The evil god of Huoyun said: "The world's martial arts, only fast and not broken", Hulk followed: "There is no trick to win, watch me hammer him!" ", Johnny To said
I only care about one thing:
You have been repeatedly fallen, do you dare to stand up repeatedly? ”
What? Did you say that?
Let's take a look at the 2004 "Judo Dragon and Tiger List".
The coolest cinematic language, so that standing without language
To make art, you have to talk less nonsense and use your works to speak first, so Johnny To's works are as follows:
History & Style.
In the 1950s, five years after Japan signed the instrument of surrender in Hong Kong, Hong Kong was still under British control,** saying: "Hong Kong must be recovered." "So, the situation in Hong Kong at that time was complicated.
Japanese culture, European and American education, mainland politics, the competition of three forces, it can be said,Before Hong Kong's return to the motherland, it did not form a strong power core. In order not to be bullied, young people have joined gangs, coupled with Hong Kong's debut on the Asian Tigers, and the rapid economic developmentThe struggle for interests is fierce, so there are also many gangs.
Johnny To, known as "Du Sir", was born in the "Kowloon Walled City", the world-famous "Sin City", he has friends in the gang, and his parents work in the Mong Kok Cinema, he grew up playing with gang friends while watching movies in the cinema.
His gangster movies have a strong sense of documentary, generally rarely using gore and cruelty, but showing gangsters in a more life-like way, going straight to the heart, and transforming real violence into inner tyranny, which can be described as a three-point wood. So say Du sirThe Hong Kong in the film is a more real Hong KongAnd Hong Kong in Lau Wai-keung's "Crazy Boy" is more like a comic.
He is deeply influenced by Japanese culture and is a fan of Akira Kurosawa, and the spiritual core of the movie "Judo Dragon and Tiger List" is Akira Kurosawa-style;
In addition, like Takeshi Kitano, he will also render violence, but the aesthetics are different. For example,In the same way as blood, Takeshi Kitano will appear as showy as a cherry blossom, while he will appear as falling like a cherry blossom.
He always incorporates romantic elements into violent plots, in "Big Event", a pair of robbers and killers are trapped in a civilian hut, embattled, but the two put on aprons to cook;
In the bar melee of "Judo Dragon and Tiger List", the imbecile son of the old master went straight to the stage and sang affectionately.
In the final shootout of PTU, he uses a combination of slow-motion, short-throw and upgraded shots to show the four killers being strafed and the mobile unit rushing to the battlefield, with great detail.
Confusion and exploration.
To Sir is the same age as Chow Yun-fat, similar to Andy Lau, and was admitted to the Hong Kong TVB Artist Training Course in 1974, the 4th phase; Chow Yun-fat is the 3rd issue, Andy Lau and Leung Ka-fai are the 10th issue, Stephen Chow is the 11th issue, and Aaron Kwok is the 12th issue later. Louis Koo did not graduate here, but came from a TVB actor. These people have all been the protagonists of his works, especially Stephen Chow, who has had the greatest influence on him.
The first time he collaborated with Stephen Chow was "The Judge of the Dead", which was quite comfortable, and then "Jigong" had obvious contradictions, Du Sir said: "I just think that there is no need for a director on the scene, everyone just needs to walk around with the leading actor, this cooperation made me begin to reflect on the meaning of the director's existence, I think the director must not be only used to shout action and cut!" ”
In 1996, he founded Galaxy Imaging, a film and television company born with director-centric theory and innovation as the first priority, and the company has always adhered to itIf you don't innovate, you'd rather die"Creed,At this point, Johnny To's movie officially debuted.
The first time I watched "Judo Dragon and Tiger List",I don't understand it, but I think it's very special. The film is full of design, and it is not grandstanding, but it is intrinsically related to the plot, and I have summarized seven pointsReferring to this, you will feel that this film is better.
Seven features
1.Every demanding creativity borders on paranoia;
2.Black and fate are deep complexes;
3.Try to use lighting, color, scenery and scheduling to strengthen the drama and externalize the inner thoughts;
4.The dialogue is very **;
5.He likes to combine violence with romance;
6.Gangsters and criminals have changed from labeling to life;
7.He often exudes a sense of humor that catches people off guard.
Stories & Analysis.
The story of the movie "Judo Dragon and Tiger List" is like this, Tony, a new champion who is obsessed with judo, made a special trip to Situ Bao to learn from him, and found that he had become addicted to gambling and drinking, sunk into depravity, and the bar he ran could not be opened, and he needed to rely on petty theft to pay off his debts.
