The quality of today's TV dramas is gradually declining, and the audience has had enough. However, when they turned to the classic old drama, they were unexpectedly haunted by some ridiculous lines!
The unpredictable prophet has become the focus of Lei Ren's lines, and the characters in the play have not yet started the War of Resistance, but they already know that the War of Resistance will last for eight years, this kind of history is really breathtaking. Although the screenwriter flaunts his vast knowledge, he exposes logical loopholes.
The emperor actually shouted at the Samoyed white fox, this is simply talking nonsense with his eyes open! Did the ancients really not know foxes? What's more, there is also a deliberately erased line design, which makes the audience look at the question marks on their faces, and they can't wait to turn off the TV.
The audience turned on the TV and wanted to recall the classic and good dramas, but unexpectedly found that the lines used by the screenwriter to attract people's attention were too vulgar!
At first glance it may sound suspicious, but a closer look reveals that it is all meaningless.
How did you find out that I was portrayed as a woman in **?
This popular meme, also from an old show, shows confidence in his skills as the man in red asks suspiciously. I can't think of it!
Despite the many flaws in his clothing, his short hair and face without makeup alone reveal his masculine identity. It would be self-deceptive to ask others how to identify him at this time.
This scene was made into an emoji because the picture was so outrageous, which can be regarded as a blessing in disguise.
In addition to those who deliberately ask questions, there are also those who are breaking through common sense. At first, just to express his feelings, he said that his grandson's eyebrows were like grandpa's, which sounded quite warm and was not a big problem.
However, the audience realizes that the camera is a close-up of the baby in their arms, which makes them realize that the dialogue is not reasonable at all, because the newborn has eyebrows, and even the hair is still very thin.
Some people were so happy that they hurried to admit their relatives; Others watch others get sick and talk nonsense. In this drama, the middle-aged man is even about to roll his eyes, and it may be too late for rescue, but the family next to him said that he was happy, and he really didn't know what they were thinking.
Even if you say that you don't have something, the poor coordination between the copywriter and the props team leads to the conflict between props and lines, and it is not uncommon to reverse black and white.
In "Joy Every Day", just now he said that this poison has no color and taste, but the next second, I saw him take out a bottle of colorful liquid. Although "Joy Every Day" is a comedy, it can't play tricks with the audience.
Some screenwriters' line design is even more empty than that of college students, often adding some nonsense that is said but meaningless, and even clichés such as "the lock can only be opened with a key" will be written, which is simply a waste of the audience's precious time and life.
The actors even took the wrong two props, but they still tried to hold back their smiles, performed their lines seriously, and shouted "white fox" at a white Samoyed, which made it seem that the emperor might not have learned much in biology class.
Although the fox was somewhat difficult to borrow, Samoyed was obedient and able to cooperate with the show. But even so, even if the director puts a little effort into using special effects, the beauty is also transformed from a fox, isn't it?
Even the much-loved "Detective Di Renjie" has had this kind of line error, and it is all inconsequential nonsense after some reasoning, could it be that the ancients committed suicide just to cheat insurance?
When writing lines, the screenwriter not only often uses words that sound unnatural, but also ignores the situation, causing the actor to say something completely unfamiliar.
The screenwriter is obviously ignoring logic, but he seems to be able to predict the future.
Some of the line designs focus on "time and space travel", and the screenwriters' line designs are illogical, and the actors seem to be building a castle in the air when they say it.
Dong Zhuo's sentence "I can't think of Shu" in "New Three Kingdoms" amused the audience, because this allusion actually did not appear at all when Dong Zhuo was alive, and only later after the emperor of Shu Liu Chan was captured, did he have this statement!
There is more than one character with clairvoyance ability in costume dramas, and Teacher Siqin Gaowa once said such speechless lines, maybe she was not fully prepared when acting.
When she was still alive, she called herself Xiaozhuang, which is a bit of a hellish joke. After all, the title of "Xiaozhuang" was only given after her death. Was she a prophet or a momentary fool?
When the screenwriters wrote the script of the Anti-Japanese War, they were also ruthless, and when they shouted, they bluntly declared that the eight-year Anti-Japanese War was about to begin, and the comrades who heard these words may still feel very happy.
This shouldn't have happened at this time, how could it be possible to guess the finale in the first episode? Revolutionary martyrs don't swear to make up stories like screenwriters.
