The language program of the Spring Festival Gala was poor, and the ratings dropped in the second hal

Mondo Entertainment Updated on 2024-02-13

This year's Spring Festival Gala can be described as colorful and full of surprises. ** In this category, it still maintains a consistent level, although there is not much innovation, but it is still worth appreciating.

The language program is even more bland, and it seems that the spark of inspiration has been deliberately suppressed, which is a little regrettable. However, we can still find some highlights worth pondering, and perhaps the most memorable ones are Liu Qian's magical magic tricks and Xiao Ni's hilarious goofs.

Liu Qian, a leader in the world of magic, surprises the audience with every performance he makes. On the stage of this year's Spring Festival Gala, he once again amazed the four with his amazing magic skills, and a series of thrilling performances stunned the audience and praised him.

However, in a wonderful performance, there was an unexpected episode, and Xiao Ni accidentally wore a goof, which became the most hilarious scene of the Spring Festival Gala.

This sudden joke made the audience laugh and added a lot of fun to the whole show. However, in language programs, Ma Li and Shen Teng's sketch "Chilling House" has sparked some discussions.

Although their performances initially attracted a certain audience, the ratings plummeted as the show progressed, with viewers expressing disappointment and questioning the quality of the show.

Perhaps, there are indeed some unforeseen factors in this, such as the sudden change of script in the show, which led to an unexpected ending, leaving the audience confused and dissatisfied.

In the sketch "Chilling House", there are two details that are particularly eye-catching, one is Shen Teng's inner eight-character step, and the other is Ma Li's "cold feet" eight-character, how do they shine in comedy?

Let's uncover these tiny but fascinating highlights together. First of all, let's study Shen Teng's inner figure-eight step.

Every time he tries to take this unique step, it seems to bring a string of joyful notes to the audience. This gait is not only a portrayal of the character's personality, but also a profound expression of the art of comedy.

Shen Teng's simplicity, innocence and frankness in the role have been vividly displayed with his unique steps. This kind of detail not only makes people laugh, but also makes the audience feel the warmth and truth of life in laughter.

Next, let's talk about Ma Li's "cold feet". This detail is not only an in-depth depiction of the character's inner world, but also a vivid representation of the environment.

Ma Li's character in the sketch is not only an individual with a resolute personality, but also a positive soul. She endured the torment of "cold feet" in the cold wind, but she was still smiling, showing a courage to fight against fate and an optimistic attitude to life.

This kind of fine processing makes the character image fuller, so that the audience can understand the true meaning of life from moving while laughing. These seemingly insignificant details actually show the creators' mastery and skillful use of art.

In this way, they give the characters more images and emotions, making the whole sketch full of fun and enjoyment.

These details not only allow the audience to see the humor of the characters, but also allow them to understand the complexity and diversity of the characters more deeply, and feel the warmth and reality of life.

Recalling the many collaborations between Shen Teng and Ma Li in the Spring Festival Gala, their works are not only simple entertainment, but also an observation and reflection on social phenomena. Their sketches, sometimes humorous and spicy, sometimes carefully worded, reveal the absurdity and powerlessness of society in a witty way.

In this series of works, the audience not only tastes the feast of laughter, but also tastes the sweets and pains of life, and examines all aspects of society. In particular, the cadre-themed sketches created by Shen Teng and Ma Li have sparked extensive social discussions.

They portrayed the unsatisfactory performance of some cadres in a humorous way, which triggered a deep reflection on the inside story of officialdom. This kind of direct presentation and in-depth analysis of social phenomena makes the audience feel the impact of thinking and the shock of their hearts in a relaxed laughter.

This sharp insight into social reality and sharp satire does give rise to some disagreement. Some people feel that this way of exaggerating and negatively portraying the image of cadres may have a negative impact on society and distort the audience's perception of cadres.

They advocate that we should look at the phenomenon of officialdom in a more objective and fair manner, rather than blindly exaggerating its dark side.

On the other hand, some people feel that it is through exaggeration and irony that the sketches of Shen Teng and Ma Li expose some unknown sides of officialdom and arouse thinking about officialdom supervision.

They argue that artworks should not be subject to too much constraints, but should be given more freedom for artists to express their concerns about society and interpretation of human nature from their own unique perspectives.

Although the sketches of Shen Teng and Ma Li caused controversy, they also prompted the society to think deeply about the phenomenon of officialdom.

As they said in "The Humble House": "The bits and pieces of life, there are tears in laughter, laughter in tears, only by facing it truthfully, can we see the way forward." ”

This may be their responsibility and mission as artists, as well as the deep meaning behind their works. In addition, there are some other eye-catching moments at this year's Spring Festival Gala.

For example, some celebrities have relatively short footage times, which has sparked speculation and concern from the audience.

What impressed me most was Zhang Ruoyun's performance in the Spring Festival Gala, the scene where he played the little Fan Shixian and Li Bai in the same frame broke people's conventional perception of "Celebrating More Than Years", and also brought more expectations for his future career development.

In general, although there are many highlights in this year's Spring Festival Gala, there are also some regrets and unsatisfactory places.

For next year's Spring Festival Gala, we can look forward to seeing more innovative performances and more unexpected moments. As an annual event, the Spring Festival Gala should bring more joy and touch to the audience, not just boring and bland.

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