The reason why he fell was because he suffered from an eye disease and was about to lose his sight, and he was crushed by despair. Later, with the company and encouragement of Tony and bar singer Xiaomeng, he rekindled his hope and defeated his powerful opponent Li Yagang.
Three young people: Situ Bao who sank, Tony who made achievements, and Little Dream in chasing achievements;
Right, left to right: Little Dream, Situ Bao, Tony
They met each other, and together they met a bunch of people; Among them are debt collector bosses, gang bosses, elderly judokas, dementia, fierce rivals, and agents who force good people to become prostitutes; They are sophisticated, ruthless, and **
They have intricate contradictions, but they are all willing to help Situ Bao regain judo; Under this unagreed joint force, Situ Bao, who was desperate and sunk, finally regained his fighting spirit.
The following scenes are very critical in the film, which need to be analyzed in depth, and then rewatched to better understand the wonder of Du Sir's movie!
Bar Recruitment, Lighting & Character
Film 11 33 -14 33, three minutes, Tonika midpoint into the painting, a total of two scenes
started when Situ Bao was awakened by Xiaomeng, and took on the intention of Xiaomeng, and Situ Bao heard that his companion was injured by Tony and could not go to the appointment, and then Tony joined the ensemble in the painting; Then, the three of them combined into a single painting to indicate their respective demands:
Xiaomeng asked, "Okay", Tony said, "I want to fight with you", and Situ Bao said, "Are you free?" Come and help".
I have watched this passage many times, and Du Sir's film style is not only densely presented here, but the secret of the plot foreshadowing is also amazing.
Little Dream, who was kicked out by the landlord late at night, ran on the street in the early morning with his luggage, running towards a job opportunity, a stage where he had the opportunity to continue his dream.
She broke into Situ Bao's black rumbling bar, and also into his dimly lit room, which had no natural lightDu sirThe preferred transverse and long shots intersect the narrative, and the red, blue, yellow and white four-color decorative lights outline the interior furnishings disorderly and silently, presenting a strong sense of stage;
The BGM, which accompanied Xiaomeng to wander the streets from night to early morning, the crisp and sad acoustic guitar was soon drowned out by Situ Bao's snoring;
Situ Bao was drunk and fell asleep under the cold blue curtain, his calves buckled on the sofa, and it seemed that he had practiced; Xiaomeng ran over and raised his foot to kick the sole of his shoe, but he didn't wake up, and kicked on the sofa to wake up Situ BaoThe shoes of the two are in the same frame for the first time, which corresponds to the scene where the two pick up each other's shoes and encourage each other.
Situ Bao was awakened and immediately sat up straight, is the performance here abrupt? It's not abrupt, it's very accurate, because after watching the plot later, I know that he will face the boss to collect debts that day, and steal the money of the gang boss, maybe Xiaomeng's kick just woke him up from the creditor's door and the gangster's chase, and woke up and sat up straightThe cold blue light shrouded his backlit figureHe realized that it was a false alarm, and fell to the ground and continued to sleep.
Xiaomeng sang and danced very hard, but Situ Bao fell asleep again, and a wine bottle rolled off the table to wake him up again. He got up and faced Xiaomeng's teasing eyes, but his face was coldLaboriously look at the watch,Asked the time again,laid the groundwork for his eye disease, which was the key reason for his decadence.
After Situ Bao learned the time, the director suddenly used an upgraded telephoto lens to show Situ Bao's grim expression, and then plunged into ice water to wash his face, which is usually the technique used by Du Sir when filming and rushing to the battlefield; In addition, the rendering of the face washing process also corresponds to the previous moviesBathing and changing clothes before the decisive battle of life and death, which are closely related to the later plot.
According to the usual practice, the expedition should be followed by the ringing, but then the annoying ringtone of the mobile phone sounds, and then, in the middle picture, he plunged into the ice water, hurriedly took out his mobile phone with one hand, and wiped his face in a hurry, and slipped by the ice on the ground;
He fell to the ground in embarrassment, and learned that his assistant could not attend the appointment due to injury, and the red face cloth appeared in the front of the picture, like a red light at an intersection, calling off the original plan.
He stood up and sat down, continued to wipe his face with a red cloth, and asked, "Who is Tony?" He threw down the red cloth, and the red cloth came out of the painting, and then Tony blew the saxophone and rushed through the beaded curtain of the same color as the red cloth, and played in unison with Xiaomeng's singing. The lyrics are repeated: "Heartbreak", "Be calm", "Leave it behind".
