Calligraphy is an art and a kind of learning. If you want to make a difference in the field of calligraphy, the post is an indispensable link. So, how do you post pro?
First of all, it is important to choose a notebook that suits you. When choosing a calligraphy, you should decide according to your preferences and calligraphy level. Beginners can choose some basic scripts, such as "Yan Zhenqing Kaishu", "Ouyang Xun Kaishu", etc., the strokes of these calligraphy are more standardized, suitable for laying the foundation. Calligraphy lovers with a certain foundation can choose some more difficult calligraphy, such as Wang Xizhi's "Orchid Pavilion Preface", Zhao Mengfu's "Red Cliff Fu" and so on.
Secondly, pay attention to the strokes and structure in the copybook when you are on the post. Strokes are the basic elements that make up Chinese characters, and if you want to write well, you must first master the basic strokes. When posting, pay attention to observe the beginning, movement and closing of each stroke, and try to imitate it vividly. At the same time, we should also pay attention to the structure of the word, grasp the proportion and center of gravity of each word, and make the word look more coordinated and beautiful.
In addition, pro-post requires perseverance. If you want to achieve something in calligraphy, you can't fish for three days and dry your nets for two days. Only by practicing persistently can you continue to improve your calligraphy skills. When posting, you can use a variety of methods, such as copying first and then coming, first single word and then throughout, daily quantitative, etc. Through continuous practice and reflection, I gradually found a suitable method for myself.
Finally, it is necessary to focus on understanding and application. The purpose of the calligraphy is not only to imitate the calligraphy, but more importantly, to understand the essence and skills of it, and to apply it to your own calligraphy creation. In the process of posting, we should continue to think and summarize experience, find our own shortcomings and improve them. Only in this way can greater progress be made in the field of calligraphy.
Next, we will analyze the structural skills of "Regular Script Thousand Character Text", and the main content of today's analysis is "Chensu Liezhang".
Chen: The word factory is short and long, and the two cannot be connected. The skimming is more extended, pay attention to the angle of the brush. The word "work" is written inside, which is relatively flat, short at the top and long at the bottom. The vertical mention is on the left, the "vertical painting" part is written finely, and the "mention" is oblique and powerful. Finally, it is skimming, skimming short and long, and the painting starts from the middle of the short stroke. Note that the lowest point of this word is vertical.
Su: The head of the treasure cover should be written wide and cover the lower part. Be careful to write thick dots in the middle. The word "Bai" is a left and right structure. The three vertical drawings should be evenly spaced and written vertically. The position of the whole placement should not be off the center, otherwise the whole character will be skewed.
Column: The left part is obliquely oriented. The first stroke on the left is a dash. Keep the apostrophe to the left, and the direction of the angle should be clear. If you can't draw the stroke, pay attention to the angle. The right part is next to the vertical knife, which is uniform and relatively upright.
Zhang: The left part is next to the bow character, the whole is inclined to the left, the upper two horizontal folds are short, and the lower horizontal fold hook is appropriately written long. The right part is the word "long", and the length between the top and bottom is equal. The upper part should be narrow and relatively uniform. The last two strokes are short strokes and strokes, and the strokes are more strokes.