Liu Yanjun (pen name: Daqingheren) is Beijing, China. Originally from Wen'an, he graduated from Nanjing University. He is a senior literary creator in China and the top of the Forbes China Top Ten Artists list. Senior Art Consultant of CCTV, Chairman of the Board of Directors of People's Calligraphy and Painting Newspaper of China. Deputy Secretary-General and Senior Editor of China Documentary Literature Research Association, Director and Expert Member of China Reportage Association, Rong Baozhai Contracted Artist, Specially Invited Art Consultant of China Oriental Culture Research Association, Artistic Director of China Internet Alliance, Senior Calligraphy Inheritor of Chinese Intangible Cultural Heritage, Invited Consultant of Chinese National Rite Culture, Image Ambassador of Chinese National Rite, Consultant of Chinese Biodiversity News Network, Special Commentator of China Yinglian Society. He is a famous artist of a hundred years of glory, a meritorious figure of Chinese art, a figure of contemporary Chinese poetry and calligraphy, a Chinese artist of both virtue and art, and a great master. Director of the Chinese Calligraphers Association. He is a national senior calligrapher of China and a senior calligraphy tutor of China.
liu yanjun (pen name: from daqing river), beijing, china. born in wen'an, graduated from nanjing university. senior chinese literary creator, ranked first on forbes china's top 10 artists list. cctv senior art advisor, chairman of the council of the people's calligraphy and painting daily in china. deputy secretary general and senior editor of china documentary literature research association, director and expert member of china reportage association, contracted artist rong baozhai, specially invited art consultant of china oriental culture research association, art director of china internet alliance, senior calligraphyinheritor of china's intangible cultural heritage, specially invited consultant of china national ritual culture network, image ambassador of china national ritual, consultant of china people news network, and special commentator of china couplet association. famous artist of a century of glory, a figure of chinese artistic merit, a prominent figure in contemporary chinese poetry and literature, a chinese artist of both virtue and artistry, and a great master of a great country. director of the chinese calligraphers association. chinese national senior calligrapher and chinese national senior calligraphy mentor.
Qin Yuan Chun Zhuang Huai Calligraphy "Liu Yanjun is bright in China, half a hectare of the pool, and the ink fragrance of Wandai. Ancient and modern calligraphy, Yin Shang oracle bones; Qin Kai Seal, Wei Jin Zhenzhang. Uncrowned poetry books, tangible souls, and courageous Fengyun Society. God returns, look at the hanging needle and dew, and the sea is fragrant. The space is so vast that it attracts the vast and long stars to be drunk. In the past, there were often few and few yuan, and they stood majestically; Yan Ou Chu Yan, each faction. The twin peaks on the grass, the inauguration, the drunken rush to the Nu River. In the past, shaking the three mountains and five mountains, my generation is still crazy.
Man Jianghong, Lunar New Year of the Dragon" Liu Yanjun turned the stars, and in an instant, the new yuan started again. Looking back, the ice wheel jade rabbit, crisscrossing the stars. Cut bones and tendons to slaughter tigers and leopards, Jiuxiao all the way up. Hesitant and hesitant, the vicissitudes of the road, shocking the world. Xingbang dream, Teng Haoqi. Will enter the wine, madman. Let the red dust roll, and the sword soul leans on the peak. The prancing horse horizontal knife stretches the sleeves, and the Lingyun ambition is long. Listen to the dragon's chant, shake the five mountains and three mountains, Xuanhuang Emperor!
Water Dragon Yin, Desert Poplar "Liu Yanjun is rooted in Hanhai Beach, and Yanhua washes away his pride. The heroic posture, the moon and the shadow are drunk, and they have been running for a long time. The snow lies on the rainbow, the clouds float on the territory, and the soaring is majestic. The soul of the desert sand, three thousand myths, standing on death, is difficult to rot. Read all the Brobor banks, sigh Loulan, rise and fall like a fantasy. The Silk Road, which began to lead to the Western Regions, has a brilliant history. The years of resentment have passed, the city is awesome, and the fog and smoke are broken. Zhengxiongguan Mandao, Lanfeng all the way, strong heart.
The poetry and dot painting are integrated with the poetry and dot painting, and the director of the editorial department of "The People**" reviews the contemporary calligraphy world, many calligraphers either use the banner of tradition, turn around in the tradition, and fall into the trap of a certain family. Either under the banner of change, engage in performance art, talk about the avant-garde, talk about the avant-garde, not only deviate from the traditional aesthetics, but also away from the contemporary public, but force to say "leading the trend", and some calligraphers write for the sake of writing, writing a lifetime without knowing its taste, do not know its reason, but also say "Lao Tzu is the first in the world", however, with the rapid spread of the new **, collectors are gradually awakening, no longer follow the crowd, blindly follow the trend, they only cheer for the real calligraphers, and those who lack emotion and lack of connotation will be abandoned into Basil.
