Taoyuan has always been absolutely dusty, and the south of Liushi has been hidden.
When you get to the door, you don't dare to ask the bird, why do you need to ask the owner to see the bamboo.
The green hills in the city are like houses, and the east family flows into the west.
Closed to write books for many years, planting pines are all old dragon scales.
The title of the poem is very long: "Spring Day and Pei Di have not met in Xinchangli to visit Lu Yiren". The title alone is already 16 words.
According to the elements of our current writing, the title of this poem is full of time, place, people, and what to do. The titles of many of Wang Wei's poems are as simple as possible, such as "Taoyuan Xing", "Zhongnan Farewell", "Luchai", "Acacia" and so on. Of course, it is not without a long title, such as "Bodhi Temple forbids Pei Di to come to see each other and say that the traitor and other Ning Bi Pond are ** worshippers and so on, and they will cry for a while and recite Pei Di into a slogan", the title has a total of 39 words, and the poem itself is only 28 words, which is shorter than the title. This poem was written by Wang Wei when he was unfortunately trapped in Chang'an, which was controlled by the Anshi rebels, and met Pei Di who came to see him secretly in a depressed mood. There is also "Fenghe Holy System from Penglai to Xingqing Pavilion Road to stay in the spring rain in the spring hope of the system", this poem is to complete the proposition composition given by the emperor.
It can also be seen from this that Wang Wei generally does not write such long titles when writing poems, unless he is touched by external objects. Tang Xuanzong's propositional composition can also be regarded as being touched by external forces, of course, this is not necessarily consciously voluntary.
This poem should be a poem written by Wang Wei when he was touched by external objects. What touched him? We can look at the poems.
At the beginning of the poem, Taoyuan is mentioned. The Peach Blossom Source comes from Tao Yuanming. When Wang Wei was young, he wrote a poem "Peach Spring", which built Wang Wei's own peach source on the basis of Tao Yuanming's works. What the two paradises have in common is that they are located in the middle of nowhere, isolated from the rest of the world. In other words, the ideal place of seclusion in Wang Wei's heart should be like Taoyuan. Then the second sentence of the poem, Liushi Nantou, and the title of Xinchangli, are completely opposite. Xinchangli, where Lu Yiren lived, was in the civilian area of Chang'an City in the Tang Dynasty, and the allusion "Liushi" used in the poem was the civilian area in Chang'an City in the Han Dynasty, that is, it was a lively place.
This comparison is very interesting, Lu Yiren does not go to the wilderness to live in seclusion, but to live in seclusion in the downtown area. Explain that this person has his own merits.
Such a person who lives in seclusion in the downtown area, even Wang Wei will treat him with respect.
The third and fourth lines of the poem use allusions to illustrate Wang Wei's respect for Lü Yiren.
During the Wei and Jin dynasties, a Lu An went to visit the famous scholar Ji Kang, but Ji Kang was not at home, and Ji Kang's brother Ji Xi received him. When Lu An left, he wrote a traditional Chinese "phoenix" on the door of Ji's house, which was broken down to the word "mortal bird", which satirized Ji Xi as well as Ji Kang. Wang Xizhi's son, Wang Huizhi, went to visit his friends, and he didn't greet his friends politely, walking around in the bamboo forest in the courtyard, completely ignoring the master.
Speaking of which, Lu An and Wang Huizhi are very impolite and lack respect for people, but this is also part of the topic of famous people in the Wei and Jin dynasties in history.
By citing these two examples, Wang Wei is expressing his attitude, that is, even if the owner is not at home, he will not mind or feel offended, and at the same time, he also appreciates the owner's taste and demeanor.
The first four lines of the poem use four allusions. These four allusions infer that Lu Yiren should know exactly what Wang Wei is talking about, and if the host does not understand what the guest is saying, it is also a kind of disrespectful disrespect. This is clearly not Wang Wei's style. This shows that Lu Yiren, who is a hermit, is also a well-educated person.
In the poem, Wang Wei continues to write about the residence of the Lü Yi people, and the green mountains outside Chang'an City seem to be incorporated into the Lü Yi people's houses, and the flowing water in front of the house flows from the neighbors to the east and then flows out to the neighbors by the stream. The green mountains enter the house and the flowing water leads to the house, which shows that the selection of the site for the construction of the house by the Lu Yi people was carefully considered and planned, reflecting the pattern and taste of the Lu Yi people.
Such a talented hermit was willing to be obscure, and wrote books behind closed doors, and the days passed so long that the pine trees planted by Lu Yiren when he was young had become old trees, and their skin was like dragon scales.
From the poem, we readers can imagine what kind of person Lu Yiren is according to Wang Wei's composition. He is a hermit, living in seclusion in the city all his life, with green mountains and rivers in his mind, reading and writing, and never pursuing fame and fortune.
This is a real hermit.
On the other hand, Wang Wei and Pei Di need to go to Zhong Nanshan to be hermits, and they never dare or are unwilling to live in seclusion in the downtown area, but while being hermits, they have to come out from time to time to cater to the imperial court. Obviously, Wang Wei thinks that from the realm of hermits, Lu Yiren is something he admires very much.
Tao Yuanming has a poem that says: The knot is in the human realm, and there is no noise of cars and horses. How can you ask you? The heart is far away from itself.
Lu Yiren has achieved the realm in Tao Yuanming's poems, and has lived in seclusion in the downtown of Chang'an for a long time, why can he do it? It depends on the heart, as long as the heart is calm enough, anywhere can be away from the distractions of the hustle and bustle of the world.
This is the life that Wang Wei has always longed for, and it is also the reason why Lu Yiren can touch Wang Wei so much.