IL is not only a film, but also a delicate picture of human nature struggling with the violence of totalitarianism and the crisis of faith.
Through a series of breathtaking visual elements and plot settings, the film succeeds in constructing a world full of depression and unease, in which each character becomes a symbol of a specific meaning.
Marcelo, the brilliant character of Jean-Louis Trintegnant, is not just a member of an Italian fascist organization, but a complex individual oscillating between morality, emotion, and faith.
He was tasked with getting rid of his university professor, Luc Cuadri, in Paris. This task is not only the elimination of external enemies, but also a complete reckoning with one's past and beliefs.
Marcelo and his fiancée Giulia travel to Paris under the guise of a honeymoon, but in fact they have a secret murderous plan. Such a plot setting makes the originally romantic honeymoon journey dangerous, full of tests of humanity and emotions.
It is worth noting that in the film, Marcelo's companion Mangagnillo constantly urges him to complete the task, but Marcelo is always reluctant to do so. This kind of inner struggle and conflict is the core question of the film: in the face of totalitarian violence and crisis of faith, how do individuals make choices?
Marcelo's hesitation and resistance were not only due to his personal affection with the professor, but also because he had deep doubts about violence and faith.
In stark contrast to Marcelo is his fiancée Giulia, played by Stephania Sandreli. Giulia is a gentle, kind, and independent woman who is full of love and trust for Marcelo, but at the same time confused and worried about his actions.
Her character has both feminine tenderness and care, as well as feminine tenacity and wisdom. She not only adds more emotional color to the film, but also provides Marcelo with an opportunity to reflect and reflect.
Professor Luke Quadrie is another important character in the film. He was a learned and independent-minded scholar who became a target of Marcelo's assassination because of his beliefs and opinions.
Luke Cuadri is tall and majestic, and his eyes reveal a determined quest for knowledge and truth. His existence is not only to promote the development of the plot, but also to show the different choices and attitudes of different people in the face of totalitarian violence and crisis of faith.
The driver, Manganielo, is a relatively minor character in the film, but his presence adds a lot of tension to the film. Manganillo was a loyal and ruthless man, who did not hesitate to carry out Marcelo's orders, and even became a reflection of Marcelo's heart to some extent.
There is both absolute obedience to power and ruthlessness to the task in his character, which makes his characterization in the film very representative.
The film's visuals are excellent, supporting the storyline and characterization. The use of black and white and blue not only forms a strong visual contrast, but also reveals the imprisonment of human nature and the desire for freedom of totalitarian violence at a deep level.
Black and white symbolize coldness, order, and repression, while blue represents freedom, dreams, and hope. The interweaving and collision of these two colors makes the film visually full of tension and impact.
Fellow Streamers il, upon its release, received several important awards and recognitions for its profound themes and outstanding performances by the directors and actors.
44th Academy Awards Best Adapted Screenplay (Nominated) Bernardo Bertolucci.
The 20th Berlin International Film Festival Main Competition Unit Golden Bear Award (Nominated) Bernardo Bertolucci.
Through a brilliant storyline, excellent character development, and unique visual expression, Fellow Streamers IL has managed to provoke a deep reflection on humanity and society in the audience.
In these challenging and transformative times, we need films like this more than ever to remind us of the importance of independent thinking and strong faith.
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