Lot 24 Pu Song Window Landscape.
50.5×67.5cm
In 1959, he painted and colored on paper.
Style: Pu Songzhuang was written in the capital in July 1959.
Inscription: Pusong window color landscape, vertical scroll, authentic, boutique. Treasures of the Joy Hall.
Seal: Pu Yan longevity, loose window.
Aixin Jueluo Pu Yan (1913-1991), a descendant of the Qing dynasty, a descendant of the Manchu imperial family, the fourth grandson of Emperor Daoguang, and a famous calligrapher and painter in modern times. The word pine window, with the word line, the pen name Xuexi, Yaoxian, Jianzhai, and Pu Ling, Pu Xu, Pu Zuo brothers and calligraphy and painting, known as a family of four masters. In 1928, he joined the Songfeng Painting Society. In 1936, he participated in the Chinese Painting Research Association. At the age of 23, he was hired as a lecturer in the Fine Arts Department of Fu Jen University, teaching Chinese landscape painting. He was also a lecturer and professor at the National Art School in Peking and a professor at the art cram school of Peking University. After the founding of the People's Republic of China, he participated in the Beijing New Chinese Painting Research Association, and later became a librarian of the ** Museum of Culture and History, a painter of the Beijing Academy of Fine Arts, a deputy to the Beijing Municipal People's Congress, and a member of the Chinese Painting Association and the Art Association. In 1953, he joined the Beijing Chinese Painting Research Society and served as an executive member and director of the secretariat, and was elected as a director in 1955. In 1958, he entered the Beijing Academy of Chinese Painting. In 1956, he sketched along the route of the Red Army's Long March, and collaborated with Xu Yansun and Wang Xuetao on the "Long March Handscroll". He has successively taught Chinese painting in some normal and art academies in Beijing, Tianjin and other places. In 1985, he was hired as a librarian of the ** Research Museum of Culture and History. It used to be the first in Beijing.
He is a member of the 7th, 8th and 9th National People's Congress, a member of the Beijing Artists Association, the Beijing Calligraphy Research Association, the Chinese Calligraphers Association, the consultant and deputy director of the Creation Committee of the Zhongshan Painting and Calligraphy Society, and the director of the Chinese Elderly Calligraphy and Painting Research Association. His representative works include "Wanma Mountain", "Erwolf Mountain", "Jinggang Mountain" and so on.
Pu Songzhuang studied in a private school at an early age, and inherited his family to learn painting at the age of fifteen. With profound traditional skills and exquisite skills, he has created a large number of works in line with the trend of the times on the basis of inheriting the traditional techniques of Chinese painting. At the beginning of the founding of the People's Republic of China, in order to express the joy of the new society and the reverence for the leader, he created a number of works dedicated to the chairman, and also created large-scale works for the Great Hall of the People. After 1949, he was a librarian of the ** Museum of Culture and History, a painter of the Beijing Academy of Fine Arts since 1958, a deputy to the Beijing Municipal People's Congress, a member of the Chinese Calligraphers Association, and a member of the Chinese Artists Association. He is also good at painting horses. In 1977, his painting "Zunyi" was collected by the Beijing Fine Art Academy, and in 1961, his painting "Dadu Bridge Crossing the Iron Cable" was selected for the Centennial Chinese Painting Exhibition. He is the author of "Landscape Painting Techniques" and so on.
As a unique landscape in the history of modern and modern art, the paintings and calligraphy of the Qing Dynasty royal family have a high collection value.