16:00-21:05 on May 14, 2023
Role: Tsutsui Dingyori.
The plot is relatively full, telling a story based on Japanese history and legends, combined with the nonsense of the script author himself, there are dead people, revenge, and small.
Three, there is love, hatred, etc., a hodgepodge of emotions (there is this brain to write emotional books), and there is a small bloody plot in the middle, which is basically the kind that people who often watch Korean dramas understand in an instant, and there is a large paragraph of DM reading in the middle, I think it would be good if it became a small theater performance, play this plus watch the play, and the atmosphere will come up in a hurry, haha!
There is a running map in the game link, but there is a risk of being sneak attacked, that is, your answer is used by the next player, and he doesn't make any contributions, he just hears it. The final fight is at least better than "Eavesdropping"... Its mechanism is complete, and it can be justified that this fight itself does not come with a lot of content that guides the rhythm of the war and increases the atmosphere of the war, and more needs the player to communicate with the light and dark camp in the early stage, pull up the atmosphere, and then empower this final link through backstabs, team battles, etc.
PS: Commemorate my first victory, oh yes! (DM has to be responsible for me, my first play, my first victory, and my first solo win are all brought by you, so many firsts are given to you, **haha).
ps: Script killing is a game after all, its essence is to entertain the public, so that you can get a respite from the pressure of life and work, winning or losing is important, but winning or losing is not the only ending of the book, but also to properly express the appeal of winning.