The audience watched the TV series "South to North" during this Spring Festival, as if they were on a time machine and traveled to the era of railway development and fireworks in the world.
In this picture full of history, the faces of some characters seem to be out of line with the times, which has caused a lot of "aesthetic controversy"!
The TV series "South to North" not only immerses the audience in the changes of history, but also leads the audience to take an "aesthetic express train" through time and space, as if they are in the historical scene.
Jin Chen played Ma Yan, although he played a role that experienced ups and downs in life.
However, her one-line eyebrows and pointed face are like time travelers staying in a modern beauty salon to rest.
The audience can't help but shake their heads, as if they see a "time-traveler" insisting on staying at the "fashion frontier" of the 21st century.
Jin Chen's role in the play is in stark contrast to her slender figure.
She is more like a spoiled rich lady than a strong and decisive woman in life.
Whenever she makes exaggerated expressions, it seems to make her face fall into a state of stiffness and distortion.
This makes people sigh, is it such a wonderful performance in acting, or is it participating in a facial yoga competition?
Maybe there was a little mistake in the casting of director Zheng Xiaolong, and the image of the heroine is very different from the requirements of the role.
It's like a game of "finding faults", and no matter how good the performance is, it's hard to hide this visual difference.
Perhaps when choosing an actor, the director's eyes are confused by appearance, and he sees appearance as the only criterion, ignoring the intrinsic fit between the character and the actor.
When watching the play, the audience will experience drama because of this visual "dislocation", and they can't help but want to vote for the director's casting, "Please bring your glasses".
The difference in the picture between Hu Ke and Ding Yongdai is ridiculous!
Hu Ke is 48 years old, and he is as well maintained as a young junior, which is in stark contrast to the 65-year-old Ding Yongdai, as if people feel that time and space are out of order.
The audience was amazed, Hu Ke's ** is younger than Ding Yongdai, is it from the future"Skincare gurus"Did you cast a magical trick on him to go back in time?
In this world of "time and space", the old actors presented a vivid history lesson to the audience through wonderful performances.
Their makeup and image are more in line with the aesthetic standards of the time, as if they have become a living part of history, which makes people deeply feel the vicissitudes and heaviness of the years.
However, it is undeniable that one of the highlights of this drama is the excellent performance of the supporting characters.
When Zuo Xiaoqing played Shen Xiuping, she showed amazing acting skills and status, she did not rely on the blessing of beauty filters, but she was still radiant, as if she had gone back in time to her youth.
Yao Yuling played by Jiang Yan is eye-catching.
There was no trace of her countenance, as if the years had been so kind to her that she had maintained her natural appearance.
I can't help but sigh that this is the real charm of the "beauty of time".
"South to North" pursues the aesthetics of time and space, which not only integrates the vicissitudes of history, but also injects modern fashion elements.
The audience had a unique audio-visual feast, with laughter and exclamations one after another.
The current film and television industry seems to be generally popular for plastic surgery, which is like a collective facial makeover.
The question of whether to play a TV series role or participate in a human version of The Sims is confusing.
Yang Mi's new drama has been launched, and the audience is confused because each actor's face looks like it has gone through the processing line of the same plastic surgery hospital.
Do the characters need to polish their faces into a standard template before signing a contract?
This doesn't seem to be acting in a TV series, but more like participating in the filming of the reality show "Plastic Surgery"!
In this drama, plastic surgery faces abound, just like a grand plastic surgery event.
Each character has left traces of a more or less "makeover".
The audience almost can't help but want to send a box of sleeping pills to the screenwriters and makeup artists, so that they can rest in peace and no longer destroy the audience's retina at will.
What's even more absurd is that some characters play the roles of officers, war correspondents, etc., but they obviously have traces of plastic surgery.
Such a face that is out of place with the times is really inappropriate and will make people feel displaced.
In this era of plastic surgery, viewers can't help but wonder: what if these characters go into battle and the prosthesis falls off?
Maybe it would be helpful for the directors to consider adding some plot twists.
For example, in an emergency, a character with a plastic surgery face is unrecognizable due to the fall of the prosthesis, which makes it difficult to distinguish between friend and foe, and finally settles the fight in a comical way.
Perhaps it can be used as a new theatrical element, titled "Plastic Surgery: Prosthetic Crisis".
In the current film and television industry, plastic surgery has become a rampant phenomenon, there are even more ghosts than ghost movies, and even costume dramas are not immune.
From "Shangshi" to "Yanxi Raiders", to "The Legend of Chu Qiao" and "Menghualu", plastic surgery is no longer an isolated phenomenon, but has become a common and elusive trend.
Let's enjoy "Menghualu" first, Xu Haiqiao and Sun Zujun's performances are simply hilarious!
Their faces are as flawless as if they have been carefully polished by a plastic surgery factory, and they amaze the audience as soon as they appear.
