"The Long River of the World" will be broadcast tonight, with powerful actors and four highlights
I was deeply shocked by the words of Huang Zhizhong (Jin Fu), who has always adhered to the embankment after 17 years of hard work, putting life and death aside and not being moved by money. This spirit of selfless dedication deserves our learning and respect.
The Yellow River is surging, and an ancient man roars with grief and indignation. The Yellow River is rolling, his friend is gone, and his life is about to run out, but he has too much unfinished business to complete his ambition to control the water.
This picture is extremely tragic! And the second sentence - Luo Jin (Kangxi): "Even if my generation fails to see the prosperous era, I hope that my children and grandchildren can see it, and this is enough." ”
His gaze was deep, his determination was firm, and the traces of time had left a lonely and lonely mark on him. This feat of water control has been passed on to future generations and has become a legend.
In domestic historical dramas, how long has it been since such an epic and majestic and righteous scene has appeared? How long has it been since you've seen a decent historical drama?
This is the strong feeling brought to me by the trailer of "The Long River under Heaven", and my heart is surging, like the water of the Yellow River, which cannot be suppressed.
In the past, historical dramas used to be the pride of domestic dramas, but when most people think of related works, the first thing that jumps into their minds may not be the dramas of the last few years or the last decade.
The peak period of historical dramas in China seems to be concentrated in the 90s of the last century to the 10s of this century, especially at the beginning of this century, the performance of historical dramas once stood out from the crowd.
For example, "Yongzheng Dynasty" in 1999.
Kangxi Dynasty": The king of court historical dramas, with the highest rating of 1671%, a drama won all important TV awards that year, with a score of 92 points, which can be called the finale of the year.
The scene of thousands of empty alleys is all in this drama.
Emperor Wu of the Han Dynasty: Based on the martial arts of a generation of emperors, the ratings exceeded 13% after the broadcast, triggering a boom in historical dramas in Hong Kong, China and Taiwan, China, and becoming a popular drama in 2005.
In the context of our country's accession to the WTO and the successful bid for the Olympic Games, the drama series "Shengshi Strong Voice" is based on"Kou can go to me, and I can go"With the theme of the great ambition of the country, it once again created a ratings miracle.
At the same time, works such as "The Governance of Zhenguan" are also based on classic historical figures and real historical events, conveying strong feelings for the family and country, and the ratings are quite excellent.
However, 2007's "Ming Dynasty 1566" became a turning point for domestic historical dramas, and this one scored as high as 9The pinnacle of domestic historical dramas with a score of 7 has set a new low in Hunan Satellite TV's annual ratings.
This incident not only made Hunan Satellite TV stop touching historical dramas for many years, but also made the popularity of the entire historical drama begin to decline. Who would have thought that this retirement would be 15 years.
After 15 years, only the "Great Qin Empire" series barely maintains the dignity of historical dramas, but its final chapter "Great Qin Fu" should have been magnificent, but it ended in failure.
Last year, "Mountains, Rivers and Moonlight", which gathered many powerful actors, climbed to the second place in the popularity of the whole network soon after it was broadcast, which is an outstanding achievement for historical dramas in recent years.
Although the lineup is luxurious, it still has not been able to reverse the decline, the number of good-looking historical dramas is decreasing year by year, the audience of historical dramas is gradually losing, and the new generation of audiences prefer costume fairy tale dramas, China's thousands of years of history seem too heavy for them.
Is there really no future for domestic historical dramas? It's too early to tell. I**, the long river of the world" drama will save a city for historical dramas, and Hunan Satellite TV has once again become its broadcast platform, starring Huang Zhizhong.
In history, there are some things that cannot be changed, but we can make history happen through hard work. Tonight, can the historical drama broadcast by Hunan Satellite TV be recognized again for the historical drama?
If this battle is lost, the historical drama market may completely collapse and be irretrievable. Can powerful actors such as Luo Jin, Huang Zhizhong and Xi Meijuan lead us through the eternal rivers and witness the truth of history?
If you love historical dramas, then "The Long River of the World" is definitely not to be missed, it will present you with the real historical core, both the depth of history, and the charm of the drama, let's look forward to this historical reincarnation!