In the hands of the writer of more than one anti-Japanese drama, I wanted to praise this screenwriter for understanding that time cannot go against the current, but the next moment the officer began the "countdown to the Anti-Japanese War", why do these screenwriters always make ** diseases, and they have to pile up collectively!
The screenwriter's "hindsight" also caused harm to the Xi'an Incident, and they used the wisdom of later generations before the matter was resolved, whether this is to praise the screenwriters' mastery of history, or to reprimand them for not using their brains at all.
Some screenwriters ignore the situation and character position in the line design, and the result always makes people feel that the plot jumps inexplicably, which also causes the whole drama to seem perfunctory and casual, exposing the problem that the crew is not attentive enough.
However, the screenwriters who were able to portray the rebellion as an uprising were already good, and they at least did not make mistakes on purpose. And what is really puzzling is the next screenwriters who don't understand humor but insist on showing humor, they are the ones who really ask for their own hardships.
The line design is too thunderous, is it humorous or embarrassing?
There is a puzzling line design in "Life of Pi", which makes the audience scratch their heads: Is this sentence directly challenging the existence of physics when the weather is hot and afraid that the child will freeze?
I'm not sure if the screenwriter intended to use funny to lighten the mood, but this kind of humor requires acting and careful design, and the slightest negligence can be embarrassing, and it is better to genuinely care about children.
In the thunder drama, it is not the first time that physics has been injured again, for example, in an anti-Japanese drama, there is a marksmanship that can change the direction of a bullet, which surprised the audience very much.
Regardless of whether the gun fighting technique is real or not, this skill can exist, but it is really not necessary in the anti-Japanese drama. Because the victory of the ancestors has nothing to do with this off-the-beaten-path skill, overemphasizing this will only reduce the significance of the show.
In addition to gun fighting, there is also the ability of a sharpshooter. If you have such skills, why bother to fight again? Wouldn't it be okay to just take the little devil's hometown?
In addition, more than one anti-Japanese drama deliberately exaggerated the facts. In another drama, the soldiers are portrayed as being able to carry 300 pounds of supplies, and it is not surprising that these screenwriters who lack common sense make anti-Japanese dramas emerge in endlessly.
This kind of unreasonable exaggeration not only exaggerates individual heroism, but also downplays the hard work made by the predecessors in the War of Resistance Against Japan.
As a "difficult brother" in physics, biology is also often the object of betrayal in TV dramas, most people only have two hands, and it is obviously impossible to connect 12 severed hands to the same corpse.
Does the conclusion that the audience can see need to be told as a new discovery? Or is the screenwriter actually a centipede, did he borrow his 13th hand when writing the script?
The drama "Step by Step Horror" also made mistakes in the lines, although the crossing is a fictional event, but the heroine should have been educated before crossing over, and theoretically she knew that she could not emit brain waves, is this that science does not exist?
Is it appropriate for some TV shows not only to subvert the norm, but also to use vulgar and eye-catching lines, such as the kind of abusive lines in "Joy to Fight", which may be misleading?
"Huanzhu Gege" also has some vulgar content, and many of the lines in it are really a bit excessive and even a little difficult to speak, so it is not surprising that many viewers feel difficult to face when they grow up, but fortunately, they were not too impressed when they watched TV when they were children.
Qiong Yao's other drama "Crescent Moon Gege", the lines subvert people's concepts even more, someone actually does their best to become a third party? The thinking logic of the character is simply like the female version of Li Xunhuan.
Why is she the female version of Li Xunhuan? Because Li Xunhuan's sentence "You came just in time" has been widely spread, and the scene of the three people hugging each other is even more embarrassing. Although the actor Jiao Enjun is a handsome guy, his bold play with emotions still makes people feel overly excited.
When the screenwriter was creating, he not only did not hesitate to describe the elements of blood and love triangles in the plot, but he was also confident and exaggerated enough even in scenes like playing backgammon.
The most hilarious thing about this emperor of the Qing Dynasty is that he apologized to his ancestors verbally, but the next moment he followed modern etiquette in a regular manner.
It's better for the screenwriter to lead by example and knock a slap to the stunned audience first, than to go out of his way to make up meaningless vulgar jokes.
In this era full of entertainment elements, some film and television dramas will deliberately add absurd and ridiculous lines to please the audience.
However, jokes are not limited to words, shots and actions also occupy an extremely important position.
Sometimes, ridiculous lines don't bring joy to the audience, but only make them feel like the writer is insulting them.
Instead of relying on eye-catching lines to "hype up and become famous", it is better to carefully carve the connotation of film and television dramas.