The training of timbre and its emotional expression
The so-called ** is to give people auditory enjoyment, and then pour emotion into and inject into people's hearts, and resonate with the audience. The training of timbre and the expression of emotions are very important interpretations of the music. The right hand technique of the violin has a great influence on the timbre of the violin, and the coordination between the length, speed and dynamics of the bow is the prerequisite for the formation of perfect timbre. When the bow runs slowly, it is generally more suitable for melodious music, and when it is fast, it is more suitable for interpreting bright and positive songs. The strength of the strength can also reflect the change of emotion, in the practice can slowly find that the bow speed and bow pressure is proportional, when the bow, what needs to be done is afterburner acceleration, when the bow is on the back against this force to do force reduction and deceleration, which is due to the structure of the bow and the direction of the bow of the right hand of the person, which contains the principle of leverage. In terms of dynamics, we can find that when approaching the bow bar, the volume will increase, and when approaching the fretboard, the volume will become smaller, and the other way around, when approaching the saddle, we should choose a slower bow speed, so that the sound will not be very agitated, and when the style requires a high performance force, we must strictly control the speed of the bow.
The change of timbre is given a certain amount of attention in the piece, which is also an important sign of the violinist's right-hand skill.
In the introductory part of Saint-Saëns's "Introduction and Rondo Caprice", the violin depicts a dancer directing and performing on the stage and choreographing his own dance steps at will, so it is difficult to grasp the degree of timbre and emotion at this time.
In short, to achieve the perfect tone that you want, it takes a lot of skill and trial and error. The player and the violin are interdependent. Only when the player and the violin are fully integrated, and the human piano is one, can a beautiful and moving sound be produced. The art of violin playing is a broad and profound art, and many questions can withstand repeated pondering and scrutiny. Over the centuries, players and educators have been constantly rethinking and innovating, which has led to our continuous progress in violin technique and emotion. However, we should still continue to improve and learn the mastery of the violin timbre and the ability to express the emotions of the work in this process, which is worthy of the violinist to spend a lifetime studying.
The perfect combination of timbre and emotion is the charm of art. By training their own timbre, players can better express the emotion and connotation of the piece and resonate with the listener. Therefore, the training of the timbre and the expression of emotions are very important for the player.
The training of timbre requires the player to constantly try and explore to find the most suitable way to play. Players can change the timbre by adjusting their right-handed techniques, such as the speed, dynamics, and direction of the bow, to make the ** more colorful. In training, players can try to use different speeds, dynamics, and bowing techniques to express different emotions and atmospheres, so as to gradually master various techniques and methods.
The expression of emotions is the soul of art, and the performer needs to interpret the connotation of the music through his own emotional experience. Performers need to deeply understand the emotions and artistic conception of the music, integrate their own emotions into the performance, and use emotions to guide the change of timbre. In the performance, the performer needs to grasp the emotional tone and emotional changes of the music, and express the ups and downs and turns of emotions through the change of timbre, so as to make it more vivid and touching.
In short, timbre training and emotional expression are one of the essential qualities of a player. Performers need to constantly try and explore, using various techniques and methods to express the connotation and emotion of the performance, so as to make the performance more perfect and moving. At the same time, performers also need to constantly improve their artistic accomplishment and aesthetic concepts to better understand and interpret the works. Only in this way can we truly grasp the essence of ** and bring more wonderful **enjoyment to the audience.