The purple clay pot has a long history, and after a long process of development, the system has been quite varied.
Whether it is a continuation of tradition or innovation, it is not uncommon to integrate the animals and plants of nature into the design of purple clay pots, among which there are countless pot types with flowers as the theme, in addition to decorating various flowers with sculptures, decals, clay paintings and other techniques on the surface of the purple sand pots, potters often use flowers as the basic shape of purple sand pots.
Have you seen the following flower-shaped purple clay pots?
This antique pot of sunflower is based on the bottom groove of the original ore, and the mud is moist. Based on the antique pot, the body of the pot is made of sunflower ribs, and the ribs of Liuling sunflower petals are regular, from the body of the pot to the lid surface are full of strength, and from the shape to the god are overflowing with vigorous, rhythmic rhythmic beauty.
The pot button is like a flower bud, and the six lines radiate downward from the pot button to the cover, body and bottom, outlining the posture of the sunflower, which is natural and self-contained. The pot flows forward, and the circle accumulates strength, adding more spirit.
The texture of this pot is excellent, the whole device is dignified and elegant, and it does not lose its charm in the agility, and it also has its vitality between the thick, and the style is concise, which is the best product in the pot.
The wind-rolled sunflower pot has been quite popular in the Kangxi and Yongzheng periods, and evolved from the tendon ware at the end of the Ming Dynasty. This pot is made by Xu Fei using the original ore bottom groove Seiko imitation of the ancient, and the mud color is shiny.
The whole body is based on okra flowers, and the body of the pot skillfully uses the method of exaggerated deformation, and the huge receptacle of sunflowers is combined to form the body of acacia, with a thousand petals uneven, and the back is distinct.
The body of the pot pattern is regular and vivid, the lines are swirling, the circulation is extended, and decorated with sunflower leaves, which is to take the wind, turn upside down, increase the momentum of agility, show the vigor and ease, turn the sunflower leaf package into the pot flow, natural and ingenious, the lines of the pot handle are exposed, the bone stretches, the feel is excellent, it is a flower masterpiece worth starting.
This chrysanthemum pot, inspired by the autumn chrysanthemum blooming and fluttering in the wind, is one of Shen Jianqiang's classic masterpieces.
The raw ore bottom groove is carefully made, into a pot of 380cc, and the color is deep and introverted. The body of the pot is constructed with complex ribs to build a spiral shape, and the gap and angle of each rib are accurately grasped, elegant and flexible, and full of rhythmic beauty. The lid not only continues the rotating ribs of the body, but also fits tightly with the rim of the mouth, creating a seamless sense of wholeness. The bend and ear handle are also decorated with ribs, which are in harmony with the body of the pot.
The production of ribbed ware is not easy, this pot actually makes the ribs fluttering feeling, giving the purple sand vitality, not ordinary people can do, it can be described as unique ingenuity, worthy of the reputation of "hiding tendons, looking for Jianqiang".
This chrysanthemum bud pot is designed and made by Li Yuanlin in the mid-90s, the shape is different from the traditional chrysanthemum bud, the body of the pot is flat and ribbed, the button, cover, and abdomen are decorated with ribs, the line surface is full, and the depth is free.
The neck of the pot is left blank, which makes the whole pot more layered, and when you look down, the chrysanthemum buds bloom, which is quite chrysanthemum. With the strong and strong bends, flying handles, the charm is rich, not only elegant and refined, but also tough and beautiful bones, very artistic beauty.
This piece of Qian Deling flower pot is made by Fan Jianzhong using the bottom groove of the original ore, the mud color is warm, and the grains are golden, highlighting the simple and elegant rhyme.
The shape of the handle is unique, the lower width of the pot body is narrow and the upper part is narrow, the rhombic rib pattern is from the button, the lid is straight, the body gradually extends, the lines are soft and smooth, the density is sufficient, and the beautiful shape is outlined. The pot button is like a flower stamen with buds to be put down, the cover, the body is like a rhombus blooming layer by layer, the bend is elegant, the beam is tall and round, and the beauty of the virtual and real is constructed, so that the whole stretches generously and adds momentum in vain.
The whole instrument has a strong sense of shape, the difficulty of production is quite high, which shows that the author's craftsmanship is exquisite, elegant and solemn, full of charm, beautiful and practical, it is a handful of clay, type, workmanship, rhyme are excellent works, worthy of collection.
This plum blossom weekly plate made by Chen Xiliang is round and strong, with simple color and elegant form. This pot is a classic shape and can stand up to long-term play and scrutiny.
From the lid button to the body of the pot, it is divided into six petals of plum blossom type, the ribs are neat and symmetrical, the turning line angle is clear and clear, the rhyme runs through, the yin line on the flow and the handle is fluent and bright, forming a horizontal connection, corresponding to the verticality of the body of the pot, and the wonder of change is in it. Three bent flows, rounded handles, bent into a square, and the barrel body is connected naturally.
The lid of the pot is decorated with a six-petal plum blossom shape, the cover is modified with yin and yang lines, looking down from above, the lid is like a stamen, and the lid and shoulder are all plum blossoms in full bloom, which makes people sigh at the craftsmanship of the pot production.
The hexagonal narcissus is the classic work of Shi Peng, the father of Shi Dabin, this pot is made by Fan Xiaoli to imitate the ancient, and the original mineral purple mud is selected, which is warm and elegant.
The lower abdomen of the body of the pot is hexagonal shape, and the upper abdomen gradually converges into a six-petal ribbed round mouth. The cover and button are molded with six-petal buds of daffodils, and the ribs are scattered. The bend is melodious, and the flying handle is upturned, echoing the angle of the flow.
The whole vessel has smooth lines, clear contours, the shape is not extravagant, elegant and simple, full of charm, and it is worth collecting.