Toast, the poet wept bitterly.
On February 1, 1956, ** hosted a special banquet for a number of CPPCC members at the National Committee of the Chinese People's Political Consultative Conference. During the banquet, ** personally toasted each member, when a poet was saluted, the poet was so excited that he couldn't help himself, and after reciting the poem in praise of ***, he couldn't help but throw himself into ***'s arms and cry.
This scene surprised everyone present, including ***. So, who is this poet? Why was he so excited at the feast?
Na Saiyin threw himself affectionately into Ketu's arms, which was moving. Let's take a closer look at the legendary life of this Mongolian poet. Na Saiyin Chaoketu is known as "Mongolian Lu Xun" and enjoys a high prestige and status in the Mongolian poetry circle in China.
He is the founder of the new Mongolian poetry, and his literary creations have had a profound impact on the Mongolian people, opening a new door to literature for us. In February 1914, Na Saiyin Chaoketu was born in a poor herdsman family in Zhenglanqi, Xilin Gol League, Inner Mongolia.
His mother was hardworking and raised six children on her own. As a teenager, Na Saiyin Choktu was very sensible, considerate of his family, and shared family responsibilities.
Although the local population lives in poverty and most people find it difficult to get an education, 15-year-old Na Saiyin Choktu has negotiated with his father many times and successfully entered Zhenglanqi Primary School to receive an enlightenment education.
He was extremely satisfied to be able to receive an education in such a remote place and graduated with honors.
In 1936, he was forced to study at the Pseudo-Mongol Academy, where he was exposed to many progressive books and gradually gained his own direction. He began to embark on the path of literary creation, and when he was studying in Japan in 1938, he saw the huge gap between the modern civilization of our country and Japan, and his heart was extremely painful.
He saw the evils of capital, saw the suffering of the oppressed people, and developed hatred and sympathy for the Japanese invaders and rulers. These experiences have deeply influenced his work and have become an important theme in his work.
Like a sponge, Na Sain Choktu absorbed the wisdom of Pushkin, Byron, Heine, Whitman, Tolstoy, and progressive Japanese writers. After absorbing their essence, he began to compose poems in Mongolian to express his inner feelings.
His works such as "Grass under the Fence" and "The Window" are well-known. In 1939's The Window, you can do this by "Ah! The window will bring to my room the light of the dawn that dispels the boredom of my heart, the brilliant sunlight that ignites the great ideal, and the refreshing air that awakens the fresh consciousness! ”
Feel his passionate emotions and eagerness for a new life. This poem is uniquely conceived, using symbolic art techniques and using "windows" as clues to arrange and combine various clear and rich imagery to express strong emotions.
When readers read this poem, they will also feel a strong spiritual hint and gain the strength to work hard.
Na Saiyin Choketu returned to his homeland in 1941 and his creative focus remained the same. His work experience in Inner Mongolia Publishing House, Propaganda Department of Inner Mongolia Suiyuan Branch, Inner Mongolia Federation of Literary and Art Circles and other units has accumulated valuable experience for his creation.
Although these early works are a little immature and hazy, it can be seen from the poems that his inner pursuit of light and anti-imperialist and anti-feudal consciousness have sprouted, and his yearning for a better future has gradually become clear.
However, his understanding of the light and how it is realized remains vague.
Although he showed deep patriotic feelings in the midst of the national crisis, after all, he did not directly participate in the front line of resistance, so his works may be somewhat out of touch with reality to a certain extent, more like an intellectual in an ivory tower fantasies and cries for the future, full of confusion and worry about the future.
Before the victory of the Anti-Japanese War, Na Sainchoktu had exchanges with the Soviet Red Army, helping them organize the masses and organize materials. During the War of Liberation, he further understood the advanced nature of the Party and deeply admired the great leader
Later, through the introduction of the Soviet Red Army, he was able to study at the Sukhbaatar Party School and had a deeper understanding of the party and the party. He realized that only under the guidance of Marxism and the party's leadership can China move toward a brighter future.
