Fairy tales take a back seat, and that s French romance

Mondo Social Updated on 2024-02-17

A happy marriage or love is one ending, and a broken marriage or love is another. Different endings evolve into different emotional stories, but when a certain type of story becomes the mainstream of the public, what we lose or that we forget becomes different. Therefore, the audience needs to accept that different stories appear, just as we meet all kinds of people in life. The film recommended to you today belongs to a different story, and similarly, this is also the ending that most people don't want to see.

Waiting for Bergangus is about a French love story, but this French love story is not the same as the love story we see in most Hollywood commercial films, but instead uses a bold ending, which makes those who like happy endings feel embarrassed.

Waiting for Berlangus is about love at first sight and a broken ending. A man and a woman get married at a party, and the two fall in love at first sight and quickly make a private decision for life. After getting married, the two still love parties and proms, but after having children, their lives soon fell into poverty. But this did not stop their enthusiasm, and even their son, who is in elementary school, joined in the madness of his parents.

However, good things are grinding, but grinding things are not necessarily good things, and my mother gradually became extreme, and when my father was no longer able to become extreme with my mother, my mother was sent to a mental hospital. However, this is not the emotional end of the two people. After many visits to his mother, my father decided to do something crazy. After a family of three frantically planned an escape from a mental hospital, they successfully carried out this escape. However, when their lives were once again captured by peace, the family once again tasted the taste of great joy and sorrow.

Waiting for Berlangus uses a child's perspective to tell a story that makes young people feel their blood boiling, but they can't accept it. The unacceptability of this film lies in madness. Not only does it have the madness of love at first sight, but this film also has the madness of a fragmented ending, which is intolerable to many people who accept a happy ending. But that's the value of freedom.

Freedom is embodied in the fact that different groups of people accept different values, and different groups of people accept different ideas, and no definition of freedom can completely cover all groups of people. So when we talk about freedom, what are we talking about? Maybe we're just talking about our own family's values.

So, true freedom is built on a variety of ideologies. The fundamental reason why we can't accept the madness of this family is that the behavior of this family itself has exceeded the imagination of our normal people. Most people define romance as an act that can be different, but it is governed by universal social rules and the basic sense of shame that people have. However, under this constraint, our so-called freedom, our so-called romance is nothing more than a limited self-perceived. However, the film is not limited to this.

The romance of this film lies in breaking out of this constraint and celebrating its existence in a way that defies the rules, which is more of an uninhibited, and truly uninhibited, even mocking the general shame of human society. The heroes and heroines in this film can appear naked on the street and kiss unscrupulously. Of course, the latter can be done by many people, but the former discourages some people who like romance and unrestrainedness, and the reason is that what they advocate is not real freedom, but a kind of self-defined freedom, which precisely does not have universal value.

Of course, the freedom advocated in this film also has no universal value, but we can see it as a form of freedom, unbridled expression and display as if no one else was around. These are all plots that we have not seen in the romance films we have seen in the past, so this film reflects a certain unconventionality to a certain extent. But is that all there is to the whole film? Naturally not.

The French romance of madness is manifested in the fact that romance and madness do not change in any way with a certain ritual or a certain change of time, on the contrary, this romance is consistent from beginning to end. This is the key to being different from the ordinary American romance we are familiar with. In fairy tales, the story ends after the prince and the princess get married, but this film tells you once again that there is no end, the life after marriage can also be a fairy tale, and there will be no change with firewood, rice, oil and salt, as long as people's romantic concepts do not change, nothing will change.

Is Waiting for Berlangus a tragedy? Can we think of it as, is it comedy? In the same way, it can also be considered to be, but whether it is a tragedy or a comedy, we must know at all times that this is just a possibility, an option, and there is never a consistent idea, even if we think of freedom, equality, and fraternity, it is the same, different places have different expressions, therefore, respecting diversity, we may see more different possibilities in life.

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