Kangxi Yellow River Water Control Chronicle is based on the story of Chen Huang and Jin Fu, who are capable of water control, after decades of ups and downs, for the Yellow River floods, protecting the Yellow River, and returning the safety of the people, and unfolds an epic depiction of courage, wisdom and sacrifice.
For fans of historical dramas, this is undoubtedly a visual feast, and for audiences who like to knock CP and look at their faces, the appearance and emotional entanglement of the characters in the play are also a major attraction.
However, the ending of the episode is a tragedy, which is worth pondering and sighing.
During the Kangxi period of the Qing Dynasty, the six provinces of the Yellow River suffered from floods, and Emperor Kangxi (played by Luo Jin) ordered to find the current "Hebo" Chen Huang (played by Yin Fang) in order to control the floods, and formed a partner with Jin Fu (played by Huang Zhizhong), a minister of water control, to go deep into the hinterland of the Yellow River to investigate, and after many hardships, just to protect the peace of the Yellow River.
After half a century of ups and downs and political twists and turns, especially under the historical limitations of the feudal dynasty, the two heroes did not complete their work, and the ending was also tragic, but the great achievements they left behind were praised by later generations.
The trailer shows a strong epic atmosphere, and compared with other historical dramas, "The Granary of the World" makes people not want to watch it a second time after watching it once. Although this is a story that makes people feel helpless and sigh, this is the real historical drama.
In addition, the play does not take the traffic route, and even abandons the "historical drama flow" in traditional historical dramas, and is committed to showing the spirit of Chinese craftsmen who serve the public in the world and the history of China's river governance.
The Yellow River, we call it the "Mother River".
The Yellow River flows and carries a huge amount of sediment every year, of which 1.2 billion tons flow into the ocean, and the remaining 400 million tons are deposited in the lower reaches of the Yellow River, forming a fertile alluvial plain that provides high-quality soil for agricultural planting.
However, this has also caused the Yellow River to rise year by year, and the flooding of the Yellow River has become the primary problem that all dynasties must face. Especially during the Kangxi period, there were two serious disasters of the Yellow River, and history records that the height of the flood could even submerge the spire of the tallest pagoda in Kaifeng.
"The Long River of the World" is not a palace fighting drama, but a river governance drama. If you like dramas like the genre of "The Legend of Zhen Huan", it may not be suitable for this drama. In addition to telling the history of the long river, this drama will also tell the long river of history.
The whole drama is full of the heroic righteousness of Chinese history, but the plot is definitely not ugly. The main line is to control the water, and the branch lines include the battle between the courtiers of Mingzhu Suoetu, the battle between Kangxi and Mingzhu Suoetu's monarchs and ministers, and the counterattack of Chen Huang and Jin Fu, a group of capable ministers who were forced into a fight, and so on.
In the end, the young and outspoken Chen Huang died due to the framing of traitors, and before he died, he left behind a famous book on river governance - "The Essentials of River Defense". Want to know how Chen Huang and Jin Fu governed the Yellow River and how they dealt with being framed by their colleagues?
This show is sure to satisfy your curiosity.
The Long River Under Heaven": The True Story in the History of River Governance and the Intentions of the Main Creative Team "The Long River under Heaven" is a historical drama of river governance based on a true story, telling how Jin Fu was reinstated after Chen Huang's death and completed the great cause of water control, what kind of river governance theory Kangxi proposed, and his relationship with Hechen.
These are the focus of the show, and they are also what really happened. Director Zhang Ting, with his profound skills and intentions, successfully filmed his own "private goods" - Daming Fenghua".
However, the good idea of the story is not enough to ensure that the series is good, the key is whether the main creative team can give full play to the potential of the story. Many times, our evaluation of historical dramas overestimates the strength and underestimates the intentions.
The release of classic historical dramas such as Yongzheng Dynasty, in addition to strength, the selfless dedication of the main creative team is also the key to the success of the series. In "The Long River Under Heaven", screenwriter and director Zhang Ting has no lack of strength, let alone intentions.
