Mr. Chen Yuan, not many people know now, and most of those who know know that Mr. Chen is Mr. Qigong's teacher. Actually, Mr. Chen is a university scholar! He has conducted in-depth research in the fields of Yuan history, historical philology, and religious history. His main works include "Examination of the Chinese People of the Western Regions of the Yuan Dynasty", "Interpretation of Proofreading", "Examples of Historical Records" and "Tongjian Hu Note Table Micro", etc., and "Chen Yuan Academic Collection" is published. Chen Yuan and Chen Yinke are called "Historiography Erchen", and Erchen is also called Lu Simian and Qian Mu"Four masters of historiography"！Even the great man called Mr. Chen Yuan a "national treasure". Chen Yuan successively founded Guangzhou Guanghua Medical College, Beijing Orphan Work Study Park, and Beijing Civilian Middle School. He was a professor at National Peking University, Peking Normal University, and Fu Jen University. From 1926 to 1952, he served as President of Fu Jen University. From 1952 to 1971, he served as president of Beijing Normal University. To sum up, Chen Yuan should be recognized as a historian, religious scholar, and educator! Speaking of religious scholars, there is a small story, it is said that Mr. Chen Yuan has three Buddhist "Tripitaka" and one Taoist "Taoist Tripitaka"."Tang Sanzang is not unusual, I have four Tibet"！He had a large collection of books, leaving behind more than 40,000 book manuscripts and manuscripts, which are now stored in the National Library!
Mr.'s profound knowledge is naturally to make people look up to the mountains! Today is talking about Mr.'s calligraphy, which is also free and natural, and it is a school of its own, and everyone is in style! Mr. Qi Gong is famous for his calligraphy, and his reputation seems to overshadow that of the teacher, but in comparison, it also seems more restrained! However, the free and transparent calligraphy concept of the teacher and student is in the same vein! For example, Mr. Qi Gong has no definite way to write, does not stick to the center of the pen, satirizes Bao Shichen's square groove penmanship, three more (money to buy more posts, time to post more, no time to read more posts), not very advocating calligraphy theory and other remarks, may be influenced by Mr. Chen Yuan!
The most obvious example is the view that the master does not teach the knife, and it must be popularized by Mr. Chen Yuan! There is a small story here, there is a big ** who abdicated, so that he is in the "Chunhua Pavilion Post", and the penmanship is Bao Shichen (advocating "the beginning of the end of the dry person, not referring to the whole word, but a pen in the self-preparation of the eight directions", was ridiculed by Mr. Qigong as a square groove). Someone took his handwriting and asked Mr. Chen Yuan how he wrote, and he replied, "Good writing"! Asking where is the farewell, he replied, "Even the jujube wood grain has been written"! Some of Mr. Qi Gong's views on Wei Bei are "the pen of the master is not the sword", "see the pen through the blade", about ** here! Of course, Mr. these views are mainly from the technical aspect, and I think that the ink is easier to see and turn with a pen! once said, "The Tang scriptures I have seen in the rest of my life are incalculable." It is more difficult to index the inscriptions of its famous masters. And the ink of the pen turns, the ink is gorgeous, and the one that is never visible in the tablet plate is ......"。
However, the author believes that in terms of aesthetics, whether it is knife carving or jujube wood grain or weathering and erosion, if it produces a different aesthetic effect, as long as it is not pretentious, it is not impossible to use a brush to produce another feeling similar to the simple and thick by copying the appearance! As for Kang Youwei's "ten beauties", it seems to be a bit exaggerated! That is, it is similar to antique counterfeiting, and creating a little pulp has a simple meaning! This has been discussed before, so I won't say more! As for the stone carving cliffs, the ups and downs lead to the distortion of the glyphs when rubbing, and those who don't know think that the words are in danger of opening and falling into the ugly book, which also needs to be avoided! There is also a story about Mr. Qigong, who once commented on Zhu Yunming and Wang Chong's Xiaokai in the Ming Dynasty, jokingly saying that their calligraphy seems to be "the joints of the whole body, scattered everywhere, there must be a funeral master to pick up the bones, decorate them with silk wool, and then the human form can be possessed." He made humorous criticisms of Zhu and Wang's blind mud and the pursuit of the effect of Jin and Tang Xiaokai. It is exactly the same as his teacher's "jujube wood grain", and even the style of speaking is similar, there is really a teacher and a disciple!
In fact, their master and apprentice are not blindly denying the aesthetic interest of Wei Bei! Qi Gong commented on Zhang Menglong's "bones are strange, full of changes, and the shape of the present is prepared in the meantime"! There are also many beautiful words for some other famous monuments! And think that the monument can strengthen the heart and bones! Mr. Chen Yuan's "Liyun Book House" plaque is written by Mr. Yingzhi (that is, the grandfather of actor Yingda), a typical Wei tablet font, which can be seen!