February** Dynamic Incentive Program
The recently hit TV series "In the Blizzard", the TV series written by Mo Bao Feibao, the author of the original **, was personally authored. Starring Wu Lei and Zhao Jinmai. Purely from the perspective of TV drama audiences, this drama is still a bit unsatisfactory at present.
The first protagonist is a character design, the male protagonist is 27 years old, fatherless and motherless, graduated and worked for two years, and later studied in Finland. The heroine is 21 years old, a senior, and a volleyball family. Most dramas will show the character of the male and female protagonists through plot conflicts in the early stage, so that the audience will fall in love with the male and female protagonists first, or let the audience hate the male and female protagonists first, and then let the audience change their view of the protagonist through follow-up things. In the first episode of this drama, the male protagonist fell in love at first sight when he saw the female protagonist, and when they met for the first time, the male protagonist took the initiative to order wine for the female protagonist and younger brother, and then sent the female protagonist and younger brother back to the hotel. During this period, a drama was arranged for the male protagonist to explain his identity, and the male protagonist took out his ID card, student ID card and even passport to prove that he was not **. The female protagonist is six years younger than the male protagonist, and the male protagonist has an obvious age experience advantage in front of him. The heroine gives the audience the feeling that she is not very smart and a little guarded, but there are not many, and the two characters have no charm at all.
In fact, there is not much description of the heroine's personal personality in the play, she is a girl who is beautiful and good at playing billiards. The plot explains that she is a billiards family, but her billiards professionalism is almost not reflected, there is almost no idea and initiative of her own, many things are pushed by his younger brother or the male protagonist, and the male protagonist is more like a doll, the screenwriter labeled him as gentle and considerate, but the audience will fall in love with not a comprehensive doll, not a doll with a perfect personality, but a fresh person with contrast, a side and a b.
The plot is basically driven by the tool man.,The number one tool man is the female owner's younger brother.,Meet for the first time in the bar.,After the male owner bought wine for the female owner and his brother,The younger brother has completely trusted the male owner.,And directly grabbed my sister's mobile phone.,Tell the male owner the address of the hotel they want to stay.,After the male owner sent them back to the hotel,The younger brother added the male owner's WeChat.。 The next day, I booked a ticket for myself and my sister to go to the male protagonist's city, and then arranged the drama that the male and female protagonists missed. The younger brother's form has never been logical, just a plot-driven tool man.
In fact, as an audience, I want to see a more comprehensive character creation and a more complete plot logic in the play, rather than the male and female protagonists being sugar sprinkling tools, and the supporting characters becoming the tools to promote the plot. I want to see more attractive female characters in domestic dramas, rather than the ancient character settings of obediently waiting for the male protagonist's favor in place.
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