I don't know if friends who like martial arts have found that there are many self-authors on the Internet, and when commenting on martial arts, the most commented is Mr. Jin Yong's martial arts.
followed by Jin Yong is Mr. Gu Long's martial arts**. As for the friends who discuss Liang Yusheng's martial arts, there are very few, and it seems that Mr. Liang Yusheng's martial arts** has been forgotten.
Today, although martial arts are weak. But Mr. Jin Yong's ** is still popular, not only martial arts fans are still sought after. Even investors in the film and television industry are keen to remake Mr. Jin Yong's works.
In the past two years, works such as "The Legend of Qiao Feng", "The Legend of the Condor Heroes", and "The Legend of the Condor Heroes" have been remade again. Every remake will cause a sensation and attract a wave of traffic.
However, everyone found that there was none. In addition to Mr. Jin Yong's outstanding work, the works of Gu Long, Liang Yusheng and others are rarely interested.
What is the reason for this? Jin Yong's ** quality is certainly very high, but Gu Long and Liang Yusheng also have a lot of high-quality martial arts works, why is no one interested in remaking it?
As the originator of the history of the new school of martial arts, Liang Yusheng was the first person to take the lead in raising the banner of the new school of martial arts. It is precisely because Liang Yusheng led the emergence and development of new martial arts that Jin Yong and Gu Long and others joined later.
But as the first new martial arts master to appear, why was Liang Yusheng's achievements surpassed by Jin Yong later? Liang Yusheng's 35 martial arts**, is it really inferior to Jin Yong's 15 martial arts**?
When I was a teenager, I read a lot of Jin Yong and Liang Yusheng's works, and I felt that Jin Yong's ** was particularly interesting, and many of Liang Yusheng's ** were very obscure to read and lacked interest.
Thirty years later, I realized that the gap between Liang Yusheng and Jin Yong is **?
First, Jin Yong's ** becomes more and more bizarre the more he writes, and Liang Yusheng's ** becomes more and more bland the more he writes.
Take Jin Yong's "The Condor Heroes" as an example, when I first read the beginning of the first chapter, I felt very bland, as if I was writing prose.
But with the appearance of Li Mochou, the story began to have a novelty. The grievances between Li Mochou and Lu Zhanyuan, Li Mochou washed Lujiazhuang with blood.
and then brought out the actor Yang Guo and supporting roles Guo Jing, Huang Rong, Huang Yaoshi and others, and the story became more and more exciting and attractive.
I couldn't help but read on, wanting to see what martial arts Yang Guo was taught by Guo Jing on Peach Blossom Island. After Yang Guo had an awkward quarrel with Guo Fu and Xiaowu, he wanted to see what kind of experience Yang Guo would have when he was sent to the Quanzhen Sect.
In short, reading Jin Yong's **, one ring after another, one burden after another, there is always something that attracts you to read it, this is his cleverness.
As for Liang Yusheng's **, many of them are high and low. In other words, the beginning is wonderfully written, which captures the reader's heartbeat and arouses the reader's curiosity.
But when I read on, the peak had passed. It is as if the highest mountain has been crossed, and the next step is the way down the mountain, which is naturally nothing strange and fascinating.
For example, reading "The Legend of the Glacier Heavenly Maiden", at the beginning, all parties competed for the Golden Pemba bottle, and there was such a peerless beauty as the Glacier Heavenly Maiden.
It can be said that the sword and sword shadow and the happy enmity have reached a climax in the first few chapters. However, after the glacier goddess descended from the ice peak, the plot after that became dull.
On the contrary, there is no place to move and attract people, and it is as light as water, which makes people feel less and less energetic the more they read. This is also the reason why Liang Yusheng later joined the role of Jin Shiyi, because the hero and heroine have no place to play.
Second: Jin Yong's writing is delicate and the character creation is classic. Although Liang Yusheng's writing is good, he creates characters with a little bit of water.
Reading Jin Yong's ** is like a trickle, moisturizing things silently, giving people a pleasant enjoyment. His writing determines that his ** will not be tired of reading and will not make people feel bitter.