Zhang Ting, a well-known screenwriter in the circle, is known for his creative style of writing civilian dramas and letting characters speak. From the broadcast of "Police Li Wine Bottle" and "Tube Building" in 2001, to word-of-mouth hits such as "Four Worlds in the Same Hall" and "Confucius Spring and Autumn", and then to the director's works in recent years, such as "Daming Fenghua" (although it is still far from the classics, the reputation is better than "Da Qin Fu" and "Qingping Le"), Zhang Ting's talent and hard work have always been consistent.
The Long River under Heaven is Zhang Ting's masterpiece, although he has experienced many twists and turns in the creative process, he has always adhered to his beliefs and completed this work. In the industry, this work is known as the "drawer book" and has been rejected many times, but Zhang Ting firmly believes in the value of this work.
This is a pure historical drama that does not chase traffic, does not engage in Mary Sue, does not engage in palace fighting, and does not even have a heroine, but ten years ago, five years ago, such works did not have any market in the market.
However, Zhang Ting insisted on his own creative concept and finally completed the work and presented it to the audience.
Historical dramas must get back on track in order to fully present the story. Director Zhang Ting personally handled it, and no one can surpass his enthusiasm and determination. The powerful lineup of Luo Jin, Huang Zhizhong and Liang Guanhua makes the hard power of this drama explode.
Even if the director and screenwriter have good intentions, if the actor does not perform well, it is in vain. The success of historical dramas is inseparable from the superb acting skills of the old drama bones and the wonderful performances of each other.
"Ming Dynasty 1566" is an example, with the outstanding performances of actors such as Chen Baoguo, Huang Zhizhong, Ni Dahong and Wang Jinsong, making every minute full of dramatic tension.
Let's look forward to the wonderful presentation of this drama together.
The cast of "The Long River under Heaven" can be called luxurious, bringing together a large number of powerful old actors, which is dizzying. Among them, Luo Jin, as the first expected actor, has significantly improved his acting skills and audience popularity, showing extraordinary charm as an actor.
After Luo Jin and Tang Yan got married, his acting career ushered in a new peak. Although before getting married, he mainly focused on costume dramas, fans questioned his masterpieces.
However, from the moment he got married, Luo Jin successively launched works such as "Crane Pavilion", "An Home", "So Many Graces in the Country" and "Out of Court", which won high praise from the audience.
These works not only prove Luo Jin's strength, but also make his position in the industry more solid.
Luo Jin's acting skills have been fully demonstrated in the 2020 satellite TV drama "An Home", the annual ratings of the year, and the ratings have exceeded 7 points. This kind of performance is quite outstanding even compared to other first-line middle school students.
Although Luo Jin does not have many costume drama works, his performance in "The Crane Pavilion" is unforgettable. In the play, he successfully portrayed Xiao Dingquan, the character of being aggrieved to the end, and vividly expressed his twisting, purity-heartedness, and pursuit of forgiveness and redemption.
The grievances of the characters and the acting skills of the actors have become the reason for the show to be out of the circle.
Luo Jin will play Kangxi in the play, which is the second time he has participated in the filming of a Qing court drama after ten years. There have been many Kangxi images on the screen, especially the performances of Jiao Huang and Chen Daoming left a deep impression on the audience.
But Luo Jin's unique bookish atmosphere may allow him to interpret a completely different image of Kangxi from the past.
The actors are under a lot of pressure in the comparison, but it can also bring out their potential. In the trailer, Luo Jin's eyes are already full of acting domineering, and I look forward to his next performance, which will bring us a unique Luo Jin version of Emperor Kangxi.
Another powerful actor Huang Zhizhong is also worth looking forward to.
Huang Zhizhong, the neglected old drama bone, has already won the Best Actor Award at the 28th China TV Drama Feitian Awards for the war epic drama "Chinese Expeditionary Force", and his strength cannot be underestimated.
Among the many praises, "Ming Dynasty 1566" is known as one of China's best historical dramas, and the audience's attention is often focused on powerful actors such as Chen Baoguo, Ni Dahong, Wang Qingxiang, Wang Jinsong, etc., but Huang Zhizhong's Hai Rui is also impressive.
In "The Right Way in the World is the Vicissitudes of Life", his superb acting skills and Zhang Zhijian stole a lot of glory from Sun Honglei. In "The Crane Pavilion", he and Luo Jin play a pair of emperor father and son, and the rivalry between the two has become the core highlight of the series.
