Jing Hansheng is currently a member of the Chinese Artists Association, a member of the China Printmakers Association, a standing member of the Binding Art Committee of the China Printmaking Association, and the chairman of the Qinghai Artists Association. The biography is included in the "Dictionary of Chinese Modern Artists", "Dictionary of Chinese Contemporary Artists", "List of Chinese Contemporary Artists", "Collection of Chinese Literature and Art" and other dictionaries. His works also include "Spring Dawn in Zaoyuan" and "Yanhe War Horse".
In recent years, many of Jing Hansheng's works have participated in domestic and foreign exhibitions, won awards, and have been collected. Among them, the oil paintings "Red Flag Floating in the Ancient City of the Plateau" and "Festival Impression of Taer Temple" were collected by the Qinghai Provincial Museum, and the oil painting "Biansai Ma" was collected by the Qinghai Provincial Artists Association. Eight of his works were exhibited in the Chinese Modern Oil Painting Exhibition and the Western China Oil Painting Exhibition held in Singapore, and "The Turner", "Prairie Summer" and "Snow Mountain Pasture" were collected. In 1989, he held the "Jing Hansheng Works Exhibition" at the Qinghai Art Museum.
Qinghai has magnificent mountains and rivers, unique culture, magnificent natural scenery, rich real life, and long national traditions. It is in this plateau desert, snow-capped mountains and grasslands, Jing Hansheng, an infatuated seeker of beauty, in the early 70s of the 20th century, came to Qinghai Lake from the Guanzhong Plain, and since then has taken root in the Qinghai land at the source of the three rivers, working silently in the art garden, depicting the magnificent plateau with Danqing Hanmo, expressing the surging emotions in his heart, and creating a new artistic conception one after another.
Engaged in painting for more than 50 years, Jing Hansheng has praised the beauty of the western plateau and the magnificence of the nature of the mountain villages. In his years of oil painting and Chinese painting, he summed up that "the beauty of Chinese painting is not in the subject matter, but in the style produced when the brush runs on rice paper; The beauty of oil painting is not in the subject matter, color is the life of oil painting art", and has always followed the principle of "respecting life, respecting reality, and respecting nature" in art creation, forming a creative style that is not pretentious, does not copy rigid routines, does not repeat itself, and does not fabricate out of thin air.