| photo by mustafa öngün |
Using light projection, the form of two men who hit ** was recorded.
In the foreground, a man looks to the side with his back to the viewer's head, and a diver leaps high with his arms outstretched, imagining a splashing lake in the next second.
Using the transparent glass door to overlook the pedestrians passing by in the square, the photographer consciously arranges the figure into the appropriate position and presses the shutter.
In this work, a third-point line is used, with the pillar and the man's arm in the left third of the picture, and the white space of the sky and the beach (sea) are also in the third third. Such a composition makes the picture more stable and makes the viewer look harmonious. At the same time, the photographer also reasonably arranged the elements of the right side of the picture to balance the picture.
The typical diagonal composition method uses the direction of the road surface and the reasonable placement of the characters to finally complete a qualified photographic work.
The symmetrical composition of the left and right, the relationship between light and dark, the contrast between the bridge and the figure in black.
This black and white** captures the viewer's eye with its dramatic composition and sharp contrasts. A woman's feet and high heels are in the foreground, with rows of pigeons naturally arranged in the background. The photographer's choice of perspective creates a visual dislocation that makes the woman's footsteps appear to be opposite the queue of pigeons, which seem to be observing the footsteps.
The use of decisive moments, using the guide lines of the road surface to form a diagonal composition, while the captured pigeon is spreading its wings, and the white lines echo the white pigeon.
The man looked intently at the object in his hand, and a black guide line on the wall was connected to his hand, and the viewer's eyes would be unconsciously attracted to it.
Black and white photography