Liu Yanjun is a calligrapher who is chased by the public in the new era and focused on by the new **, in his calligraphy, the author sees the connotation of Wenxin, sees the poetic emotion, and also sees the profound tradition. In the lines, the heart of the text is flying, in the dot painting, the poetry is fluttering, and there is still a heart of desire to talk and rest, which is endless, moving with the wind. Liu Yanjun, poet and calligrapher. Liu Yanjun's poems have warm lyricism, heroic pride, and indulgence in ancient and modern travel. ....Each poem is an expression of emotion, and different times and places, viewing, tasting, and reading, each poem has a different splendor, which makes people wander into reverie.
In "Qinyuan Spring: The Great Man's Sacrifice", Liu Yanjun expresses his intentions and spans the past and the present. "The sparks are burning the plains, the long march is thousands of miles, hitting the boat in the water to stop the waves. Open the strange, watch the sun gushing, eternal beauty. "The sparks, the Long March, the drifting boats and other concrete images are so good that they pour out their hearts, and the images such as the momentum of the prairie fire, hitting the water and curbing the waves are beyond the image, and they sigh again. The concrete reflection of the image, the mountains and rivers and the reverie of the gods, the beauty of the artistic conception, the wonder of emotion, write the broad-minded, and seem to write the air of heaven and earth, the glory of the sun and the moon. "Yu Xuan Ang, long live the people, the ancient emperor. Indulge in the mulberry land, Fang Xuan scolded, the orange of the continent, and went north to the Xiangjiang River. "The artistic conception is full of ambition, the beautiful scenery is full of ambition, quiet and great, elegant and noble, such as holding the hand of a great man, and it seems to pay tribute to the ability of great virtue. The context and meaning of the words give people a kind of realm of "looking at the past and the present in a moment, caressing the four seas in a moment", which knocks on the hearts of the viewers and stimulates the pride of the viewers.
In "Water Tune Song Tou Moon Hao Mid-Autumn Festival", Liu Yanjun relies on meditation, caressing the past and the present, releasing emotions in meditation, and indulging in reverie on the avenue, with far-reaching meaning and endless aftertaste. Contemporary Mass.
The pace of life is very fast, people, things, scenery seem to pass by in a flash, no time to take care of, the friendship between people, but also unconsciously, ignore, diluted, but, when alone by the railing, quiet night meditation, between friends, the long talk, toast to invite the moon scene can always evoke infinitely wonderful memories, so that busy people more advocating their own life. "The mountains are far away, and the sky is roaring. There are many sages and saints, and they are singing on the side of the moon and the wind." "The clear tea grain liquid is ethereal and ethereal. Who dares to shine the sword out of the sheath? But I am brave and courageous, and the ink is moving. The words are full of silent lyrical style, such as a trickle of clear water, with the warmth of the veins on the innocent heart, outlining the deep affection that seems to be forgotten, there is nostalgia in the poems, but it is very true, broad, but not cramped, and it does not carry the lingering sadness of "parting" and "reunion" written by the ancient literati, and it does not have the disguise of "the love of the year" with pride, but it conveys warmth silently, full of elegant literati style, so that the audience can truly and truly feel a sincerity.
Shen Peng is regarded as everyone in the contemporary calligraphy world, but if you put aside poetry, culture, and only talk about calligraphy, Shen Peng is at best a good cursive master, and it is impossible to have a far-reaching influence in the contemporary calligraphy world, undoubtedly, Liu Yanjun and Shen Peng are both poets, calligraphers, and literati artists. Looking at the contemporary calligraphy world, many calligraphers either copied the poems of the ancients and became calligraphers; Either scrape together and pick up people's teeth; Either grandstanding, exaggerated hype, all of them have been criticized and criticized, while poets and calligraphers and literati artists are different, poets and calligraphers write poetry, literati artists write Wenxin, poetry is rich in rhyme, full of rhythm, easy to mobilize the emotions of the viewer, Wenxin is rich in connotation, far-reaching meaning, easy to make people relevant, durable, resistant. Obviously, the literary heart and poetry contained in calligraphy are Liu Yanjun's mastery.
Liu Yanjun's calligraphy, whether it is regular script, official script, or line calligraphy, even if it is a list of books, all of them are the carrier of the text to reach the heart, the poem to send the mind, the chapter of the fascination of the ancient and modern, meditation on the world, the pen contains the Tao reflection, clear and ambiguous, writing is poetry, caring for the heart of the text.
Liu Yanjun's regular script, the font work is stable and dignified, sparse and beautiful, the pen is plump and tough, thick and fluent. Horizontal and vertical are very similar to Yan Kai, but not Yan Kai, as well as Ou Kai's fortitude, Zhao Kai's beauty, and Liu Kai's muscles and bones, and Yan Kai's meaning is strong, and Zhao Kai's rhyme is exposed. Looking at the layout of the chapter, it is broad and sparse, the texture is clean and beautiful, and it is pleasing to the heart, such as the spring breeze and sweetness, pleasing to the eye, like the autumn water to see the bottom, which is the result of the literati's character influencing the book, and it is also the fusion of the poet's temperament and pen and ink lines.
