In the drama "Flowers", when Sanyang brand clothes created a sales miracle and broke through the 10 million mark, the whole team was immersed in jubilation. Mr. Bao is full of joy and refreshed, like the rising sun.
Mr. Bao dragged Miss Wang into the bustling Nanjing Road, as if to share this joy with the world. The crowd was surging, Miss Wang's bag fell during the run, she bent down to pick it up, and Mr. Bao stopped and turned around to wait for her.
At this moment, Miss Wang seems to be bathed in the soft light of the sunset, like a beautiful oil painting. Her smile was as bright as a flower, innocent and affectionate.
And Mr. Bao, he stared at Miss Wang intently, with subtle emotions in his eyes. His gaze is like a paintbrush, delicately depicting the beauty of this moment.
However, when Hu Ge talked about the filming process of this scene in an interview, he said that when he looked back at Miss Wang, his eyes did not actually fall on her, there was someone else in his heart, so who made this scene so subtle and beautiful?
In the drama "Flowers", Mr. Bao has subtle emotional entanglements with four women. Although he is close to Reiko and Miss Wang, Bai Yueguang Xuezhi and Li Li also occupy a place in his heart.
At that special moment, Mr. Bao pulled Miss Wang to run on Nanjing Road, and the joy seemed to overflow and share with the world. Their interaction is so beautiful that people can't help but imagine, who is the person in his eyes?
Miss Wang's eyes are full of Mr. Bao's figure. That liking, that expectation, are all hidden in those bright eyes. But Mr. Bao's mind is like a hidden secret, which is impossible to guess.
The window paper between them has never been pierced. That hazy emotion is a big suspense in the play. And at that special moment, who is the person in his eyes? Perhaps, only Mr. Bao himself knows.
On the filming site of "Flowers", director Wong Kar-wai strictly controlled every shot with his usual rigorous and excellence-seeking attitude. As the first TV series he directed, this work poured a lot of effort into him.
On the set, the dialogue between Hu Ge and Wong Kar-wai thought that it would revolve around the interpretation of the character, but he never thought that Wong Kar-wai was more concerned about the story behind him, his upbringing, family background and emotional world. At this moment, Hu Ge wondered if all this was for the creation of the character.
The running back scene with Miss Wang, for Mr. Bao, the mood is complicated. He never explicitly expressed the emotional belonging in the play, as if everything was hazy. When Wong Kar-wai was directing this scene, he left Hu Ge with a huge space for imagination.
When you look back, what you see is not Xiao Wang, nor Xuezhi. Wong Kar-wai's words were like a mystery, making Hu Ge fall into thought. What exactly did he see? Is it a vague image, or is it an inner self?
Under the lights of the scene, Tang Yan incarnated as Miss Wang, and Hu Ge seemed to see his mother in the light and shadow, and the warm figure led him young. At that moment, his tears flowed uncontrollably.
Wong Kar-wai patted him lightly on the shoulder, as if reading his heart: "I know what you see!" That's it! At this moment, Hu Ge understood Wong Kar-wai's previous intentions, those pasts that seemed to have nothing to do with the role were actually the foreshadowing of emotions and inner world.
Hu Ge's mother suffered from breast cancer when he was young, and the disease has been with them ever since. As a result, he has a deep affection for his mother. When he was young, he accompanied his mother through a long road, and the hospital at that time became their common "home".
During the college entrance examination, in order to better take care of his mother, he gave up the ** Drama Academy and chose the Shanghai Theater Academy, which is closer to home. This filial piety and responsibility are touching.
When choosing whether to be an actor or a director, he also chose an actor out of the need to solve the financial difficulties for his family earlier, in his own words, to compromise with reality.
When his mother's condition worsened and he was unwilling to seek medical treatment, Hu Ge was admitted to the hospital with his mother on the grounds of his physical condition. He overcame his fears and anxieties in order to be able to give his mother more companionship and support.
In a chat with Wong Kar-wai, Hu Ge confessed that after his mother died, he had dreamed of walking on the streets with his mother. This dream seems to have become the softest memory in his heart.
Wong Kar-wai is well aware that this experience of Hu Ge bears a striking resemblance to the emotional entanglement in "Flowers". So, when filming the running back scene, he gave Hu Ge enough space to release his emotions.
When Miss Wang and Hu Ge's eyes met under the light, he seemed to see the overlapping figures of himself and his mother when he was young. That affection and longing turned into tears and slid down.
Wong Kar-wai gently patted Hu Ge's shoulder, as if he understood his heart: "I know what you see." This tacit understanding and understanding made Hu Ge deeply appreciate the unique charm of director Wong Kar-wai. He perfectly blends the emotions of the actors with the characters to create works that touch the heart.
When Hu Ge asked, "Who am I seeing?" Wong Kar-wai replied softly: "What you see is the good time spent with your mother, the memory that you can never go back to." ”
Such an answer touched the softness in Hu Ge's heart, and let his thoughts drift back to those warm moments spent with his mother. That affection, that longing, are all condensed in this memory that can't be returned, and have become the eternal treasure of Hu Ge's heart.