The delicate portrayal of the characters and the detailed expression of the characters' emotions are all lacking in Liang Yusheng**. For example, to portray beauties, Jin Yong writes in great detail, which makes people think about it, and wants to depict it according to the text.
And Liang Yusheng writes about beautiful women, but rarely expands and writes about how beautiful the characters are, all of which are brought by one or two words. Let's take an example, watch Jin Yong write about Little Dragon Girl:
As soon as the girl in white came to stay, everyone couldn't help but look at her. But seeing that her face was pale, if she had a sick face, although the candlelight was like a glow, there was still no blood on her face, and she looked even more elegant and vulgar, and her appearance was extremely beautiful. The world often describes the beauty of women with the words "beautiful as a fairy", but no one knows how the fairy is beautiful. She was shrouded in a layer of light smoke and mist, as if she were real and illusory, but she was not an earthly person.
Let's take a look at how Liang Yusheng wrote Lu Siniang: This is a girl with a beautiful face, melon seed face, big eyes, and picturesque eyebrows, looking very delicate, Liu Xiankai never expected that in such a steep mountain, there would be such a beauty. The girl lightly pursed her lips and asked softly, "Guest, what are you doing on the mountain so late?"
is also writing about beauties, and the beauties written by Jin Yong are imaginative. The beauties written by Liang Yusheng are superficial and cannot penetrate into the hearts of the people.
is like this when writing about beauties, and the same is true for writing about the characters' personalities and the inner world of the characters, Jin Yong is delicate and in place, and Liang Yusheng is like a dragonfly dotting water, without pain or itching.
The only thing that is more unique is that Liang Yusheng writes fight scenes, which is better than Jin Yong. Often after a fight, you can write most of the chapters, but the victory or defeat is actually clear within a few moves.
In short, Jin Yong's characters, actions and psychology are all both physical and spiritual, which makes people empathize. As for Liang Yusheng, he writes too face-painted and runs accounts.
No wonder some people say that Jin Yong's ** is never tired of watching. And Liang Yusheng's **, after reading a few books, I can't read it anymore.
Third: Jin Yong's **, the credit of film and television dramas is not small. Liang Yusheng's **, there are too few film and television dramas.
As the saying goes, if you are familiar with 300 Tang poems, you can chant if you can't make poems. After listening to and reading a lot of Tang poems, I can naturally recite a few poems casually.
I have seen a lot of martial arts, and I can naturally do it clearly. In the last century, with the rise of martial arts, martial arts film and television dramas also gained a wave of traffic.
First of all, Gu Long**, was loved by the director, and a lot of movies were filmed, which promoted the popularity and spread of Gu Long**. followed by Jin Yong's **, which was made into a movie.
Behind, Gu Long's ** turned off. Jin Yong's ** continues to be adapted into film and television dramas, and it can be said that many people grew up watching Jin Yong's martial arts dramas.
As for Liang Yusheng's works, there are too few that have been adapted into film and television dramas. Like his well-known "Yunhai Jade Bow Edge", there are only two versions so far.
One is in 1984, Zeng Weiquan's version. One is in 2002, Lin Feng's version. As for "Pingxia Film", Liang Yusheng's representative work, there are only 4 drama versions and one movie version.
Compared with Jin Yong's "The Legend of the Condor Heroes", "The Legend of the Condor Heroes", "The Legend of the Sky and the Dragon", "The Legend of the Deer and Ding", "The Eight Divisions of the Heavenly Dragon" and other works, it is really dwarfed.
Among Liang Yusheng's many works, the most remakes are "The Legend of the White-Haired Witch", reaching 11 versions. The reason why this work has been remade so many times is mainly because the sadomasochistic relationship between Lian Nishang and Zhuo Yihang is particularly attractive, and the appearance of the white-haired witch is also a big gimmick.
In short, although Liang Yusheng is the originator of the new school of martial arts, his innovation and achievements in martial arts are indeed inferior to Jin Yong. No wonder even Liang Yusheng thinks that Liang Yusheng, the pioneer of the new school of martial arts, is also. Carry it forward, Jin Yong also.