On January 6, a netizen posted on social **post** that in Ledong Li Autonomous County, Hainan, there was a woman with a large bag of plastic bottles.
Putting it into the sea means that it wants to purify the seawater, and it is questioned by the publisher of ** polluting the seawater.
On January 10, Hainan ** issued a notice saying:
The liquid in the bottle conforms to the characteristics of honey, is non-toxic and harmless, and has been educated and admonished.
The full text of the circular is as follows
Previously reported: Putting plastic bottles only to "purify seawater"?
The local ** is fully verified.
On January 6, a netizen posted on social **post** that near the water square in Yinggehai Town, a woman brought a large bag of plastic bottles into the sea, saying that she wanted to purify the seawater, and the publisher questioned its pollution of seawater.
The bottle delivered by the woman.
* In the middle, the woman threw a number of plastic bottles into the sea, and there was a large bag of plastic bottles on the shore that had not been thrown, and the plastic bottles scattered on the ground contained an unknown liquid of unknown color. In the face of the questioning of the publisher, the woman said that this was purifying the seawater, and did not explain too much.
*After the release, some netizens pointed out that the nearby Yingge Sea Salt Farm in Ledong County, Hainan Province, is the largest sea salt field in southern China, and it is also a national designated salt production unit. Many people are worried that the liquid is unsafe and ask Hainan to follow up and deal with it in a timely manner. Hainan **replied under the**: Received, verifying.
On the morning of the 8th, the reporter called the people of Yinggehai Town, Ledong County, and the staff said that they were aware of the matter, and the staff of the local law enforcement squadron were salvaging plastic water bottles, and they also reported the matter to the higher authorities.
*: Hainan**, Hainan Radio and Television Station, Jiupai News.
Edited by Xie Ke and reviewed by Jiang Bo and Du Haifeng.