The fiasco of the Spring Festival file of "Mr. Red Carpet".
"Mr. Red Carpet" became a lost star during this year's Spring Festival, and its withdrawal twice triggered criticism from CCTV and questions from the audience, which made people think about the challenges and dilemmas of the Chinese film market.
The reverse of the gear withdrawal turmoil
"Mr. Red Carpet" was originally set for the New Year, and everyone expected it. Who knows, on the eve of the release of the movie, the filmmaker frequently withdrew the file, and finally fell into the abyss of the Spring Festival file. This absurd move not only confused the audience, but also stunned the entire film industry. It was supposed to be a grand ceremony to welcome the Spring Festival, but it fell into chaos and embarrassment, CCTV criticized by name, and doubts arose. Although the movie aimed at the popularity of the Spring Festival stalls, its final box office was only 84 million, becoming the dark horse of the Spring Festival stalls. Such an achievement is jaw-dropping, like a short-lived bloom. What's even more surprising is that the movie did not conform to the market, but chose to withdraw again. This kind of self-defeating behavior is simply incredible.
The mystery of high costs and salaries
The film lost more than 2300 million, a number that can't help but surprise people. The high cost is the key to digging out the causes. The production team actually invested half of the overall budget in the salary of director Ning Hao and starring Andy Lau, which makes people question whether such an investment is cost-effective. The genre of this movie is a drama comedy, but the cost is not much different from those blockbusters with cool special effects, which has also become a major reason for the dismal box office. The failure of "Mr. Red Carpet" not only embarrassed the director and leading actors, but also plunged the entire Hong Kong film industry into heavy thinking. The glory of Hong Kong films in the past has now become a thing of the past. Due to the rise of mainland actors, Hong Kong films have gradually lost their former dominance during the Spring Festival. Andy Lau's failure makes people question whether the high salary of Hong Kong film superstars is still reasonable. Although Hong Kong film superstar Stephen Chow has not been affected, his brilliant performance as an actor is still unknown.
The Hong Kong film industry is intertwined with challenges and crises
The works of Hong Kong film superstars have repeatedly hit a wall in the mainland market, and the rise of young actors has led to a sharp decline in the appeal of the older generation of superstars. This is undoubtedly a huge challenge for the Hong Kong film industry. In the past, Hong Kong films won huge box office in the mainland market with big productions, but now they can only rely on selling feelings to maintain. And the high salaries of superstars seem to be a little unjustifiable in the case of a shrinking market. Perhaps, the failure of "Mr. Red Carpet" this time will be an opportunity for the Hong Kong film industry to usher in profound changes. In this messy Hong Kong film industry, Stephen Chow may be the only hope. Although the works of Hong Kong film superstars have failed in recent years, Stephen Chow has always kept a low profile. He has a king bomb, that is, he starred in movies himself. He hasn't starred in a movie for 16 years, and he may be waiting for a suitable moment. If there is a suitable script, I believe Stephen Chow will definitely come out of the mountain. Perhaps, it is his return that can become the last glimmer of glory in Hong Kong films.
The mystery of the cost of overpay
The box office fiasco of "Mr. Red Carpet" has pushed the issue of high salaries into the spotlight. Ning Hao's directorial fee is more than 24 million, and Andy Lau's salary is as high as 60 million, and the two together account for half of the production cost of the entire film. This kind of high salary has caused strong controversy in the industry, and people can't help but wonder whether such an investment is in line with the laws of the film market and whether it has become the fuse for the failure of the film? The genre of the film is positioned as a sepidrama, however, its up to 2The cost of 600 million is incompatible with its light-hearted and humorous style. The huge production cost and the incongruity between the film genre make the audience feel that the expectations of the film are contrary to the reality. This also makes people start to reflect on whether the production cost of a film should be more in line with the characteristics of the genre to which it belongs in order to achieve better market returns.
Whether the high salary matches the market return
Whether the increase in salaries has led to an increase in the box office has become a focus of much controversy. Although the joining of superstars such as Andy Lau can add a lot of color to the film, whether the audience pays for it has become a worthwhile question. The fiasco of "Mr. Red Carpet" has become a microcosm of the relationship between high salaries and market returns, raising doubts about celebrity salaries and making producers re-examine whether they should rely too much on superstars. The film industry is no longer just a stage for stars, but also about the power of creativity, storytelling and directing. The failure of "Mr. Red Carpet" has refocused attention on the creativity and production of the film itself. Whether a high salary should be the only indicator of a film's success may need to be revisited. Whether the film can break the star effect and focus on the more core creative value will be a question that the film industry needs to think about in the future.
Huge losses and film market risks
This time the film lost more than 2300 million has sounded the alarm for the entire film industry. The risks of the film market should not be underestimated, and whether the system of high remuneration needs to be re-regulated has become an important issue in the industry. From the failure of "Mr. Red Carpet", people may be able to see some loopholes in the production of films, and can also put forward more profound thoughts about the future film market. In the glory of Hong Kong films in the past, superstars such as Chow Yun-fat, Jackie Chan, and Stephen Chow took turns to sit on the throne of the champion of the Spring Festival stalls, which was the first era of Hong Kong films. However, with the rise of mainland actors, the appeal of the older generation of superstars has gradually been diluted, and Andy Lau's failure can be described as the epitome of this trend. Hong Kong film superstars used to be the box office guarantee, but now the market has become more brutal, can the glory of the older generation continue in the new era?
