At the end of South to North Yao Yuling, Jiang Yan proved that plastic surgery is not a fig leaf f

Mondo Culture Updated on 2024-02-27

At the end of the TV series "South to North", it is still the role of Yao Yuling that is the most touching, and its ending is also the most moving and embarrassing.

In the end, Yao Er's disgraced face, simple and bleak appearance formed an incomparably cruel and stark contrast with the bright and generous, charming and charming glorious posture in the early stage.

Licking the dog and turning into a diamond king, the goddess becoming a sloppy village woman, the defeated Yao Yuling and Niu Dali, who had chased her death and begged Bai Lai unsuccessfully, and finally walked to the peak of her life to marry a coquettish wife, must have mixed feelings.

Seeing this scene, I should have felt happy to applaud, after all, the drama of "You at the beginning, you ignored me, and now I am high, you can't climb high" is a shuangwen setting that will never be tried and tested, but at that moment, as an audience, I just felt embarrassed for Yao'er.

But reuniting with Niu Dali, the last thing she should do is to have low self-esteem and dodge, and then run away.

Doing her own barbecue business, having a considerate and sensible son, living self-reliantly, Yao Yuling is not worse than others, and even she is much better than the seemingly glamorous and beautiful self in the past.

In the end, she was able to make a living with her own hands, instead of relying only on men, and she really landed.

Yao Er doesn't need to let herself be low to the dust at all, but should calmly chat with her old friends, talk and laugh, and then the two laugh and enmity, let go of the past, no need to look back, just look forward.

However, this is probably only the ideal situation.

After all, the reality is very cruel, Yao Yuling was really smoothed out by suffering, and her vitality was consumed by bad luck.

She was carried and pushed by the great waves of life, without the slightest initiative, passively and numbly accepting everything, ruthlessly worn down by the years, she was like two people before.

She used to spend nearly 100% of her time looking in the mirror, she was too busy to take care of herself, she no longer looked at herself seriously, and she became the most disgusting look she used to have.

Maybe Yao'er has always refused to accept reality, she has always lived in the past.

Picking up fireworks is like picking up her short-lived past, and in the dozens of seconds when the fireworks burned briefly, she thought about her self who had burned warmly and brightly in the past.

What is impossible to know is whether Yao Yuling's last distant hope will be a complete relief to let go, or continue to paralyze herself into the past.

I have to say that the portrayal of female characters in "South to North" is more or less stereotyped and clichéd, and almost all of them have become accessories of male characters, and they have inevitably become tools to set off male characters.

From this point of view, the screenwriter's pattern is really a bit insufficient.

Even Yao Yuling, who has a lot of heroine style who dares to love and hate, has finally become another proof of the so-called "truth" of "don't bully young people into poverty" and "women can't pursue material things".

It is true that Yao Yuling is not an absolutely perfectionist Wei Guangzheng character, she is emotionally unclear, lacks a sense of boundaries, and loves vanity, but she has no bad intentions, and she is by no means a big traitor.

What's hateful is not this role, it's the screenwriter who entrains private goods and forcibly installs a lot of discipline for women's "three obedience and four virtues".

She loves to be beautiful, loves to dress up, and is fashionable, and she does not hesitate to spend all her money on "making herself beautiful".

Yao Er is flamboyant and gorgeous, likes to be noticed, proud and confident, she has self-esteem and self-love, never wrongs herself, loves herself firmly, and is brave and enthusiastic in pursuit of a better life.

However, in the play, Yao Yuling was determined to be covered with a coffin"Won't live".- So the answer is obvious, because she is not a "good wife and mother", because she dresses up and spends money lavishly, she is not suitable for "marrying into the door as a daughter-in-law", and she cannot become a caged bird in captivitySo she had to be nailed to the pillar of shame in the end, and her ending was predestined by the screenwriter.

Several times she was besieged and chased to instill a father's speech, kidnapped by morality, and tried to be tamed, Yao Yuling withstood the offensive and stuck to herself.

It's just that she is still not sober enough, her mistake is that she doesn't believe in her own ability, blindly counting on others, relying on others - she has emotional intelligence, ruthlessness, beauty, and ambition, and she can also break out single-handedly.