I must say, not that I think too much, this passage must be a metaphor for the appearance of Tony and Little Dream, which is used to wake up and stop Situ Bao's life in the dark quagmire
Because Xiaomeng also gave a close-up of the red bead curtain when he broke into the bar before. This kind of suspension is different from Situ Bao's own way, he uses ice cubes to sober up, and uses wine to numb the pain after waking up, wine and ice are substances, but Xiaomeng and Tony use **. It can be a metaphor for dreams, and it can touch the soul.
The director's choice of alto saxophone to accompany him can be described as well-intentioned, which is suitable for expressing romance and sadness, as well as enthusiasm and passion; And Du Sir's violent aesthetics is always to present violence and romance at the same time, and Tony is a person who is passionate about judo and passionate about life in the film.
The subsequent freeze-frame is a direct response to the director's intentions.
The main lighting of the bar stage, dazzling like a traffic light next to Xiaomeng, is fixed in the center of the picture, with the high-spirited silhouette of Tony on one side and the dark silhouette of Situ Bao, who occupies most of the picture, gasping for breath on the other. It reproduces Du Sir's habitual three-person composition method, exquisitely shows the state of the three people at a glance, and also leaves a deep impression and endless space for reverie for the audience.
Tony is shrouded in bright golden-red light from top to bottom, as if standing on the stage**, which not only highlights Tony's energy, but also emphasizes his importance in the play.
The light of Little Dream is somewhat subtle and complex. Her dark flower skirt is slightly cheesy, but the lighting is anti-white, slightly dazzling, as if draped in a dreamy white halo, just like the heroine of an idol drama, creating a sense of nondescript suspense; Sure enough, in the fourth act, Xiaomeng's identity was revealed, and he was a rich second generation who escaped from his parents for his dreams.
In just three minutes, the key plot points of the whole film have been paved, the characters, the prototype of the story, the director's style, and the emotional tone are skillfully woven together through sensory media such as lens, color and **, as well as a sudden sense of humor.
In recent years, in many movies, there are often directors who are trying to be funny, but they induce embarrassing cancer; WhileA first-class director can always inadvertently reveal a sense of humor in a scene that is not smilingFor example, the wine bottle that suddenly rolls off the table in this film; and when bathing before the war, Zhongjing plunged into the ice water with one side and pulled out his mobile phone in a panic with the other.
In just two scenes, the main line of the whole film is completely outlined, like a symphony, the looming main theme at the beginning will gradually join with other instruments, and the ensemble of crescendo will push the whole movement to grandeur.
Du sir's lens language has this kind of ** feeling, which is often seen in later scenes, without disobedience, and the form of expression is exquisite, such as the later scene of "Four Leaves".
Four Leaves, Dispatch and Situation
Some people call this section the "Symphony of Chaos", and the function of the play is to introduce the situation of the three protagonists, as well as the appearance of multiple supporting characters. There are masters, bosses, gangsters, and unscrupulous agents, and the relationship between the characters is complicated, and they all focus on Situ Bao in the end.
The master approached Situ Bao to invite him to revitalize the martial arts hall; The boss came to him to make up the gaps in the accounts; The gang came to them because the money had just been stolen by them, so they questioned Tony first; The unscrupulous agent is looking for Xiaomeng who refuses to shoot ** to ask for liquidated damages; In fact, the director didn't plan to let the audience delve into these things, because there were explanations in the follow-up, and he just wanted to bring the audience into a rhythm and atmosphere of chaotic beauty.
Why is this a symphony?
The symphony has four instruments: strings, woodwinds, brass and percussion, and this scene has four people, the master, the boss, the gangster, and the agent; The symphony has four movements, an allegro, an adagio, a dance and a finale, and this scene corresponds to each one.
As soon as the waiter arrives at the stage, he occupies the first position in the picture, stretches out his hand to the three people to indicate that someone is looking for him, just like the conductor waving a baton to start. The four of them waved one after another, each other**, and the three of them came, this section is very similar to the beginning of a song and dance drama.
Then the four tables start a conversation at the same time, as if enteringAllegro；Until Ying Cai'er left under the pretext of taking money, Situ Bao also left, the plot entered the slow board, and the four tables waited irritably, looking for them separately, playing hide and seek;
So where does the dance music begin?