One of the biggest highlights of "The Long River Under Heaven" is that the audience will have a glimpse of how "Xiao Dingquan" punishes "scumbags".
When Huang Zhizhong played Jin Fu, the river minister of the Kangxi Dynasty, there was no problem with his acting skills, and the roar in the trailer was already full of tension. It's just that can he distinguish Jin Fu from Hai Rui, who have similar personalities?
And Liang Guanhua, his most popular role is Di Renjie, and his interpretation makes it impossible to distinguish him from this role.
Liang Guanhua: From Di Renjie to Zhang Damin, his roles are deeply rooted in the hearts of the people. He is not only the most successful Di Renjie actor in film and television history, but also shows superb acting skills in "Poor Zhang Damin", "Daming Fenghua" and "Meeting Season".
His performance is by no means limited to playing a fat Di, but can show a unique charm in various roles. Liang Guanhua's acting skills let people see his versatility and depth, he is a real actor.
Di Renjie's acting skills are superb, and they can even be said to be too successful, so that people ignore his diverse talents as an old actor. This time, he will challenge the role of Suo Etu, a famous minister of the Kangxi Dynasty, who has a complex evaluation, judging from the stills, it is difficult to distinguish between good and evil, which is exciting.
It's really interesting, the fourth place is Xi Meijuan.
When I saw that Xi Meijuan's name was the first female character in the cast, I felt very relieved. There are two reasons: first, this veteran actor who won the Golden Rooster Award for Best Actress in 1991 has undoubted acting skills.
Secondly, this also shows that director Zhang Ting's determination is firm, and he does not even plan to arrange the role of a confidante for the two male protagonists. In this male-dominated drama, Xi Meijuan will play Xiaozhuang.
Xi Meijuan is familiar with the interpretation of costume dramas, whether it is "The Spring and Autumn Chapter of the Eastern Zhou Dynasty" or "Zuo Zongtang" and other big dramas, she has performed well. And in "The Year the Flowers Bloomed and the Moon Was Full", her role as the Empress Dowager Cixi was also impressive.
Many viewers may have concerns about Xiaozhuang played by Xi Meijuan, worried that she is not ruthless enough. In fact, Xi Meijuan's eyes have revealed her murderous aura, and what really matters is the inner strength of the character, not the ** on the surface.
And as the fifth actor, Yin Fang's performance is also worth mentioning. He was born in Beijing Contemporary Ballet, and his acting skills have improved significantly in recent years.
This little student obviously has a strong desire to perform. In "New World", he managed to show his charisma, despite the show's mediocre reputation. However, in the trailer of "The Long River Under Heaven", his performance amazed me even more.
His performance not only showed the ambition of the teenager, but also let me see the depth and delicacy of his weathered characters.
Chen Huang, the tragic hero who was unjustly promoted by Kangxi and finally died unjustly, is the role that Yin Fang needs to create now. As the pearl who has been fighting with Soltu for half his life, Gong Lei is the sixth suitable actor candidate.
I never thought that it was "Uncle Hui".
Su Ke is a critically acclaimed actor, and although he has often played gangster villains in the past, his acting range is actually very wide. In "Miracle", Su Ke's performance showed his excellent acting skills, proving that he is a discerning director.
Su Ke will play Nalan Mingzhu in the new drama, the important minister of the Kangxi Dynasty and the father of the famous Qing Dynasty poet Nalan Xingde. We are looking forward to Su Ke's performance in the play, and whether he will surpass the classics will only be revealed after the show is broadcast.
Su Ke is the "Uncle Hui" in our hearts, and his performance will definitely satisfy us.
, a child star who taught in Chinese opera, has shown extraordinary acting skills both in historical dramas and modern dramas. From Sharibin in "A Generation of Heroes" to Da Jiang in "Sweeping the Black Storm", the villain of "Gold Rush", every role has been vividly interpreted by him.
Especially in "Daming Fenghua", he successfully portrayed the role of Yu Qian, and his acting skills were highly recognized. In this year's "The Heroes of the Warring States", he played Bai Qi, the god of war, and his performance of inner struggle and ups and downs is impressive, even no less than Xing Jiadong.
His performances have always been consistent and excellent, and it is expected that he will bring more surprises in the future.
