This year's Spring Festival film market is surging, and among the many films, "Hot and Hot" has undoubtedly become the biggest winner. Only 6 days after its release, the box office has exceeded the 2.2 billion mark, and the Douban score has also increased from 78 steadily rises to 80, became the highest-rated film in the Spring Festival file, and director Jia Ling once again showed her directorial talent.
At the same time, another film "Let's Shake the Sun Together" suffered Waterloo, with a box office of less than 100 million, and finally regrettably announced that it would withdraw from the Spring Festival file and be re-released.
However, the success of Hot Piping Hot is not without controversy. Some viewers criticized Le Ying's transformation from fat to thin in the film for being too suspended and lazy, ignoring too many details, and just splicing it together through editing. In this regard, some people think that this kind of shaping and expression is not real and powerful enough, and even point out that the entire Spring Festival stalls reveal a false prosperity.
However, there are also those who disagree with this criticism. They believe that "Hot and Hot", as a remake of the original "100 Yuan Love", has changed a lot of settings, but the main content has not changed. In the original version, Le Ying's transformation was also briefly described, and she did not lose 100 pounds like in the film. Therefore, the transformation in the film is mainly to serve the boxing match, rather than focusing on the process.
In addition, the changes in the film also include a change in mentality and temperament. The price Le Ying paid to win the competition is huge, and the film may only show the training process and lack a description of life, but it does not mean that it is not logical and realistic. This kind of change needs to be viewed more in connection with Le Ying's family conditions, self-pursuit, and personality factors.
In a way, it is also an artistic form of expression, which is not universal, but logical. The first half of the film has done enough foreshadowing for the subsequent transformation, and the final reversal also echoes the previous text, giving the transformation a more realistic reason.
At the same time, Le Ying's weight loss and Jia Ling's weight loss in the film are integrated, which also strengthens the plot content of the film. But this kind of integration also gives ordinary audiences the illusion that the main expression of this film is **inspirational. However, for Le Ying, ** is just a way for her to win the competition, not her pursuit. Her real pursuit is to live for herself, to act according to her mood, and no longer to please others everywhere and sacrifice herself.
Although it is a fact that the ratings are inflated, it cannot deny the value of "Hot and Hot" as a sincere work. Director Jia Ling used her own personal experience as a template, demonstrated in person, and set an example. Her appearance and demonstration make the expression of the film more weighty. Although the structure and mode of "Hello, Li Huanying" are continued as a whole, director Jia Ling still shows her progress in "Hot and Hot".
As People's Entertainment said: "Even though the film can't be called perfect, this perseverance and sincerity, this belief in and out of the play, and this concept of self and love are enough to make the audience empathize and praise the creator." In this Spring Festival file, "Hot and Hot" has undoubtedly become one of the most eye-catching works, and it has also won more praise and attention for director Jia Ling.
It's hot and piping hot