Foreword: AsXu JingleiLoyal fans when seeing her latest writingBooksThe work ".Preface to the Pavilion of King Teng", I can't help but be for herCalligraphylevel to impress. Back at the age of 19, she showed amazingCalligraphyTalent, especially the "Orchid Pavilion Preface" that transcends age, makes people seem to be able to feel the precipitation of time and the accumulation of wisdom. This new work not only makes a breakthrough in the essence of the ancient method, but also integrates it into Mr. Zhou HuijunBooksThe brushwork presents a capable and delicate style. Next, let's go deep into the ** and feel it togetherXu JingleiThis oneBooksWhat is the charm of the work?
Xu JingleiofBooksThe work ".Preface to the Pavilion of King Teng>> Wonderful! In this work, you can not only see the beautiful font and strong force, but also feel her unique pen and ink charm. The use of boundaries makes the whole work more orderly and orderly, and at the same time does not lose the sense of unrestrained freedom. The handwriting is full of ups and downs, and the emotional outpouring between the dots seems to show the author's inner world. Each word is slanted and vivid, with a myriad of variations, showing masteryCalligraphySkill and casual charm.
Expanding: Look at this work as if you can see itXu JingleiThe writing process, the dignified and calm between the strokes. The definition of the grid not only limits the space for writing, but also adds a kind to the textA sense of order, giving people a uniform visual impact. And her penmanship is easy and flexible, like a soul dancing on paper. Carefully observe every point and every stroke, and you can feel her intentions and ingenuity. The smearing and revisions are all rigorous, and her attitude towards writing is not sloppy, and every detail shows that she is rightArtof diligently.
InXu Jingleiof this oneBooksIn her works, it is not difficult to find the charm of ink on her. The delicate dot painting treatment and the delicate use of brushstrokes show the atmosphere of flowing clouds and water, and at the same time do not lose the delicacy between dot paintings. Each picture is as smooth and coherent as flowing clouds, giving people a visual pleasure. Her handwriting is unhurried and meticulous, and at the same time does not lose her casual demeanor, and this combination of freedom and rules makes her works have both the charm of traditional brushwork and presenting modernityCalligraphyThe sense of style.
Expand: savorXu JingleiThis oneBooksThe work, every word of the lay-out contains her rightCalligraphyof love and intentions. Her writing style is fresh and refined, with thick and thin strokes outlining the outlines of the text, while at the same time putting a lot of effort into the stippling process. The arrangement of the text is clear and eye-catching, and the smooth lines reveal a kind of ancient rhyme, which makes the whole work both traditionalCalligraphywithout losing the style of modern aesthetics. When viewing, it is as if you are in a landscape painting with a beautiful artistic conception, and feel the tranquility and vitality between the mountains and rivers.
Xu JingleiInBooksPreface to the Pavilion of King TengIn it, his unique writing style is revealed. In addition to the use of traditional brushwork, she also integrated the charm of "Orchid Pavilion Preface" into it, showing a kind of ancient freehand beauty. The structure of the whole work is rigorous, the dot painting is rich in variety, and the handwriting is smooth and powerful, highlighting the author's workCalligraphyAttainments. For possible typos or minor flaws, it may be the emotional outpouring and natural expression of her writing. This attitude of not sticking to perfection adds a sense of agility and interest to the work.
Expanding:Xu JingleiIn writingBooksIn the work, the tradition is revealedCultureRespect and understanding. She will ".Preface to the Pavilion of King TengThis masterpiece is written with deep meaning, revealing a kind of elegance between the lines. The overall picture of the work is magnificent, the brushwork is strong and powerful, and every point and line appears calm and vivid. In this kind of writing, you can not only feel the inner world of the author, but also appreciate the Chinese traditionCalligraphybeauty. Perhaps the typos and free pen and ink in her work are her writingArtA kind of publicity and unique understanding, this kind of "Jianghu Qi" may also be a kind of personality of writing.
Xu JingleiofBooksThe work ".Preface to the Pavilion of King Tengnot only shows her excellenceCalligraphyattainments, but also shows her rightTraditional Chinese Culturelove and understanding. As a star in the entertainment industry, she was able to willCalligraphyArtIt's not easy to dig deep and express yourself. As ordinary viewers, we can not only feel it from itCalligraphy's charm, and you can appreciate the deep heart of an actressCultureTradition is cherished. I hope that in the future, she can continue to strive for excellence for the Chinese traditionCultureto make more contributions to inheritance and innovation. In this fast-paced society,CalligraphyArtThe value is becoming more and more precious, and I hope that more people can pay attention to and love this ancient and vibrantArtForm.