The fact is that out of the TV series, such a sober and decisive woman who has no shame about her desires and clearly knows her goals, and who is quite ambitious, will not have a bad life at all.

Relying on the mountains and falling down, leaning on the wall and collapsing, and, those who do things with color, love to run, only independence and self-improvement is the way out for everyone.

Their understanding of love is that there is someone who can pull them out of that vulgar and hopeless and meaningless life, solve all real problems once and for all, and from now on she will never have to face the real suffering of life again. ”

This is the real problem with Yao'er, she has awakened but not awakened enough.

And even if she relies on men to get ahead, she also lacks the ability to recognize people, and from the fact that she gave up Wang Xin, it can be seen that she is especially prone to mistake dung stone for jade, and mistaken gold for rotten stone.

So Yao Yuling was planted on Jia Jinlong.

Seeing her rise up a tall building, watching her feast guests, seeing her building collapse, and finally ending up with a white and vast land that is really clean, it is infinitely embarrassing.

And from there, Yao Yuling's real life has just begun.

broke the illusion of men, no longer looking outward, but looking inside, so that she could walk out of her own way in a down-to-earth manner.

Yao Yuling" is a very brilliant character, flesh and blood, tangible and soulful, and actor Jiang Yan also saved such a controversial character, and successfully established the role with a natural, smooth and bright performance, so that he successfully got out of the circle.

I have to say that Jiang Yan is impressive.

may be a little weird in appearance, probably because of the sequelae of plastic surgery, it doesn't look pleasing to the eye at first, but as the plot progresses, Jiang Yan gradually outlines the charm of the character with details, which makes people inevitably love and regret the character.

In addition, Jiang Yan is praised for the fact that,She and the three male actors who play against her are very "CP sense".

With Wang Xin, Bai Yueguang's first love has a sense of déjà vu, with Niu Dali is like a happy and bitter couple, and with Jia Jinlong, there is full of emotional tension between mature men and women.

Playing a role is playing a relationship, and when the relationship is well handled, the soul of the character is highlighted.

The 38-year-old Jiang Yan has been dormant in the entertainment industry for so many years, and has lived up to expectations and handed over a satisfactory answer sheet, which is indeed "If you don't make a sound, you will be a blockbuster".

And she also single-handedly broke the prejudice that "plastic surgery is equal to poor acting skills".

In fact, it has long been commonplace for actors in the entertainment industry to do plastic surgery projects, and the tolerance has gradually improved, after all, everyone has a love for beauty.

What everyone is disgusted with is not plastic surgery, what we dislike is that there is no rectification business, they just make themselves indistinguishable, lose their own recognition and limit the play of expressions, disgusted is "corpse vegetarian meal", "in its position does not seek its own government", "Huang Zhong is destroyed, the clay kettle thunders", empty opportunity but can not make the public happy and convinced, so it is not worthy, and people respond.

In the final analysis, as an actor, good acting skills are the absolute last word - Jiang Yan relied on acting to turn the tide.

I have to say that as Song Dandan's artist and Song Dandan's "goddaughter", she has found her own way, at this pointThe old-timer Song Dandan helped a lot.

Not only told her to stop the loss in time on the road to plastic surgery:

"I want you to be a woman who doesn't fight against nature and attraction of the earth, because you can't compete for it, and if you have a deflated face, you will put a little hyaluronic acid on it, and in the end it will reach the point of taking away your expression, and you will not be able to be an actor. ”
also urged her to deepen her acting skills and speak with her works:

"She is more about guiding me in the general direction of my life, allowing me to act in a down-to-earth manner and speak with my works. So in the past two years, I've basically been filming, working honestly. ”
There is Bole in the world, and then there are thousands of horses, thousands of horses are often there, and Bole is not often there, such as the strategy is not its way, the food can not make the best of its materials, the song can not understand its meaning, even if it is gold, it is difficult to shine.

Jiang Yan can rely on itYao Yuling in "South to North".Out of the circle, it depends on the guidance of masters, on accumulation, on long-term success, on victory without arrogance and discouragement, and on the fighting spirit of "green out of blue and better than blue".

A good life is a process, not a state, and it is a direction, not an end.

Jiang Yan is still on the way.

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