This year is the 125th anniversary of Mr. Lao She's birth, and from February 22nd to March 3rd, Beijing Renyi once again staged the classic drama "Teahouse", commemorating the great playwright with the "treasure of the town", and also adopting real-name ticketing and viewing for the first time in "Teahouse".
The real-name ticket system allows more audiences to buy tickets for "Teahouse" normally
As we all know, Beijing Renyi's classic dramas have always been hot at the box office, especially "Teahouse", which is hard to find every time it is staged. This year, "Teahouse" adopted a real-name ticket purchase system for the first time, and the response was great. Beijing Renyi hereby reminds that the tickets for the "Teahouse" purchased by the audience are real-name tickets, real-name admission, and cannot be resold for resale, and tickets will not be refunded within 48 hours before the performance on the same day. When the audience performs, they must bring their ID cards to verify their admission, one person and one card, and they will not be allowed to enter if the certificate information is wrong. If you do need a refund, please do so at least 48 hours before the start of the performance. Beijing Renyi will resell the refunded tickets to other audiences waiting to purchase tickets, so that more audiences who love drama art can enjoy this long-awaited performance.
As soon as this move came out, many viewers said: "Every time "Teahouse" is staged, it is difficult to buy tickets, which is a normal phenomenon. But what makes people angry is that there are always ticket sellers who can get tickets through various channels, and make huge profits by reselling tickets, so that many audiences who want to watch the show can't buy tickets or can only buy ** tickets, which seriously hurts the interests of consumers and has a negative impact on the performance market. Renyi's move has effectively put an end to the phenomenon of ticket sellers, so that more audiences who really want to watch the show can buy tickets through legitimate channels, which is worthy of recognition. ”
Audience member Wang Hui shared his experience of buying tickets for "Teahouse" this year: "On February 5, the first battle with the new system of Renyi failed. It is said that the new system of people and arts, Chang'an and Gulou West are also used, and I am quite familiar with it, so there should be advantages. But I was sparse and stuck, and I didn't see "Teahouse" at all, only "Under the Red Flag" and "My Poor Marat". Continuous exit and re-entry, it is still like this. Go to Weibo and search, someone has already bought it. Only then did I find out that although there are only two plays on the homepage of "I want to buy tickets", I have to click on "all" "Teahouse" to reveal it. This fatal omission made me lose two minutes, and then I basically chose one, but when it came to payment, it was gone, and I chose another one again. Then wait until a quarter past 9 o'clock, and if someone fails to make a payment, the first batch can still fall sporadically, and it still fails ...... continuouslyI can only see if anyone refunds the ticket in the future, and I have to keep an eye on it at any time. ”
Fortunately, Wang Hui, who has been staring at the Renyi ticketing system, finally swiped a refund ticket for the first performance of this round of "Teahouse" on February 20, "I originally thought that this round would not be able to watch it, but I just wanted to brush it casually and try my luck, but I didn't expect to have a ticket!" Wang Hui sighed, "It's all about the real-name ticket purchase system of this year's "Teahouse"! Those who have bought tickets but can't watch the show can return their tickets to the ticketing system instead of transferring them to the ticket sellers, so that audiences like me can still have the opportunity to buy tickets through regular channels! ”
On February 22, Wang Hui, like the audience who came to Beijing Renyi Capital Theater** "Teahouse" that night, could directly enter the play by swiping his ID card. "It's so convenient and hassle-free! However, although you can enter without a paper ticket, many viewers still choose to print out the paper ticket as a souvenir: "As an audience, it is a kind of luck to be able to watch "Teahouse"; It is also an honor to witness the continuous progress and development of Renyi. ”
Performing every scene well is the best commemoration of Mr. Lao She by Beijing Renyi
For the cast and crew in front of and behind the scenes of "Teahouse", they also cherish every opportunity to perform. This year, he played the role of "Wang Lifa" again, and Liang Guanhua, who has performed more than 300 performances, still feels that there is something infinite to explore. "There is still pressure to play "Teahouse". For this reason, he began to prepare for this round of performances early.
Pu Cunxin, who has been with "Chang Siye" for more than 20 years, also feels that every scene of "Teahouse" is new, and this "newness" is the dedication of every day, and it is also an exchange with the audience: "Performing every scene well is the best commemoration of Mr. Lao She."
This play has an aura, everyone gives and accepts from each other, and supports each other, which is the spirit of 'one dish'. Yang Lixin is not only the actor of "Qin Erye", but also the executive rehearsal art director, Yang Lixin calls himself the "convener", and his goal is to take everyone to continue to polish and continue to live on the stage solidly: "The space on the drama stage is too big, and we have to be better in every round." ”
Feng Yuanzheng, the dean of Beijing Renyi and the actor of "Song Erye", also said: ""Teahouse" is the collective wisdom creation of old artists, and it is a well-deserved treasure of Beijing Renyi, as well as a treasure of Chinese drama. This generation's "Teahouse" inherits the artistic spirit and creative attitude of the old artists. ”
It is precisely because the artists love "Teahouse", the audience loves "Teahouse", and cherishes it together on and off the stage, and passes it on from generation to generation, so "Teahouse" has always had endless vitality, inheriting the tradition and often performing a new look, welcoming batch after batch of audiences, entering the classics, and feeling the charm of drama across time and space.