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From Brother Aman's angry reprimand for forcing Liang to lift the table for prostitution and entering the bar scuffle, the director once again combines violence and romance through slow mirrors, lighting and songs; If you look closely, you will find that the fights are all judo movements, and the body is very uniform, and no one uses fists and smashes wine bottles.
The background of the scuffle is also changing, changing from a closed room to a brightly lit street, and the back fall on the concrete floor is also thrown out of the softness of the tatami mats. This kind of scheduling not only makes the form richer, but also the expression is more profound, Du Sir is good at using narrow spaces and street scenes to show the psychology and situation of the characters;
Du Sir is good at "using Hong Kong as a stage", camouflaging high-saturation and high-contrast stage lights as outdoor street lamps, and hanging PAR lights directly on street lamp poles to hit the whole city, making the lens both real and illusory, with a unique sense of beauty.
FinaleThe correspondence is obvious.
Li Yagang made a high-profile appearance to KO everyone, here he gave Tony a close-up, his expression was admiration and a little disdain, admiration needless to say, disdain is that his tricks have violated the spirit of judo, and he wants to be given the middle finger by the audience; However, then Li's invitation to fight, and the head of the master, instantly embodied the battle and salute of the spirit of judo.
By the way, this is one of the two films in which Aaron Kwok rarely starred in Du Sir, the other is "Barefoot Kid", both of which are very three-dimensional and layered, I have to say that Du Sir is very good at training actors.
To summarize the techniques, this is an attempt to cinematize the counterpoint of the symphony, I counted, in this scene, the director used at least 6 cameras to capture the action, and the precision of the performance is very high, just like an orchestra ensemble, the slightest mistake will affect the whole. It definitely takes a lot of rehearsal and run-in to achieve a high degree of synchronization so that editing can be seamless.
In addition, every time Xiaomeng said "forcing good people to be prostitutes", it attracted everyone to turn back, this paragraph made me laugh over, there is really a kind of Lego, the music echoes, and the director did not forget to let Chen Xiaochun follow the sound of a string of lighters hitting the table; There is also the repeated whispering of the big man, which is also very similar to the melody played repeatedly by an instrument; It's just a symphony.
What is the function of Du Sir's expression?
Such precise scheduling, repeated flipping, can form emotional tension, coupled with a sense of smooth editing, plus the stage processing of the light source and modeling awarenessIt can constantly sharpen the audience's attention and extend the suspense into an elegy with strengthened spiritual temperament. The sharp jump cut shots of the three forces in the bar, accompanied by the separation of sound and picture, can be called the brilliance of this film.
There are too many wonderful passages in the film, no, every paragraph is wonderfulI don't want to say more, but the following two are really good, so let's briefly describe them:
Late night chase to pick up money, chase with **
This scene is so colorful because this is the key process for Situ Bao to complete his self-redemption. Director Du externalizes the protagonist's realistic predicament and inner world through long shots and tense scene scheduling, which is a metaphor for a dialogue between different time and space, and Xiaomeng is his once young self.
The appearance of Xiaomeng seems to be a projection of Situ Bao's past self, her running, picking up money, and turning back are all like reminding Situ Bao not to forget his original intention, and not to forget his dedication and enthusiasm for his dreams.
This process is like a hypnotic psychological ** process for Situ Bao. In the process of chasing and picking up money, Situ Bao seems to have returned to the youthful period when he had nothing but no hesitation, and recalled the enthusiasm and dreamy self of the year.
The money that Xiaomeng picked up floats down the street, as light and translucent as cherry blossoms, this scene is not only visually beautiful, but also symbolizes Situ Bao's inner transformation and rebirth. This aesthetic style complements the overall atmosphere and theme of the film, bringing a new aesthetic experience to the audience.
Situ Bao beats Tony violently, color and rescue
On the surface, this conflict is Tony's blow to Po, but if you pay attention to the changes in the colors of the surrounding scenes, you will understand that it is actually Tony pushing Po towards self-awakening.
The fight spread from the cold blue background that Situ Bao had been standing on, to the brightly lit, colorful bar lobby. In this series of encounters, Po experienced everything from angry brawls to the use of judo skills.
After being knocked down by Tony this time, he didn't lie down on the spot, but stood up and fought again, which means that the spirit of judo was awakened, and after the fight, even if he couldn't stand anymore, there was Xiaomeng who helped him up in time, and this kind of expression was even more obvious, after you cheered up, others could really help you.