Behind the high salary is the gradual decline of the Hong Kong film industry
Andy Lau's salary is as high as 60 million, and Ning Hao's directorial fee is over 24 million, such a high salary is not uncommon in Hong Kong films. However, with the changes in the mainland market, this seems to have become somewhat impractical. The decline of the Hong Kong film industry has made superstars hesitate between salary and box office. In the past, big productions were able to bring in a decent box office, but now they need more emotional selling points. Whether Andy Lau's high salary is still reasonable in the market has become the focus of debate in the industry. The Hong Kong film industry is facing huge challenges, and the failure of "Mr. Red Carpet" is undoubtedly part of that challenge. In the past, Hong Kong films achieved great success in the mainland market with large-scale productions, but now the changes in the market environment have forced Hong Kong films to reposition. The high remuneration of superstars has also become a burden, and in the case of a shrinking market, Hong Kong films need more innovation and change. Perhaps this failure can become an opportunity for the Hong Kong film industry to usher in a new era, and whether the superstars can follow the trend is a question worth pondering.
The glory of Hong Kong film superstars and the changes of the times
Once, the glorious moments of Hong Kong film superstars such as Chow Yun-fat and Jackie Chan made their names the representatives of the Spring Festival stalls. However, with the passage of time, Hong Kong films have gradually lost their former glory, and the works of the older generation of superstars have suffered repeated setbacks in the mainland market, and the audience's enthusiasm for them has also cooled. Perhaps, the only one who has not been affected is Stephen Chow, who has always kept a low profile, but in the era of Hong Kong film recovery, what kind of suspense will his future be? Stephen Chow is a legendary figure in the history of Hong Kong films, and his works such as "The King of Comedy" and "Journey to the West" once became a box office responsibility. However, since 2008's "Yangtze River No. 7", Stephen Chow has not starred in a movie again for 16 years. His performance in 2019's The New King of Comedy did not live up to expectations, and audiences began to pay attention to whether he would appear in the film again. Today, when Hong Kong films are at a low ebb, whether Stephen Chow can rise again and become the savior of Hong Kong films, this unknown has aroused widespread expectations.
The ordinary performance and audience expectations under the director's identity
Although Stephen Chow has always kept a low profile, his performance as a director has not achieved results comparable to that of an actor. "The King of New Comedy" performed mediocre in the 2019 Spring Festival, which made the audience's expectations for him to star in the movie again more and more. In the recovery of Hong Kong films in the new era, whether Stephen Chow can pick up the burden of savior and become a key figure leading the industry is a question that makes people look forward to it. The recovery of Hong Kong films is urgent, and Stephen Chow's role as a representative figure is particularly important. Whether his re-starring movies can meet the audience's tastes and find creative highlights in the new era will directly affect the future of Hong Kong films. In the hearts of the audience, he is still the talented director and actor who can bring a new atmosphere to Hong Kong films.
Stephen Chow's unique charm and the possibility of recovery
Stephen Chow has always been loved by the audience for his unique comedy style and acting skills. His works such as "The King of Comedy" and "Kung Fu" have not only been successful at the box office, but have also left a deep mark. At a time when Hong Kong films are in a trough, can Stephen Chow use his unique charm to rekindle the audience's enthusiasm for Hong Kong films and become an opportunity for the industry to recover? It may depend on whether he can find a creative direction that suits the tastes of the new era. The Hong Kong film industry has suffered many blows in the mainland market, and what is needed is not only the personal charm of a superstar, but also the comprehensive recovery of the industry. Whether Stephen Chow can shoulder this mission and become the savior of Hong Kong films depends not only on his personal decision, but also on whether the Hong Kong film industry can follow the trend of the times and dig out innovative points that meet the needs of the audience. For the Hong Kong film industry, Stephen Chow's future may be a weather vane worth observing.
The bursting of the bubble and the value of Hong Kong film superstars
The high salary of Hong Kong film superstars was once the vane of the industry, but with Andy Lau's defeat in the Spring Festival, this high salary was questioned whether it was just a bubble. Today, when the film market tends to be rational, the audience's trust in whether the high salary can still reflect the true value of superstars is facing a severe test. With the rise of young actors, the position of the older generation of Hong Kong film superstars in the market is gradually in jeopardy. Andy Lau's failure in the Spring Festival is undoubtedly an accelerator for this trend. Whether the audience is still willing to accept the older generation of superstars, and whether they think that their high salaries still have market value, has become a question that the Hong Kong film industry needs to deeply reflect. Will the works of Hong Kong film superstars fail year after year, will it become a symbol of the redefinition of Hong Kong films in the new era? This is a matter of concern. Whether the glory of the past can still continue, and whether the superstars can find a creative direction that meets the tastes of the new era, has become a key factor in determining the future direction of Hong Kong films.
The innovation of the older generation of superstars and the needs of the market
In order to continue to gain a foothold in the market, whether the older generation of superstars can innovate and adapt to the needs of the market has become an important task in front of them. Audiences' needs for movies are constantly changing, and whether superstars can keep up with the trend and find new creative inspiration has become the key to determining whether they can re-emerge in the new era. The audience's sense of trust is one of the important factors affecting the status of a superstar. Whether the high salary can still reflect the true value of the superstars, and whether the audience is willing to pay higher ticket prices for the superstars, needs to be verified in the market. The direction of the Hong Kong film industry, whether it can still rely on the older generation of superstars, and whether high salaries will become a relic of the past are all uncertain factors in the market direction.
Is the failure of "Mr. Red Carpet" a harbinger of the entire Hong Kong film
Every failure in the film industry is a wake-up call, and whether the failure of "Mr. Red Carpet" is just a case or a harbinger of the plight of Hong Kong films as a whole has become a controversial topic. The reform of the film market is imperative, and whether Hong Kong films can adapt and find a new direction of development is a profound question facing industry insiders. Perhaps, failure is not the end, but the beginning of a new life, and Hong Kong films are expected to regain their own light in the future.
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