Author: Member of the Chinese Calligraphers Association: Chen Chun (Jiangsu Baoying).
As a newly unearthed stone carving of Han Li, Feizhi Monument provides new inspiration for the research and creation of contemporary Lishu with its unique style and aesthetic paradigm. In this inscription, we can see a simple and gentle charm, full of curiosity and creativity. Compared with the works of Han Li of the same period, its style is very different and unique.
Han Li is an important part of the art of Chinese calligraphy, and the Fat Monument represents a new trend in official calligraphy during this period. Its appearance not only enriched the style and expression of Lishu, but also promoted the innovation and development of Lishu art. From the perspective of the development of Chinese calligraphy art, novelty genres such as "Fat Monument" can often trigger the inspiration of creators, stimulate their creativity, and thus form a personalized style and atmosphere.
In the creation of contemporary calligraphy, many artists draw inspiration from the Fat Monument and draw on its unique style and expression. They incorporated this novel style of official writing into their own creations, resulting in many creative and individual works. These works not only have high artistic value, but also demonstrate the unique charm and vitality of Chinese calligraphy art.
In short, as a newly unearthed stone carving of Han Li, "Feizhi Monument" provides a new style and aesthetic paradigm for the research and creation of contemporary Lishu. Its appearance not only enriched the style and expression of Lishu, but also promoted the innovation and development of Lishu art.