Although they vehemently denied undergoing plastic surgery, the audience's eyes were bright!
Liu Min and Zhang Zhixi are simply models of plastic surgery in "Shangshi".
Between those well-groomed ** and the faces in the main play, it's like two very different people.
The plot of plastic surgery is so funny in a historical drama that the audience begins to wonder if the plot is wrong.
Yanxi Raiders" and "The Legend of Chu Qiao" are also full of plastic surgery faces. And that's not all.
Whether you play the leading role or the supporting role, you can see those faces that have undergone medical aesthetic treatment.
We must think deeply and face this situation!
Everyone has a desire to love beauty, but it needs to be moderate when undergoing plastic surgery, otherwise it may turn into a "stumbled face". Facelifts should be done in moderation.
In the process of pursuing perfection, it is wiser to maintain a certain degree of rationality, and not to blindly pursue perfection to the point that it becomes unrecognizable.
In the program "Where to Start", Zhang Yimou expressed his position without concealment: "I am firmly against cosmetic surgery! ”
His sharp principles are admirable, and they are also reminiscent of the group of "Mou Girls" he cultivated.
Their beauty is so natural that it has been recognized by the public, and it can be said that Zhang Yimou really has a unique vision in casting!
Actress Gong Li represents generations of talent and ingenuity. Despite being over 50 years old, her former charm is still like a shining jewel, always exuding a dazzling light that deeply attracts the attention of the audience.
Her ** work "Red Sorghum", in cooperation with director Zhang Yimou, can be described as a gorgeous artistic journey.
The film was not only widely acclaimed, but also won the first Golden Bear Award in Chinese film history on the international film stage, pushing the two of them to the peak of fame in one fell swoop.
Gong Li may not be the kind of beauty who falls in love at first sight, but her Chinese taste and temperament that combines rigidity and softness make her unique in the film industry.
Maybe she is not the kind of beauty who falls in love at first sight, but her Chinese style and temperament that blends fortitude and femininity make her unique in the film industry.
Her acting skills are obvious, and she has played ** so wonderfully, which is the best proof.
Zhang Ziyi, as another Mou girl, is the white moonlight in everyone's minds, and her natural beauty is unforgettable.
Her appearance is very up to par, so no matter what role she plays, she can easily handle it.
Her business ability is beyond doubt, and the classics that prove her strength are "My Father and Mother", "Crouching Tiger, Hidden Dragon", "Memoirs of a Geisha", etc.
Zhou Dongyu started her acting career from the movie "The Love of the Hawthorn Tree".
Her appearance may not meet the standard of beauty in everyone's minds, but her naturally coordinated facial features and a sense of youth and agility that matches the role make her one of the Mou girls.
Ni Ni and Liu Haocun and other Mou girls have their own characteristics, they are either ** or pure, but they all have the characteristics of natural atmosphere and high photogenicity. In addition, it is important to note that this is not the case with all of them.
It is necessary for us to think deeply about Zhang Yimou's opposition to plastic surgery and his requirements for the appearance of actors.
He believed that physical appearance was given by his parents, so it was not appropriate to change it at will.
He also has a unique view on the appearance requirements of actors, believing that the big beauties in daily life may not be suitable for the enlargement of the movie screen, so he insists on choosing actors without plastic surgery.
After all, plastic surgery in front of the camera often can't stand the test, and true beauty is the most impressive.
Thanks to the sharp and keen eyes of the "National Teacher", because he has cultivated a group of powerful and peerless Mou girls!
Celebrities understand that plastic surgery can have an impact on their careers, but on screen, actors not only have to endure the test of their roles, but also face the challenges of their own appearance.
The TV series "Plum Blossom and Red Heart" has aroused heated discussions about the issue of plastic surgery face, and it has also made people start to think about how many stories are hidden in "face".
Zhao Yihuan was once known as the campus goddess, but as the years passed, her 35-year-old face gradually lost its former brilliance.
The traces of her plastic surgery are nowhere to be hidden under the high-definition lens, which has caused people to sigh and criticize.
People deeply feel that the price of pursuing perfection is inadvertently revealed, and will eventually reveal vulnerability and helplessness under the baptism of time.
In the TV series, the effect of plastic surgery has been criticized, and actresses such as Huang Yi, Zhang Meng, and He Lin are not alone, and Zhao Yihuan has also been criticized.
The audience asked curiously: can these facelifted faces stand the test of the camera? I'm afraid even the camera will be disgusted with them.
At the same time, some female stars have won the love of the audience with their powerful performances.
They may not be so amazing in appearance, but Wu Yue, Sun Li, Yin Tao and Song Jia have impeccable acting skills.
They know that as actors who make a living from their faces, it is wise to show their facial expressions carefully.
What we need to think about seriously is that while pursuing external beauty, we should not forget to improve our inner cultivation.
In front of the movie screen, it is not only the face that is shown, but also the brilliance of talent.
Zhang Yimou