Not long ago, Wu Yangchen, a young player in the national women's table tennis direct shooting, announced his retirement from the team, although many players who are not in the national team still continue to contribute to the sport as the main force of the provincial team or change coaches or even export overseas, but in terms of the player's career, it is basically the end (the best group in the overseas corps is Feng Tianwei. In singles, Chen Jing (but still can't compare to her first Olympic singles title). So on the other hand, looking at the straight shooting style, why is it difficult to produce the main player (not to mention whether you can win the singles championship of the three major tournaments)?
1. A brief review of the history of the straight slap technique.
This part of the author mainly relies on memory, and readers are invited to criticize and correct any mistakes. The source of the straight slap style is only in China, Japan and South Korea (the straight slap play in other regions basically does not run out of this range when tracing back to the source). From the perspective of equipment, it can be divided into two major schools: Zhongzhi and Rizhi.
1) Straight play.
After winning the singles championship in the 25th World Table Tennis Championships, there are more and more direct shooting world champions in my country. Moreover, in the early days, the direct shooting of my country's national team accounted for the absolute majority (there were horizontal shooting, but it is estimated that there were more sparring partners in the end). In terms of playing style and equipment, there are generally several categories (because the classification is mainly divided by a single technology, so):
1.Push left and attack right (positive glue fast attack).
Broadly speaking, the single-sided pull of the straight board can also be regarded as a left push and right attack, but after all, there is a difference in the technology between the arc circle and the fast attack, which only refers to the fast attack. From Rong Guotuan to the later Liu Guoliang all belong to this genre, belonging to the traditional style of play in our country, the serve, the first three boards, and pushing are the main features, the difference is that Liu Guoliang pasted the reverse glue on the back side and added the technique of straight shooting and horizontal play. At present, the level of the domestic provincial team also has a straight shot forehand and backhand backhand play, from the ** I saw by the author, basically the backhand is also horizontal, and there is basically no push. In the amateur circle, players with solid basic skills are basically not afraid of the half-hanger arc genre, and the amateur circle pushes and blocks the boy's skill is more reliable than the horizontal play of the halfway monk most of the time.
2.Straight shot is a two-sided attack.
Here I have to mention the late national table tennis predecessor Mr. Zhuang Zedong, the first World Table Tennis Championships singles champion in China, but this style of play has become extinct in the professional arena, and it is still quite threatening if the amateur circle is proficient in this technique. The Korean players of the Japanese straight will practice a backhand attack, but unfortunately they will not attack continuously, and the Japanese straight are now all anti-glue.
3.Straight shot reverse glue single-sided pull.
The emergence of anti-glue is closely related to the curve ball technology, and the topspin of the pull ball in the era of positive glue is limited. The Japanese sponge racket and curve ball technology still has a great impact on the world table tennis world, but unfortunately it later became the foundation of horizontal racket and the characteristic of South Korea's Rizhi. My country's Diao Wenyuan (the runner-up of the 32nd team, there is no information on whether it was a Japanese straight at that time, but the old man's current game seems to use the middle straight, and he is temporarily put in the middle straight; At the age of 30, he won the national singles championship and became the oldest national champion at that time), Xi Enting (deceased, the singles champion of the 32nd World Table Tennis Championships, fast attack combined with arc circle, and played positive rubber in his early years. And so on is also more outstanding. In essence, Ma Lin's main technical system is also a one-sided pull (there is also a board in the sideways position), but its left half of the table is inconvenient to play sideways when there is a board horizontally, and the left half of the table is not weak among the players of the same generation.
4.Shoot straight and horizontally without pushing.
As a single technique, Liu Guoliang and Ma Lin have mastered the players in this period, but their use is mainly for one or two boards, which can score the best, and if you can't score, you won't be too passive, and your backhand is still based on pushing, Xu Xin's later career is technically no problem without pushing, but throughout his entire career, there are still pushes (in fact, from the perspective of the development of this technology, although Xu Xin debuted several years later than Wang Hao, But Xu Xin's direct backhand technique system instead belongs to the transitional type from Ma Lin to Wang Hao). Although the above-mentioned players have a board of straight shots and horizontal shots, they are mainly a single technique of the backhand technology system, and in general, they either belong to the left push and right attack or belong to the single-sided pull (Xu Xin's ability in Taiwan can also be classified as a single-sided pull type), and the straight shot and horizontal play have not been developed into a complete backhand technical system. The straight shot and horizontal hitting as the main technical system of the backhand (rather than a single technique of the backhand technical system) began with Wang Hao's main two-sided backhand (individual forehand and backhand backhand players in the new era have basically no push). In terms of achievement and maturity of play, only Wang Hao has reached the peak (although he is one Olympic singles gold medal away from a Grand Slam). Wang Hao, who was at his peak, is also a super-first-class existence now, and the only players who are active in the international table tennis arena today are France's Felix Lebrun and Hong Kong's veteran Huang Zhenting, as for domestic players such as Xue Fei, that's basically it. There are still some women's players who have hit the national team (such as Zhang Qiang, Qi Fei, Wu Yangchen, etc.), but there are no ones who can rush up in the end.
