Chinese painting
Ink Chen Zhuang, an original account focusing on the creation and text of Chinese painting, click to open the homepage, more exciting.
Huang Binhong, a highly influential master of landscape painting in the modern Chinese painting world, put forward the view that "the highest state of ink accumulation lies in the rich Huazi". This point of view is not only the embodiment of his personal artistic pursuit, but also the deepening and development of the traditional aesthetic concept of Chinese painting.
First of all, we need to understand what the "ink accumulation method" is. Ink accumulation is a Chinese painting technique, which mainly uses the superposition of ink color layer by layer to make the picture richer and more realistic in texture. In Huang Binhong's works, the use of ink accumulation has reached the extreme, and he makes the picture deep and subtle through repeated rubbing and dotting, leaving a deep impression on people.
And "rich Huazi" is the aesthetic realm pursued by Huang Binhong. Among them, "vigorous" refers to the rich layers of the picture, the thick brushwork, giving people a calm and full feeling; "Watts" emphasizes the moistness and fluidity of the ink in the picture, making the whole picture appear vibrant.
The reason why Huang Binhong emphasizes "rich and rich" as the highest level of ink accumulation is because these four words just express his deep understanding of Chinese painting art. In his opinion, an excellent painting should not only be skillful, but also have connotation and depth. It is the embodiment of this connotation and depth, which can make the viewer feel a kind of spiritual satisfaction and spiritual shock when appreciating the paintings.
At the same time, Huang Binhong's view also reflects the traditional aesthetic tendency of Chinese painting. In traditional Chinese culture, "heaviness" and "moisturizing" have always been emphasized, which are considered to be symbols of quality and cultivation. Huang Binhong's ink accumulation method is the concrete expression of this traditional aesthetic, and "Rich Huazi" is a further refinement and sublimation of this aesthetic.
In general, Huang Binhong's view that "the highest state of ink accumulation lies in the richness of Huazi" is not only the embodiment of his personal artistic pursuit, but also the inheritance and development of the traditional aesthetic concept of Chinese painting. This point of view is of great guiding significance for our understanding of Chinese painting art, especially the technique of ink accumulation.