This change in thoughts and feelings also deeply influenced his poetry. In the past, his poetry was often full of passion, but often with confusion and depression, but now, his poetry is obviously more dialectical.
This is the spiritual wealth that Marxism has brought to him. Under the guidance of Marxism, he seemed to have another pair of eyes to understand and observe things, and created poems such as "Ode to Ulaanbaatar", "Dawn" and "Two ** Members".
Na Saiyinchoketu's passion is vividly expressed in his poems, and his heartfelt praise for Chinese socialism and the power of workers and peasants not only reflects his unique language style, but also reflects his innovative spirit.
In October 1949, the People's Republic of China ** was founded, and the great leader of the Chinese people*** announced this historic moment from the tower of Tiananmen Square.
Since then, China has stood tall in the east of the world under the leadership of the party, and the Chinese people have truly become the masters of the country and have stood up. In the midst of this historic change, the people rejoiced, and Na Sain Choktu could not suppress his inner excitement, and his creative enthusiasm was rekindled, and his poems were full of excitement and pride, expressing warm congratulations on the rebirth of the nation.
In the poem "When the National Day is Greeted", Na Saiyin Choketu enthusiastically praises the new changes of the motherland from the old era to the new era. His poems not only show his innocence and love for the party, but also express the support and recognition of millions of herdsmen for the party.
In order to build the grassland, the state sent a large number of outstanding talents to Na Saiyin Chaoketu's hometown under difficult conditions, and worked together to build the grassland, bringing a happy life to the grassland people.
What is even more valuable is that the party has brought not only happiness to the people of the grassland, but also unity among ethnic groups. Under the party's ethnic policy, the people of all ethnic groups gradually let go of their past prejudices, chose to shake hands, and became a family that loved each other.
The poem "Happiness and Friendship" by Na Saiyin Chaoketu depicts a beautiful picture of all fraternal nationalities jointly building the motherland's frontier under the party's national policy.
Na Saiyin Choketu's poem depicts the scene of the Naadam Conference of the Xilin League, where Han Chinese workers and local herders sing and dance together, and the scene is lively and harmonious, making people feel the power of national unity and harmony.
Through rich imagination, the poet vividly depicts this scene, making the reader feel as if he is there. With the help of the party, power plants were built on the grasslands, bringing electricity to the young cities, allowing people to control the electricity and operate those magical machines.
These achievements in construction have embodied the party's selfless assistance and determination to build the grasslands.
In 1956, at the National Committee of the Chinese People's Political Consultative Conference, Na Saiyin Choketu, as a member of the CPPCC, had the opportunity to take a photo with the long-admired people's leader. He was very excited, and wrote a poem in advance "I hold the hand of ***", in which he described the feeling of holding the *** hand, which is like being illuminated by the sun, because this hand has led the people to struggle, wiped away the tears of tens of millions of people, saved the people of all ethnic groups in dire straits, and guided the people to the road of light and happiness.
After seeing ***, Na Saiyin's excitement in Chaoketu's heart could not be suppressed. When *** toasted everyone in turn, his heart was even more nervous and happy.
Eventually, ** walked in front of him. He recited the poem he wrote for *** affectionately, and to everyone's surprise, when he was reciting, Na Saiyin Chaoketu couldn't suppress his excitement and rushed forward to throw himself into ***'s arms and cry bitterly!
This scene surprised everyone, because who would have thought that ordinary people would pounce into ***'s arms? However, ** was only slightly startled, and then acted very calmly.
** Patiently waited for Na Saiyin to vent his emotions at Ketu, and gave him a wise and revolutionary exhortation: "I hope you can carry forward the literature of the Mongolian nation......Words are both emotionally edifying and a powerful tool that can make a huge contribution if used correctly. ”
This sentence is different from ordinary polite words, full of deep meaning and revelation. In the eyes of ***, to achieve the victory of the revolution, two "poles" are needed, one is the "barrel of the gun" and the other is the "barrel of the pen".