2) Day straight play.
This part of the author's certification is limited, and only a brief analysis of Korean-style Japanese and former player Jiang Penglong from Taiwan, China. In essence, the current Nichi is a one-sided pull (a generalized left push and right attack, but the forehand is mainly an arc).
1.Almost all the anti-glue.
The forehand arc circle of Rizhi is still very distinctive, so it is rare to see Rizhi orthodox now.
2.Featured full-Taiwan forehand arc circle.
Fierce, explosive, and one-board (the straight play method is not without a strong one-board pass, but relatively speaking, due to the more perfect backhand technique) is almost a Korean-style Japanese straight feature. However, Jiang Penglong, who is also a Japanese straight, has a more crotch-pulling forehand (it may be the *** of the forehand after upgrading the push block to a backhand weapon.)
3.The backhand push technique is relatively solid.
Of course, the traditional left-to-right-right push and blocking technique is also very solid and has more tricks (refer to Liu Guoliang and Ma Lin), but it is no longer seen. But the strange thing that uses pushing and blocking as a scoring weapon is Jiang Penglong.
4.The backhand has a board to attack the ball.
It is also to make up for the lack of backhand position, but the overall usage rate is not as good as Zhuang Zedong's two-sided attack, and the scoring rate is not as good as the straight shot. In many cases, it is a means of forcing a breakthrough when the backhand position is suppressed and cannot be sideways.
5.Relies on footwork.
In fact, the footwork of table tennis itself is a technique that is very dependent on (mainly professional players. Although the footwork in the amateur is not obvious, but if the footwork of the amateur player is good, it will be improved by at least half a grade), but for the day straight, this is more terrible, and it is more physical, and there is almost no health play at the level of competitive sports.
Although Nichi's technical system is generally very flawed in the backhand, South Korea's Yoo Nam-kyu and Yoo Seung-min still occupy a place in the history of the Olympics. The author has not experienced the day, and it is difficult to judge whether this equipment is suitable for the development of horizontal technology.
2. Analysis of the problems and countermeasures of the current direct shooting system in China.
1) Straight shooting is still a lifesaver for direct shooting.
1.Straight shots are not only suitable for male players, but also for female players.
The Straight Shot Horizontal Punch technique is an original contribution made by the Chinese Straight Shot Genre to the Straight Shot Technique all over the world.
The prototype of the action of straight shooting and horizontal hitting appeared very early, including the amateur circle, but it was mainly brought to the official competition in the Liu Guoliang period, and Liu Guoliang's group of players almost all of them were halfway monks (including the not very famous Han Yang, Wang Fei, Li Jing, Gao Lize, etc. Although the backhand attack can make up for the disadvantage to a certain extent, it can't compete with the strong arc circle of the European horizontal shoot at that time (needless to say that the current horizontal backhand technical system is more **) In terms of the overall trend, Ma Lin (push block, supplemented by horizontal play, but the horizontal shot is much better than Liu Guoliang, the quality of the veneer is higher, and occasionally two or three boards in a row), Xu Xin (the early push block and the horizontal play are five or five open, and the later horizontal play is more, and the technical level can be done without pushing), Wang Hao These three people (not completely arranged by period) The proficiency is improved in turn, And Wang Hao is a pure no-push and block play, but it's a pity that Wang Hao's no-push straight slap style has not been sharpened, and Xue Fei looks sunk.
