Longteng New Year film recommendation
Today's Chinese audiences are most keen to vent their emotions in theaters. The more personal the emotional value of the movie, the longer the blockbuster power of the movie. You see, "Article 20", which was pressed in the second group during the Spring Festival holiday, is now counterattacking "Hot and Hot" and "Flying Life 2"?
And grasping the emotional point of the audience at the moment is sometimes a natural sensitivity, which cannot be enlightened by learning and working hard. There are even times when the creator mistakenly stumbles, such as "She Who Disappeared" supervised by Chen Sicheng, which exceeded his shrewd calculation.
"Drama Killing", which was released nationwide on March 2, also has some of this meaning. Screenwriter and director Niu Chaoyang's original intention may just be to create a real "script killing movie" and make a new idea in form. However, when Hoard watched the whole film, what shocked him the most was the truth behind the whole case. This truth can bring great emotional value to the audience in the moment. This shock may also bring box office results that even Niu Chaoyang himself did not expect.
To summarize the story of "Drama Killing" simply, it is "unreliable people do things that are very happy". As soon as the movie came up, it used a piece of black humor to explain that the detective played by Jia Bing was flying all over the sky and was an "unreliable" detective. His three-plank axe to solve the case is full of brain-opening imagination and speculation, and even dares to use intimidation methods such as pretending to be a god.
He was invited to the theater by a madman with a mask of Xiang Yu's face, and within a time limit of 4 hours, he found out from the 8 suspects who killed the famous Peking Opera singer Mo Lianyi. found out, the madman killed one person; If you can't find it, the madman kills them all.
This form constitutes a "script kill at gunpoint". The suspects of 5 men and 3 women, just like the players who have obtained the character book, have to protect their secrets on the one hand, and on the other hand, they have to guide Manfei and the madman to suspect others. The ** experience of the whole film is like being in the scene of the script killing, presumed step by step, and the case is restored.
This gives several actors a lot of room to play. Yu Entai, Jiang Mengjie, Liu Hua, Yu Yang, Li Qian, Niu Xinxin, and Feng Xinyao used their own ways to enter the role, and performed the portraits of suspects with very different personalities. They seem to be smiling silly, but in fact, they are hiding tricks and killing tricks.
Every time a suspect is cornered by the crowd, his secret is revealed. And this is often the highlight moment for the actor to show his acting skills. What impressed her the most was a monologue by Li Qian, with a strong sense of substitution.
As the crowd gets closer to the truth, the audience's emotions will be mobilized higher and higher. Director Niu Chaoyang's package of truth has at least seven or eight layers. That is to say, seven or eight reversals were intensively staged in the later period. Every reversal makes the audience discover: Mo Lianyi's death is not as simple as "a dead person".
Behind the murder of Mo Lianyi is not only the love and hatred between people, but also the more serious injustice and ignorance of the world. Murray's death was not a sin committed by one man. The villain who really "kills" is not at the scene from beginning to end, and he can't be invited to the scene at all.
Flying all over the sky, this seemingly extremely unreliable detective interrogated a group of unreliable suspects with ghosts in their hearts, and every sentence was hidden in every sentence, and the whole process of solving the case was a godly chatter. However, it is these unreliable people who uncover the most painful scars in the world. This night's perseverance is to find a happy result.
The text is full of hoarding.