Northwest Victory Christie s New York is a god, and Liangzhou Mansion Niu Jian Huanghuali is on the

In the Wuwei City Museum and the Hong Kong Liangyi Museum, there are two unique rosewood grass pattern circle chairs. The circle chair is 70 cm long, 17 cm wide and 103 cm high. The backrest is a single plate, the upper part is engraved with grass patterns, and the lower part is engraved with grass patterns for the rising yang line. The front legs and armrests, the back and the backrest are all made of wood. The backrest, armrests and the connection between the armrests and the seat surface are S-shaped, the base is plated, the seat core is installed on the board, and the curved pattern is carved under the seat surface for decoration. This chair has both practicality and aesthetics, dignified atmosphere, is a fine product in the furniture of the Qing Dynasty.

When many people come to visit the Wuwei City Museum, they come to Liangzhou Tongben Ma. After allThe copper galloping horse is the "first horse in the northwest", and it is the most famous among the cultural relics unearthed in Wuwei County, the capital of the northwest. Wuwei cultural relics copper galloping horse can bring popularity to Wuwei Museum, that's for sure!

Copper galloping horse (Shooting Drafting: Murong Dongtang) (Shooting location: Wuwei City Museum).

But among the tens of thousands of cultural relics, the appearance of the Liangzhou rosewood grass pattern circle chair in the Qing Dynasty surprised many mahogany furniture practitioners: "Why does Liangzhou (Wuwei) have such a delicate structure of the circle chair?" ”

Because the owner of this circle of chairs is a big man. He is Niu Jian, an important minister of the Qing Dynasty who is known as the "Emperor of the Two Dynasties". Niu Jian (1785-1858), the word Jingtang, the name Xueqiao, was born in Liangzhou Mansion (now Wuwei City). A generation of famous ministers in the Qing Dynasty, a follower of the Qing Dynasty. In the nineteenth year of Jiaqing in the Qing Dynasty (1814), he was a Jinshi, the fourth in the second class, and his teacher was Liu, a revival farmer in Liangzhou. He was the mentor of Emperor Daoguang and Emperor Xianfeng, so he was known as the "Emperor of the Two Dynasties".

In the eighteenth year of Daoguang of the Qing Dynasty (1838), he recovered from illness and went to Beijing, and Emperor Daoguang summoned him and reassigned him as the political envoy of Jiangsu. At the beginning of the following year, he was appointed governor of Jiangsu, and concurrently led the political envoy of Jiangsu, becoming the highest military and political financial and criminal officer of a province. In September Bingchen of the 21st year of Daoguang of the Qing Dynasty, the official worshiped the governor of Liangjiang, the title of secretary of the military department, the general of Fuyuan, and the jurisdiction of the two Huaicao salts and Congyipin, and became one of the nine famous feudal officials of the Qing Dynasty. Later, he served as the senior doctor of the Qing Dynasty, and Daoguang gave the plaque "Master Erudite".

In the fourth year of Tongzhi in the Qing Dynasty, Governor Yang Yuebin invited the Tongzhi Emperor to "Entitled Liangzhou Prefecture Wuwei County, the Former Liangjiang Governor Niu Jian Entered the Township Xian Ancestral Hall, Invited the Decree", the Tongzhi Emperor played the quasi-performance, entered the Liangzhou Township Xian Ancestral Hall, and gave the plaque "Niu Gong Ancestral Hall", and soon Niu Jian entered the Liangzhou Famous Eunuch Temple.

Niu Jian Source: Wikipedia

The clearly visible grass pattern on the "Wuwei Circle Chair" (Shooting Drawing: Murong Dongtang) (Shooting location: Wuwei City Museum).

Rosewood was used for furniture in the Ming and Qing dynasties, but there was a shortage of materials, so it was very precious. And because the color of rosewood is deep purple, there is the word "purple gas from the east" in ancient China, and "purple" symbolizes the king, so the red sandalwood is deeply loved by the Qing court.

Niu Jian was the Qing Dynasty Northwest Mengganqing Ningxin, the highest ranking of Wen Jinshi, the leader of the Northwest literati and ink writers, and the highest hand of the Northwest literati. It is not surprising that Niu Jian can have such a circle chair.

Nowadays, many practitioners of mahogany furniture are willing to come to Wuwei City Museum to see the true face of the "Wuwei Circle Chair". When the author searched for "Wuwei circle chair" on a certain sound, I also found that there were already cultural and creative products of the same style. This is undoubtedly an affirmation of Liangzhou culture.

In the Qing Dynasty, the Liangzhou rosewood group grass pattern circle chair was referred to as "Wuwei circle chair" by mahogany furniture practitioners

As the highest leader of the Northwest literati in the Qing Dynasty, it is not surprising that Niu Jian can have a red sandalwood grass pattern circle chair. And the Liangzhou Mansion Niu Jian Huanghuali chair to be mentioned in this article is also a rare product.