When this technology first appeared, there was a voice that female players were not suitable for practicing this technique, and also listed a bunch of exercise physiology reasons, in fact, the strength and explosiveness of female players are not as good as male players, this is a fact, but this technique female players are not suitable for practice, it is a bit unbelievable, women's playing style is generally successful, although this is not for a certain technique, but from the perspective of the national team of female players who have straight shots and horizontal hits (although there is an objective need to retain the style of play, but at the level of the first team, it is mainly played, The remaining point is the significance of sparring, and the sparring significance of today's women's table tennis direct shooting is almost 0, even if there is a special style of play such as straight shooting and glue, there is only the significance of sparring, and this special style of play is currently extremely difficult for both men and women to compete in the country to the national first team) also negates this argument. At present, the inability of the direct shooting players to play is not a problem of straight shooting and horizontal playing, but that the straight shooting and horizontal shooting have not been practiced to the extreme (objectively speaking, it is enough for the women's team, and it may be that the limit of the women's team is basically approaching; But the men's team... and forehand issues. Taking a step back, without this technology, domestic direct shooting (non-sparring cengm at the competitive level) would basically lose the opportunity to enter the national team. However, the straight shot is not a straight shot, otherwise everyone will just pick up the big knife. It's a pity that the current players who shoot straight and horizontally and play without pushing are basically horizontal.
2.The direct scoring rate of straight shots is not high.
It's very simpleIf you shoot straight and you can pull and hit the back, then I'll treat you as a horizontal shotThat's it. Taking Wang Hao as an example, in the early days, it was mainly left to fight left and right to fight, isn't itHorizontal plate styleIs it? But before the technical system reached its peak, it was still able to reach the Olympic final in 2004, mainlyAt that time, many opponents were not used to the horizontal system, otherwise Wang Hao's forehand was not thick enough at that time (and then the forehand was no longer a short board) would have been brushed off a long time ago, when the opponent hit the straight shot horizontally or the rhythm was not on the point or the ball sense was not the same (spinning, landing point, etc. were not on the point), not to mention Wang Hao, that is, Ma Lin used a few straight shots to score a certain probability of scoring, because the opposite side met the feelingIt's more thief than a normal horizontal backhand。The current straight shot and horizontal play should be said to be no worse than Wang Hao in terms of holding ability, but the score is almost meaningless, of course, there is the problem of equipment reform (organic to inorganic Wang Hao has also caught up, but the ball has been increasing and the material replacement still has an impact), but as a racket has also been improving, and the horizontal backhand can not have no impact at all. Personal understanding should be strengthened in the following areas:
1) Strengthen the lethality of the backhand system.
Including changing the rhythm, changing the falling point, and adding quality. The murder can be fierce, and the change can change. This is something that both men's and women's teams should do.
2) Have the ability to pull back.
At least that's what the male players have to do.
3) Switching between attack and defense of the backhand.
When you are at an absolute disadvantage, you can consider changing the gear (considering the formation of the technical system, it is not so simple, but occasionally you can deal with it after disrupting the opponent's rhythm or being forced to retreat). When you go to COSCO, you must also have a certain ability to put the ball high and force the backlash.
4) Have a variety of hands-on abilities.
Hands-on techniques such as twisting, shortening, and picking should be mastered.
b) The forehand is more problematic.
Although there are still some deficiencies in the straight shot and horizontal hitting system, from the popularity of this technology and actual combat, it has gotten rid of the point where the opponent has no way to press the backhand, so as not to let the left half of the platform become the direction of the opponent's fire, so I personally think that the forehand is more problematic for the current straight shot. It is that the feeling of stalemate is generalized, and the lethality is seriously insufficient. Under the premise that the direct shot is completely popular in China, most players are still one step away from the backhand player, and the role of the forehand is even greater. Considering the impact of equipment reform, it is not necessarily the pursuit of absolute lethality (male players should still practice the technique of practicing a board), but with Wang Hao as a reference, the forehand holding ability and scoring ability are not bad, and the forehand scoring rate at the peak of his career is very high; Take Marlene as a referenceThere is a forehand over the boardtechnology; With Xu Xin as a reference, the forehand is availableThe ability of the whole Taiwan to sustain each other。That is, the template for successNo forehand weaknessTarget.
3) Serve. Although the serve has been changed to uncovered (it has been changed for more than 20 years), Ma Lin, Wang Hao, and Xu Xin do not have a serving dish. The first three boards of serve are still the pursuit of straight shots that should not be abandoned
4) Footwork. The straight shot style with the arc circle as the mainstream technique still attaches great importance to footwork, and at the same time, it is also necessary to maintain a good physical condition. Even if you don't practice footwork with the standard of pulling the arc circle with the whole forehand, you must be proficient in the left half of the table sideways.
5) Technical style.
No matter what the specialty technique is, the first is fierce, the second is a thief, and the third is stable. There is no way out for the straight shot style as a whole.
This article ** comes from the Internet).