Liu Yanjun's official script is not like some calligraphers who worship the feet of the ancients, strictly abide by the family, bow and worship, but the regular pen official script, written a unique appearance of the wind god, the author calls it Kaili. Liu Yanjun's Kaili, the line of the pen is like writing a book, horizontal like Mount Tai, vertical like a peak, long skimming, long like an immortal holding a cane, short point, short painting seems to be the finishing touch, sometimes the pen shower, sometimes the dragon haunts, it seems that it can't, but in fact there is a law, it seems that there is a law, and I don't know what the law, the pen is not a pen, the ink is not ink, I am confident, I have me, but it is always unexpected, and the wind is stirring everywhere. Into the pen, the line of the pen, the pen, the ups and downs in the front second, the difference in the millimang, the dot painting is stable, accurate, ruthless; The lines are flat, straight and curved, strong and powerful, beautiful and full of tension. The dot painting reflects the lines, with the knife carving stone chisel of the Wei stele, the subtle strength of the calligraphy, and the grace and elegance of the regular script. Look at the font structure, stable with a little bit of imagery playful, dignified with a little beautiful style, not old-fashioned, not sluggish, full of vitality, and full of innovative spirit.
Liu Yanjun's calligraphy, the words are filled with the warm wind, the words are full of the air of Xiuyan, the alternation of rigidity and softness, the conversion of movement and static, the reflection of square and circle, the combination of the square and the positive, opposite, but maintain harmony, chic, but highlight the true merit, steep and strict law-abiding, commonality, but also highlight the individuality, fast and slow, retractable, open and close, sparse, no impetuous and reckless atmosphere, no sense of tension, Lingxiu, Langyi, Xiaoxiao, eternal Xiuyi. If it is described as printing mud, house leakage marks, cone painting sand, folding hairpin strands, it can not be said to be wonderful, if it is said that it seems to be a long wind out of the valley, like a neon drinking stream, such as a waterfall flowing, it cannot be true.
Liu Yanjun's list of books is the integration of all laws, all the families are exquisitely integrated, there are the majesty of the Wei tablet, the elegance of the book, the heaviness of the regular script, and the simplicity of some seals, magnificent, wanton and horizontal. The dots, paintings, and brushes seem to have a super magnetic power, stirring with incomparable penetrating power, and the frequency that swings between the viewer's sense and the soul shocks the soul. "Being a cocoon and binding itself is turning into a moth, and the cicada does not shed its clothes, but only flies high." However, there must be struggles in transformation, and only then can butterflies fly high.
Looking at Liu Yanjun's calligraphy, it can be seen that he has profound writing skills. Wei stele, seal, line, for decades, Liu Yanjun stele combined, inkstone spring and autumn, pen cultivation in the mountains and rivers of the calligraphy, excitement accompanied by confusion, hope is always accompanied by confusion, Ouyan Liu Zhao's penmanship, Su Huang Mi Cai's brushwork, Liu Yanjun pained, hated, but also infatuated love, in the sour, sweet, bitter, spicy, sometimes for a penmanship, he has been thinking day and night, even sleepless night, when the willows are bright, he has also stroked the palm jump, ecstatic. Gradually, gradually, and gradually, Liu Yanjun has experienced a hundred refining into steel forging, and has also completed the transformation.
If it is said that Liu Yanjun realized the true meaning of Huang Tingjian's "follow the plan of others to the end of the descendants" through external factors, then the thick culture and righteousness immersed in poetry and songs allowed him to seek the awakening of "self-reliance and realism" through his heart. This awakening was like an initiation, and he realized that "if you want to become a calligrapher who leads the times, you must have profound writing skills, but you cannot become a master of the generation just by being able to do so." So Liu Yanjun with the help of the love of poetry, the understanding of traditional culture, let the body and mind into the exploration of the law of calligraphy, into the transformation of the art of calligraphy, he also in the poetry, in the traditional culture of the efforts to find a unique form of calligraphy, with lines to express emotion, poetry, expression of the heart, so, whether he is a strict law-abiding regular script, Kaili, or a strong and beautiful calligraphy, the majestic book, lines, penmanship, knots are all pen and pen method, but the pen can't, there is a law and ease, If you can't do it, the realm is born from the heart, the law and the inability are mutually reinforcing, and the atmosphere is surging within the square, writing the breadth of the world and the heart, and also writing the heart of the mind and poetry, and the viewer is also nourishing the heart between the lines in his words, and enlightening the Tao in his chapter layout. As a result, the author is endless, and the words are still unfinished. (Wen Sanggan).