Needless to say, after the failure of the Autumn Harvest Uprising, it became clear that the Party must hold the leadership of the army in order to achieve the victory of the revolution. And the "pen" was reflected in the process of going to Chongqing to negotiate.
During the Chongqing negotiations, Chiang Kai-shek invited *** to participate many times, which seemed to be sincere but was actually delaying time. In order to demonstrate the peaceful sincerity of our party, ** still decided to go.
And Chiang Kai-shek hyped it up, trying to shape a ** that was not good for our party. However, the chairman's "Spring and Snow in the Garden" attracted more attention during the negotiations. This poem expresses sincere emotion, showing the momentum of the chairman, and it is widely known during the Chongqing negotiations.
**The reunion with Liu Yazi made both of them feel ecstatic. Liu Yazi took this opportunity to express his thoughts and joy of reunion with the poem "Farewell to Yangcheng in the Nineteenth Autumn, Reunion and Handshake in Yuzhou".
As a return gift, ** gave him the "Qinyuan Spring Snow" he wrote many years ago. He modestly said that this poem was written on a whim when he saw heavy snow in northern Shaanxi.
After reading this poem, Liu Yazi was deeply shocked by its heroic spirit and took the initiative to propose to publish this poem. The chairman readily agreed, and decided to publish the poem in Xinmin Daily.
The publication of this poem has attracted wide attention and enthusiastic responses. In 1936, when the poem was written, the chairman was leading the Red Army east to resist Japan. Although he was well aware of the strength of the Japanese army, in that heavy snowfall, he gave birth to courage and strength to defy the invaders.
Grandpa Mao's masterpieces have been widely circulated, and the patriotic spirit and majestic atmosphere in them are admirable. Each of his poems is full of sincere love for the motherland, such as "thousands of miles of ice, thousands of miles of snow drifting", just eight words can depict the magnificent snow scene of the northern country, making people feel as if they are in that beautiful scenery.
His poems stretch from the snowy scenery of the upper to the lower of the river, showing his great ambition and ambition, which is unparalleled. At that time, Grandpa Mao only created this poem because of the poem, and he didn't think about letting the world know.
But as soon as this poem was published, it amazed the world, and its frank atmosphere and patriotic ambition overwhelmed the society that Chiang Kai-shek had painstakingly created. This is the sharp blade in Grandpa Mao's mouth, he expressed his love and ideals with poetry, and became a hero in the hearts of the Chinese.
It is indeed important to have a strong army in order to win the war, but the direction of the war often determines who is more supported by the people. Using a poem from a few years ago, he successfully reversed the questioning of the Communist Party and won the war.
Even after Chiang Kai-shek heard this poem, he couldn't help but buy a newspaper to read the poem, and after reading it, he could only feel helpless and heartache. This is just as *** taught Na Saiyin Chaoketu, words have power, they can warm people or hurt people, and ***'s poetry is a fatal blow to the Kuomintang.
Of course, as "** words can not only attack the enemy, but also inspire the people and empower them." And Na Saiyin Chaoketu also practiced this, he always stood on the position of the people to speak, since listening to the teachings of ***, but also kept this sentence in mind, and always insisted on speaking for the motherland and the people with a pen, and made great contributions to the motherland.
Now, we are in an important period of social transformation, with serious social differentiation, some people take money worship and hedonism as the coordinates of their lives, and ** is also full of a lot of vulgar remarks that do not stand on the people's standpoint.
What is the "people's position"? It is to take the people as the center, go deep among the masses, absorb the wisdom and correct values of the people, pay attention to the people's weal and woe, and promote the development of the people.
However, in the current literary and artistic activities, some remarks are divorced from the position of the people, blindly advocating nihilism and dissolving justice and nobility. Such literary works, which pay too much attention to material desires, have caused a certain degree of weakening of social morality, and must be highly valued by us.
Therefore, we should keep in mind the teachings of ***, learn the literary concept of Na Saiyin Choktu, adhere to the position of the people, and create works that are truly beneficial to the people.
Editor: Xiaoxian Editor: Lin Hua.