Can historical dramas break through the status quo and usher in a new spring? This drama may bring us new hope. Although historical dramas have faced many difficulties in the development in recent years, such as large investment and a cold market, I believe that as long as we dare to challenge, we will be able to create more excellent dramas.
Hunan Satellite TV's attempt this time allows us to see another possibility of historical dramas.
1.Audience differentiation has led to the decline of historical dramas, and the times have created the glory of historical dramas. Nowadays, entertainment consumption is booming, female audiences are dominant, and it is inevitable that historical dramas will go downhill.
But the poor quality is also one of the reasons for the decline of historical dramas. Really excellent historical dramas can make the audience have a longing and reflection on history, such as "Kangxi Dynasty" and "Emperor Wu of the Han Dynasty", which make people's blood boil.
Therefore, historical dramas need to return to the right direction, that is, focus on history itself, return to the plot, and let the acting school have a suitable position. 2.The decline of historical dramas is mainly due to the differentiation of audience groups and changes in market demand.
However, that's not to say that historical dramas can't be more popular. In fact, the real value of historical dramas lies in making the audience think and longing for history. Historical dramas like "Kangxi Dynasty" and "Emperor Wu of the Han Dynasty" have won the love of the audience with their in-depth historical research and wonderful plots.
Therefore, historical dramas need to return to their essence, that is, to focus on history itself, return to the plot, and let the acting school have a suitable position.
In recent years, historical drama producers have overly pursued the packaging of "historical dramas" as "costume dramas" of historical legends. This does not mean that historical dramas must be 100% historical.
In order to make a historical drama more attractive, appropriate adaptations are allowed, but the principle of "big things are true, small things are changeable" must be followed. That is, you can't change the important events and trends of history at will, and you can't set up a childhood sweetheart for the actor casually.
The reasonable imagination of the historical drama must not affect the expression of the play itself. National events cannot be filmed as grievances and hatreds between characters, and textured actors and plots cannot be turned into the shell of "costume dramas".
The Long River under Heaven is an excellent historical drama because it violates the mainstream of the market. This historical drama focuses on history and river governance, and does not focus on palace power struggles and harem battles, but focuses on the real heroes of Chinese history.
It excludes all the elements of "idol drama" and becomes a historical drama in the true sense of the word. In order to shoot the momentum of a historical drama, the production team used stupid kung fu.
They dug a "Yellow River" in Hengdian, presented the effect of the Yellow River surging and rushing through a wave machine, and even found someone to build a dam of about six meters, and also made a small village with a construction site, making a local scene of the Yellow River.
"The Long River under Heaven" is a hard-core star drama with a straightforward style. Don't think that the quality of the drama is not good because of Hunan Satellite TV, they once broadcast "Ming Dynasty 1566".
However, we should let the good drama shine now, not become a monument in the years. Watching historical dramas is actually looking at the character of the Chinese. The real answer of the historical drama is: "Why do Chinese think and behave the way they do today?" ”
In historical dramas, there are always some people who find their calling at a very young age, such as in this play, where two wizards meet and become confidants. After Chen Huang's death, Jin Fu took over the responsibility of controlling the water, and in terms of personal destiny, they were all people with a mission.
Chen Huang and Jin Fu, two pioneers of the Yellow River governance, their statues stand at the mouth of the Yellow River, and history remembers their exploits. As early as the 35th year of Kangxi's imperial court funded the construction, the people had spontaneously built the Hebo Temple and took them as the object of sacrifice.
Before his death, Chen Huang wrote a letter to Jin Fu with Su Dongpo's poems, expressing his regrets for the past and his hopes for the future; Before his death, Jin Fu quoted Li Bai's poems to express his deep condolences to Chen Huang and his powerlessness for the future.
Their contributions and emotions have become a part of history and will forever be etched in our hearts.
Through these two poems, you can deeply appreciate the heart-to-heart sympathy between confidants and the gentle quality of the Chinese. And water control, even if the dynasty changes and history advances, generation after generation needs to do.
It's the people and things that really deserve to be shown on the screen. This good story is already in front of us. I hope the series can be worthy of this story and this group of people, "even if your name and body are gone, the Yangtze River and the Yellow River will live on forever."