is also filming sexual harassment , looking at Jia Ling s and Zhang Yimou together, the gap is cle

Mondo Social Updated on 2024-02-20

Jia Ling lost 100 pounds of weight for film shooting, which has been the focus of popular searches for a while, and her "Hot and Hot" has also achieved very good results, which is her second work after "Hello Li Huanying".

The two works are in the top two of the list, one is Article 20 and the other is the work currently under discussion. Many viewers have ** the works of these two directors and compared them.

Many viewers believe that Jia Ling's handling of certain plots is more ingenious than that of director Zhang Yimou.

Therefore, some people believe that Jia Ling may have surpassed or even at least been inferior to director Zhang Yimou in some plots in terms of the use of lenses.

Jia Ling's movie "Hot and Hot" was officially released on the first day of the Lunar New Year, and the box office exceeded 1.3 billion in just 4 days.

The audience found that the focus of this movie is not **, but to teach girls how to learn self-love.

Jia Ling is not a director from Banko, and although her two films lack cinematic sense, they rely entirely on her persistence and hard work.

Jia Ling hides a number of easter eggs in the movie "Hot and Hot", and once the audience finds and unravels these easter eggs, they can feel her sincere intentions in shooting the movie.

In the movie, when Le Ying faces the darkest moment of her life, she once wanted to end everything by ending her life. That day, she went home alone in the wind and rain.

Jia Ling didn't want the movie to look cold, she felt that Le Ying's experience was too tragic, so she put a lot of thought into dealing with the details in this scene.

Every time Le Ying goes up to the floor, the lights on that floor will shine, giving people the feeling that she is walking towards a bright future.

After a night's experience, Le Ying, who was about to jump off the building, stood in front of the window unscathed, looking at the bright sunshine. Standing in front of the mirror, she became a turning point in the whole film.

We have mentioned before that this film is not about how to **, but emphasizes that girls should love themselves well, refuse to cater to others, and most importantly please themselves.

The various challenges faced by women in society portrayed in the film have enabled more female viewers to relate to and empathize.

The scene shows Le Ying being harassed, and this scene highlights Jia Ling's difference. Usually in this kind of episode, the camera will focus on the victim, but Jia Ling chooses to focus on the harasser.

As a female director, Jia Ling filmed this scene from a woman's perspective, completely exposing the harasser's behavior to the camera, so that the audience can clearly see the true face of the harasser.

The audience's anger at the harasser and genuine attention to the incident can be even more motivating and evoking through such footage. This kind of footage is more likely to provoke anger than the victim.

Here is a lot of silent accusations, which are vividly expressed. Jia Ling really knows how to shoot this kind of harassment scene from a female perspective, and Le Ying's behavior in the face of such harassment has also inspired more women.

When Le Ying was harassed, she fearlessly fought back directly against the harasser, and successfully eliminated his bad behavior.

All the spectators who witnessed this scene felt extremely relieved and comfortable.

The audience has a strong recognition of this plot, especially the female audience, who deeply resonates with the helplessness, fear and disgust that Le Ying shows when she is harassed.

However, the act of fighting back at the end also shows how to respond to harassment.

The audience was very excited to make their own comments, thinking that Jia Ling was treated too obscenely in the movie, rather than like a victim, which really resonated with many people.

They called for the need for women directors, for more women directors to appear in the film industry.

The key to Jia's success may be her ability to show how women deal with difficult situations, which has led to her success at the box office.

At the same time, this also made Zhang Yimou's "Article 20", which was released at the same time, suffer from comparison.

In both films, there are scenes of women being sexually harassed, and it can be seen that compared to Jia Ling's way of dealing with the problem, Zhang Yimou's method makes more people feel heartbroken.

In the movie "Article 12", the scene of the deaf-mute Hao Xiuping suffering ** is the only part without comedy elements, which touched the hearts of all audiences. The misfortune of Hao Xiuping's family touched the hearts of the audience.

Being oppressed by the bullies made their family the audience breathless, but what was surprising was the detailed footage when Hao Xiuping suffered **.

Zhang Yimou's camera does not directly present the disgusting image of the bully, but focuses on the details of Hao Xiuping's desperate face and two slender white legs, and then presents her disheveled clothes and suspenders almost falling off, so that the audience can feel her state of complete inner collapse.

