Huang Xiao
The strength of the young generation potter.
He is good at the creation of full-handed flowers.
The teacher is higher than Hong Xia and Fang Feifei.
Huang Xiao was born in Lianyungang, Jiangsu Province in 1994.
In 2014, he has been engaged in purple sand art creation.
The first worship is higher than Hong Xia.
Followed by the famous flower artist Fang Feifei.
Carefully study the process techniques.
The creative ideas are broad.
Variety. He is especially good at making full-handed flowers.
The natural plant is blended into the purple sand.
From nature and back to nature.
This piece of hidden pot. Place the pumpkin in the shape.
It is cleverly integrated into the purple sand shape.
As the old saying goes, "Plant melons and get melons, plant beans and get beans".
It can be seen that this instrument has the meaning of "returning to the countryside".
Hence the name. 
It is made by hand with the original ore section mud as the tire.
Surface slurry process decoration.
The body of the pot is a plump pumpkin.
The melon stalk is used as a mouth.
The vines that rise in the air connect the head and tail as beams.
The melon body is opened. A living squirrel is used as a button on the lid.
Slightly paste plastic melon leaves before the handle.
Three-dimensional and vivid. It shows that the author's craftsmanship is exquisite.
To prop up the body of the pot towards a specific angle.
Stick a ladybug near the bottom of the ampullary abdomen.
The ladybug's swollen body is like a fulcrum.
It's really ingenious.
Intriguing. 340cc capacity.
Practical and aesthetic elements are at the same time.
It's worth hiding. 
This piece of gourd jug.
The original ore section mud is all hand-refined.
The body of the pot is shaped into a gourd.
Modified by slurry process.
Realistic colors and textures of melon peels.
The body of the pot is divided into eight petals.
Eight yin tendons.
Creates a full-bodied, rich texture.
Lid closure. The plastic guati is the pot button.
Make the whole pot body present a complete melon shape.
The melon leaves are wrapped in a three-bent pot stream.
The melon vine naturally bends and straightens up the handle.
The end of the handle adopts the decal process.
Make crisp and tender melon vines and melon leaves.
Extremely close to the state of nature.
The author observes in nuance.
The details are imitated and made very well.
The whole device is finely worked.
Bionic and detailed. Recommended for pot lovers who like flowers.
This piece of gourd pot.
The raw ore section mud is selected.
With traditional handmade techniques.
Crafted with care.
The body of the pot resembles a golden gourd.
The melon body is a body.
Guati is the pot button.
The melon vine is a stream, a put.
The body of the pot is made up of eight ribs.
Outline into an even eight petals.
The flaps are plump and structured.
The lid is tightly connected.
It's like one. Flow, put left and right balanced.
Proportional coordination. Melon leaves are wrapped at the end of the pot stream.
Hold on to climb out new vines and young leaves.
Bursting with life.
The table of the pot is painted with mud pastel.
Each part is given a different color.
The colors are bright and harmonious.
Vivid and realistic. The author has a solid foundation in pot making.
The flowers are delicate and beautiful.
It is favored by pot art lovers.
Recommended for collection. 
This piece of gourd pot.
For Mr. Huang Xiao, the original ore section mud was used.
All handmade.
The whole pot looks like a ripe pumpkin.
The melon ridge is deeply outlined.
Reveals a full-bodied texture.
The joy of autumn harvest.
Rushing to the face. The melon leaves are tightly wrapped in a curved stream.
The handle of the pot made by bending the old vine.
Guati made the knob.
All of them are based on the skills of the natural teacher.
Carefully constructed. The surface of the pot body is decorated with a slurry process.
The melon body is golden in color and full of change.
Dried and withered melon leaves.
All of them highlight the mature autumn charm.
The author is a teacher of the past and a new one.
The language of modern ceramics is organically integrated into nature.
And the thin tire process used.
It makes the whole device light and thin and easy to use.
It is a masterpiece that can be both practical and collectible.
This piece knows the autumn pot.
The mud of the original ore section is the tire.
The mud color is deep and quaint.
Quite elegant. Take the broad-leaved pumpkin as the theme.
Teaching from nature without sticking to nature.
Ribs, mud painting, thin tires and other craft techniques.
Set in a pot. The thin body of the pot is exquisite.
The six-petal cyst is outlined evenly.
Accentuates the plump and plump texture.
The ribs of the lid and the body of the pot are tightly connected.
Up and down. Cover with melon leaves.
Put the guati button on the lid.
The leaves spread to the shoulders.
The edges are delicately clay painted.
Renders excellent transitions from green to yellow.
The melon vine is bent into a stream, and the put.
The lines flow smoothly and freely.
Molded melon leaves, vines.
Extremely natural and realistic.
The workmanship of this pot is as fine as this.
It can be seen that the author's skills are extraordinary.
A pot in hand. Whether it's tea or play.
Suitable for both. This piece of the East Gate Hidden Pot.
The raw ore section mud is all hand-kneaded.
The table of the pot is decorated with a slurry process.
The shape of the melon is the body of the pot.
Ribs through the cover, body.
The muscles are crisp and thoughtful.
Mouth mask anastomosis. The whole pot is in one.
Plastic melon vine for the handle.
The melon handle is the cover button.
Bends. It's like nature.
Melon leaves wrapped in pot flow.
From the end of the vine sprouted melon leaves and vine branches.
Meander to the body of the pot.
The knob also extends the melon leaf to the other side.
Echo each other. The layout is sparse and dense.
The grasp of simplicity and complexity is just right.
The leaf veins and wormholes are clearly shaped.
Close to the natural form.
Rich in pastoral interest.
It is a flower treasure that is suitable for appreciation.