Du Sir attaches great importance to the role of director, that is, attaches importance to the core creativity of the film, and his original intention of founding Galaxy Imaging is this. John Ford, the director of "Flying Over the Mountains," once told the young Spielberg: "It's fun when the horizon is at the bottom, it's fun at the top, and it's boring in the middle." "That's rightThe director is the one who knows best where the camera should be.
A wonderful life is not a battlefield, but a judo field
In 1882, the Japanese Jigoro Kano founded the modern martial art judo; After 82 years of exploration, refinement and promotion, it was very mature in 1964 and was officially included in the men's Olympic event.
In 1942, Tsuneo Ietomida published a full-length novel "Tsusan Shiro", which was adapted into a film of the same name by Akira Kurosawa in 1943, and the story takes place in 1882, the founding year of judo.
The movie "Judo Dragon and Tiger List" is named after a plaque in "Zi Sanshiro", which is also delayed here. If Du Sir doesn't repeatedly say that he loves this film the most, it is estimated that no one will list "Judo Dragon and Tiger List" as a feature film sequence.
The picture above is a still from "Zi Sanshiro", Yasujiro Ozu, as a film censor, once praised: If 100 points is a full score, this movie can get 120 points.
Although Du Sir is a fan of Akira Kurosawa, he does not imitate his skills, but his spirit. After he finished filming "Big Event", he was a little tired of the comedy atmosphere on the market. He thought:Is it true that when people face a difficult situation, they can only laugh it off? Is there only one option to despair and lie flat?
In 2003, when SARS struck Hong Kong, the whole city was depressed and desperate, and Du Sir had a creative impulse and was determined to polish a work that completely suited his own tastes, so as to cheer up the city of Hong KongThis is similar to the filming background of "Zisanshiro".
At that time, when Japan was heading for defeat and despair enveloped the whole country, Akira Kurosawa chose to shoot judo at this time, which shows his mastery appearance. Because he did not set his eyes on saving the nation from peril, but on the people themselves. Even if the country is in decline and the society is dead, as an individual, we must dare to regain our strength and not be fooled and lame by the general environment.
The spirit of judo is invigorating, but it is also anti-war, it is martial but not killing, and seeking victory without being rude.
This was of great significance to Hong Kong at that time, today's China, and the whole world in the future, and Du Sir was a fan of Kurosawa Akira, so that Hong Kong film declined, but he still did not give up, not only continued to produce new products, but also launched a "fresh wave", and cultivated many excellent Hong Kong works and directors including "Tree Big Wind" and "Ignorance". Who wants to say that Hong Kong movies are no longer making money, he admitted; But if Hong Kong movies are bad, he will go crazy directly.
The "softness" of judo focuses on overcoming rigidity with softness, not winning with violence; And "Dao" means "make good use of energy, and prosper with others".
Make good use of your energy. That is, concentrate all your efforts on one point, wait for the opportunity to move, enter the room without gaps, and win with one move, unlike Jin Yong and Ip Man series, the moves are too flowery, and the name is too dense, that is not actual combat, that is copywriting. And Japanese kendo, and Bruce Lee's Jeet Kune Do, are well aware of this principle and will never leave a chance for a protracted battle. And Du Sir's action design is not Tsui Hark-style, but in line with judo's actual combat.
Judo aims to effectively use physical and mental strength. Through mental and physical training, students can understand the meaning of life and become a person who contributes to society.
Jigoro Kano.
Some people question that Tony Jr. in the film can easily drop the big fat man; In fact, he didn't fall the big fat man, but tripped the fat man with a big heel.
Judo is to break the opponent's balance first, and then give him a boost in the direction of his fall; I played it back several times in slow motion and finally got it clear.
Note that Tony first trips the opponent's calf with his whole leg, and then lowers his body to push against the middle of the opponent's torso, which is already unbalanced; At this time, the fat man's center of gravity was on the upper body, and Tony buckled his arm again, led his body, and helped the big fat man to fall forward, and then fell out.
This trick is called in judoPiggyback casting, because Aaron Kwok himself is only 170 meters, therefore, he is slightly shorter, will formKneeling with a back throwThe greater the weight, the harder the fall.
In addition, Du Sir, as a director, can't finish the work of a judo coach, but also has to carry out innovative designs according to the height of the actors and the needs of the plot.
When Tony needed to throw the big fat man with one arm, he innovated the move, and when he was suppressed by the fat man with one hand, he turned his head under the arm; As the King of Dance, it's not difficult; Then, the fat man's entire right arm was twisted by Tony and lost his combat effectiveness, and then he threw it out with a piggyback throw. However, some people will question that the big fat man should not be carried out of the air.