The audience not only felt a rise in blood pressure because of such a picture, but also because of psychological discomfort.

Many viewers were disgusted to see the two snow-white white legs swaying in the air when Hao Xiuping was bullied.

Some viewers claim that it was because of these images that they gave up the idea of going to Article 20, that these shots were not supposed to be filmed, but ultimately needed to properly channel the viewer's emotions.

However, apparently Zhang Yimou did not take this into account when filming, which led to many people expressing their opinions after **.

Many people think that Zhang Yimou aimed the camera at the victim, so as to stand in the perspective of the abuser, which will undoubtedly make many viewers also stand at this angle when ** this shot.

This angle may lead the viewer to lack empathy for the victim and resent the abuser, instead putting themselves in the position of the abuser. The movie doesn't seem to want that effect, does it?

After watching other films directed by Zhang Yimou, the audience found that he often seems to use this straightforward way of expression, and skillfully integrate such shots into the film.

"Man Jianghong" and "The Thirteen Hairpins of Jinling" both present scenes of women suffering **, and this familiar shooting technique is used again.

If the desperate faces of women, torn clothes, and even scenes of being scared to pee, if the camera freezes these images, can it achieve other effects than make people feel uncomfortable?

The Thirteen Hairpins of Jinling are known as a model of the male gaze, and in this film, the role of the godfather is changed from female to male.

When many people see this kind of cruel picture, they say that it is restoring reality, but why the so-called restoration has changed the original appearance, and it is really difficult to understand the so-called "restoration" of this image.

There is no doubt that director Zhang Yimou is an excellent director. After all, during the Winter Olympics, he showed a convincing aesthetic taste when he was working as a coach.

However, he does not seem to show deep emotions in terms of empathy like Jia Ling, but instead has an old-fashioned masculine mindset that clearly brings harm to the victim again.

His works have always been controversial because of this, and Jia Ling's achievements are also due to his own hard work and sincerity.

In the Spring Festival Gala of 2010, many people met Jia Ling for the first time, when she and her partner Bai Kainan collaborated on the performance of "Big Talk", and their wonderful performance caused bursts of laughter from the audience.

The audience remembered this joyful girl at this moment, but how could the road to fame be without twists and turns? Jia Ling faced such a challenge from the beginning.

After Jia Ling became famous, she also told about her experience before she became famous, which caused her and her sister to choose different life paths. Although Jia Ling's family is not wealthy, she and her sister were both admitted to university.

However, since both of them studied art, the whole family could not afford it, so the elder sister chose to give this opportunity to her younger sister Jia Ling, and she began to work part-time to subsidize the family.

However, her mother misheard her direction when she applied for Jia Ling's major, and the misreporting turned into a comedy. Therefore, Jia Ling could only accept such an arrangement.

Despite being taught by a famous teacher, after graduating from university, Jia Ling was still unemployed.

At that time, there were few women in the cross talk industry, and after she graduated, the cross talk industry was at a low point, so Jia Ling had almost no opportunities to perform on stage.

Even life has become a problem, Jia Dan saw his sister's predicament, and he couldn't bear it, so he helped her find a job, but Jia Ling was unwilling to give up her cross talk career.

She begged her sister to give her another year, and if she didn't succeed within this time, she was willing to work with her sister.

Under the careful guidance of Master Feng Gong, Jia Ling finally fulfilled her dream and gradually got out of the predicament.

However, when she stood on stage, she found that no matter how much effort she put in, the audience could hardly agree. It was only a short-lived victory.

She finally made up her mind to change careers to skit acting, and she no longer cared about image in this industry, but only to make the audience happy. Even the senior Master Feng Gong was a little disagreeable with her.

Jia Ling didn't care about this, she just hoped that the audience would recognize her, and in the end, her efforts were rewarded and her career gradually flourished.

Jia Ling later created the movie "Hello, Li Huanying" to express her longing for her mother. The film was a success, and it also made Jia Ling herself. Now the success of the second movie has brought Jia Ling's life to a new peak.

She has gone through from a cross talk actor to a sketch actor, and now as a director, every step is within Jia Ling's planning, and finally realized her dream and gained a place in the entertainment industry.

Jia Ling has now become the ideal in her heart, so what about you?

Jia Ling even managed to lose 100 pounds, can't our dream be realized perfectly?

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