beautiful and hard, very close to Yang Mi's temperament, really exploded. 
Chen Kexin was preparing to shoot "Sauce Garden Lane", but did not reveal any pictures, saying that Yang Mi and Zhao Liying's fans had already "torn" a round for this film, and the beauties outside the play were so vivid, which also made her sister have to start looking forward to the actual presentation. By the way, the starring role of this film is Zhang Ziyi, the only few remaining fruits in the big flower, who enjoyed super first-line treatment in the big director lens back then. In Ang Lee's lens, she is the stubborn and proud eldest lady Jade Jiaolong, and Hibiscus is like a willow like an eyebrow. 
In Wong Kar-wai's lens, she is a stubborn and cold Gong Er, widowed and independent. 
Zhang Ziyi has grown from a small flower to a big flower, and pride and stubbornness are synonymous with her. This time I can look forward to cooperating with Chen Kexin again. Speaking of big flowers, Tang Wei is another one who can't be avoided, Ang Lee said, "The look in her eyes when she listened to the play, I knew that she was Wang Jiazhi." ”Tang Wei's dullness and innocence, there is no one to replace in internal entertainment, so she really became the only Wang Jiazhi. 
"The Determination to Break Up" swept many awards, in the lens of Park Chan-wook, Tang Wei is mysterious and dangerous, but what "forced" the male protagonist to fall in love with this dangerous woman was the innocence ** exuded by Tang Wei's bones. The male protagonist just sees through it, even if she paints big red lips, perms big waves, and paints thick black eyeliner, her eyes are still so pure and moving, so following his perspective, everyone can't help but indulge and fall in love with her. 
The director's shots don't need to be written and whitened, and at a glance, you will sink into it and feel the story he is telling. "Flowers", which just exploded a few years ago, several actresses also contributed the most beautiful performances in their careers. Xin Zhilei has a lot of nerves in her life, and if she thinks differently, she is actually soft and has no offensive power. Wong Kar-wai didn't allow Xin Zhilei to smile, hoping that her eyes would be like knives, so she would show a personality of "chivalrous spirit in the rivers and lakes" and "show off her bones" more vividly from her big grinning temperament.
Although the beauty is beautiful, the beauty with the wind and bones is even more beautiful. So far, Xin Zhilei's best acting in her career, there is no objection, right? Shanghai girl Tang Yan, also under Wong Kar-wai, gained another heavyweight role after "Zixuan". Miss Wang looked at Miss Jiao, her spirit was warm and pure, she tasted sweet and bitter, and the words "Puxi Pearl" lined her too much.
Tang Yan herself lived and grew up in a loving family, and was happy after marriage, to put it mildly, the essence is indeed closer to the "silly white sweet" type she loved in the past, so she didn't have such confidence at first, and asked the director why she thought she could play Miss Wang. And Wong Kar-wai replied, "Because you are." "Look at the director's self-confidence, I don't have a personality that I feel, but he can dig it out and shoot it, I know it!Tang Yan is also the best luck, the three-year training has been completed, and she will no longer have to be limited and disturbed by herself and the outside world in the future. Of course, there are not without failures, and there are quite a few of them. Zhang Ziyi is in "Shangyang Fu", a middle-aged Mary Sue who has been complained about by everyone.
Tang Wei in "Daming Fenghua" has become the original form of coffee with "hot lines and embarrassing acting skills".
Even such immortal characters once "fell off the altar", but it's really no wonder that they don't have patience and ingenuity, and they know how to shoot the ultimate beauty of actors. The importance of the director is becoming more and more evident at such a moment.
Then again, in fact, beauty and director are mutually successful. At that time, Yin Ruiji, who had fascinated thousands of fans at a glance, made Angelababy, who has always had a mediocre reputation, make a big turnaround in Tsui Hark, leaving a scene with a strong color in film history, which has made countless people unforgettable.
Tsui Hark's rating for this work is not very high, AB can be regarded as a very good stroke, and it is used very well. Therefore, if the beauty style is not trained by the director, it is too shallow. If the big guide lens is not embellished by a beauty, it is too light. is still Tsui Hark, many of his masterpieces, or the poignant face in "Liang Zhu", or the two snakes in "Green Snake", if there is no Yang Caiyu, Maggie Cheung, Wang Zuxian's peak face blessing, it is hard to imagine how much color will be lost!
Gong Li, Zhang Ziyi, Tang Wei ......The goddesses who left their masterpieces shine in the director's lens, and when I turn my head and think, aren't they themselves the ones who have achieved this brilliance?If you don't believe it, ask Zhang Yimou and Li An, have they found a second Wang Jiazhi and Yu Jiaolong over the years?We always say that there are only assembly lines and no good works in domestic entertainment now, and there are almost few beautiful people who can support a good work when looking for capital and finding directors and screenwriters. Regret, sigh. So when I saw such a unique and different Zhao Liying, Tang Yan, and Xin Zhilei, I couldn't help but write a special book. There is no need to hesitate to respect and praise such a good and beautiful character, because it not only makes the director and the beauty, but also the luck of our audience.