In fact, it was not that he was picked up, but that the big fat arm would be twisted back twice, and it must have been extremely painful, and he would subconsciously step on his feet and even jump up to relieve the pain.
It can be seen that Du Sir's intentions, he really does not fool the audience, he designed a one-handed big fat, not for fun, but for the end of the relationship, Situ Bao's victory over Li Yagang is closely related to this, but it is not a repeat of his tricks, but an application of his reasoning.
The reason why Situ Bao was able to break Li Yagang's "cross arm lock" was mainly to drain his strength.
Li Yagang's trick is to pick off people's limbs, which is called in the gameForbidden techniquesFor example, the "crab coercion" with a broken leg, the "Hejin hanging" with a broken head, the "foot lock" with a broken knee, the "wrist lock" with a shoulder break, and the "carcass hanging" that breaks a person's torso are all violations, and Li Yagang's "cross arm lock" should be regarded as a wrist lock, which can be compared to the "cross pattern lock" of Hinoki in "Zi Sanshiro", that is, lock the opponent's arm with both hands or legs, and once the other party is stiff, he will immediately dislocate.
Situ Bao first avoided hard steel, but pulled his hands hard, or changed his position, such as turning his body to the side, standing upright and becoming short, squatting, and kneeling, so that the force point became ineffective; Just like a person who is kicked in the calf, if he is standing, he is very easy to fall, and if he falls first, he will not be fallen.
Self and others co-prosper. So what about "self-others and co-prosperity"?
To share glory with others means to share glory with one's opponents. It is an extended expression of "good use of energy".
Judo is not a fight for fighting, it is a fight for getting along. If the relationship is destroyed by war, then it is not called common prosperity. Japan's so-called "Greater East Asia Co-Prosperity Sphere" was a lie, because the Sino-Japanese war did not promote harmony, but rather attracted hatred.
Athletics and strength are important, but the purpose of judo is to develop character, respect and gratitude to opponents in competitions, and achieve symbiosis through mutual trust.
Letting a person who doesn't know how to get along with others learn judo is the equivalent of giving a knife to a crazy person.
Posture Sanshiro" Goro Yano.
A true judo master will want his opponent to be better. In the film, when real judoka fights, the director will give a special close-up of the face, and there is no hatred or pain in the expression, but joy, appreciation and sympathy.
Lying flat but indignant, comfort makes life hateful
I don't know when it began, and the only purpose of many people's lives is comfort. However,The purpose of comfort does not lead to a comfortable life.
Those who say that they are free and easy, like a mask torn off, and the inside is full of mud; Once plain was true love, like a wedding in a dream, after waking up, it was like a script killing, except for skewers and milk tea, there was no weight. I thought that lying flat would settle everything, but it became an abomination.
Du Sir's "Judo Dragon and Tiger List", I don't know what you think, I was really inspired. In the face of difficulties, don't rely on hard steel, let alone despair, lie flat and rotten; RatherDo you want to get out first, get out of **? Get out of despair! Because despair destroys all possibilities.
And then what? Then try again from a different angle, and try two more times; Sometimes it's not that the difficulty is too great, it's not that I'm too weak, but it's completely difficult to grasp, even if I look at a few Douyin**, and then I will be enthusiastic and fight for a few minutes, but the method of spelling is still the old method, the ineffective method, the reason why I still insist on using it, is just because I am familiar.
My sister has been a clothing shopping guide for 18 years, and after the invasion of online shopping, she gets up early every day and is greedy for darkness, going to talk to every customer non-stop, and constantly sending preferential information in the circle of friends, but with little effect; Later, she went to a furniture store to find a job, re-study and practice, through three years of hard work, to now can be the sales champion, income has increased several times, just ask, do you dare to give up a familiar 18 years of work, to explore a new one?
In short, I am tired of the dilemma of "man is a knife, I am a fish".
I just like the little dream of Tony, who is hot in judo, and rushes forward stupidly for his dreams, and I hope more people can be like Situ BaoRe-energize, sweep away the frost from your heart, and let the light in your eyes
In the end, what touched me the most was that whether it was the debt collection boss, the gang boss, the elderly master, or the friends who met in Pingshui, they all intended to help the sinking Situ Bao stand up again, they were so handsome in the warm halo!
The number of wins is the honor of a judoka, and the number of stands is the spirit of judo!
I think Du Sir is one of them, willing to pay the price to help those who have dreams.