"Jiao Yi" is a unique type of chair in ancient Chinese furniture, named for its cross-legged structure. The name "Jiao Jiao" is due to its crossed leg structure, which allows the chair to be folded up for easy carrying and storage. This kind of chair is characterized by its X-shaped cross fixed on the ground, which can be stably supported, and the chair in the Ming and Qing dynasties usually has a back and armrests to provide users with good leaning comfort.

The history of the chair can be traced back to the Han and Tang dynasties, and it was often used for travel and hunting activities of nobles and royalty. With the passage of time, the chair gradually became a widely used seat for all classes of ancient Chinese society.

Fan Ye's "Book of the Later Han Dynasty: Five Elements Chronicles": "Emperor Ling is good at Hu clothes, Hu beds, and Hu rice. The "Hu bed" here refers to Maza. Mr. Ma Weidu mentioned in his book "Ming-style Furniture": "The origin of the chair can be traced back to Maza, which is a kind of small stool that is easy to carry, and the chair is developed on the basis of it, with the shape of a chair, and the lower half of the front and back legs are crossed. ”

During archaeological excavations in 2019, an important tomb was discovered in Tianzhu Tibetan Autonomous County, Wuwei City, which is believed to be the earliest and best-preserved tomb of a member of the Tuyuhun royal family of the era. In this rescue excavation, the archaeologists excavated a piece of Maza in the tomb. This is the first princess of the Tang and Zhou dynasties, the daughter of Li Shimin, Taizong of the Tang DynastyPrincess Honghuaand Murong Tuyuhun king, Wudi also Baldou KhanMurong Nuo's bowlThe third sonMurong Zhi

According to the author's research, Murong Zhong was an official in Luoyang, the general of Zuobao Taowei, and the third product was the guard of the east of the Luoyang Imperial City, while the general Murong Zhi of the Zuo Yulingwei was responsible for the defense of the west of the Luoyang Imperial City, and the general Murong Wan of the Right Eagle Yangwei was responsible for the defense of the north of the Luoyang Imperial City, forming a pattern of three Murong generals in the east, west and north.

This is written very clearly in Murong Zhi's epitaph "The Epitaph of the Late Murong Mansion Jun of the Great Zhou Dynasty": "In the early night of the West Garden, respect and love forget tiredness, the East Pavilion is in the morning, and the words are not tired, and the sincerity can be long and prominent, and the eternal dedication to Chenju!" This sentence is to the effect that "the quiet night of the Shendu Garden (West Garden) in Luoyang City during the Wu Zetian period of the Great Zhou Dynasty, it is very beautiful here, making people forget their tiredness, and there is a good morning in the East Pavilion. Murong Zhi has been in a prominent official position for a long time, and he will always serve and defend the Shendu Yuan, where Wu Zetian lives! ”

Murong Zhi, as the grandson of Li Shimin, Taizong of the Tang Dynasty, is also responsible for guarding Luoyang, and it makes sense to have furniture like Maza. Interested readers can search[Wuwei Xi King Murong Zhi's Maza].Learn more.

Historically, the chair has often appeared on important ceremonial occasions and social activities, and has become an important carrier for the transfer of power and decision-making. For example, in Jianghu martial arts**, gang leaders often symbolize taking over power by "sitting in the first place" when they take over. In addition, in many court dramas and historical documents, the chair is also used to describe the ceremonial relationship between the monarch and the court.

The following is an excerpt from the relevant passages of Mr. Jin Yong in the martial arts ** "The Legend of Deer and Ding":

When everyone saw the invitation, they all took their seats. Chen Jinnan sat in the middle, Li Xihua, Yang Yizhi, Liu Dahong and others sat on the left and right, and Wei Xiaobao sat in the last seat. He looked at the ** without a moment, for fear that he would not be able to catch it in one breath and die. For a moment, the hall was silent. ”

In this scene, Chen Jinnan, as the chief helmsman of the Heaven and Earth Society, is naturally the character sitting on the "top spot", while the others sit on the left and right according to their respective status, and Wei Xiaobao, as an apprentice and a character with a lower status, sits in the last seat. Through this description, Jin Yong not only shows the organizational structure of the Heaven and Earth Society, but also reflects the social hierarchy at that time.

Qing Lang Shining, Kazakh Gongmatu, Detail, Collection of the Musée National d'Art de la Gimet, France Source: Wikipedia

According to reliable information from Christie's auctions: On March 23 and 24, 2023, during Asia Week in New York, Christie's New York "Important Chinese Porcelain and Craftsmanship" auction appeared in a 17th-century Huanghuali Ruyi chair, which is the first minister of the Qing Dynasty, the governor of Liangjiang during the Daoguang period of the Qing Dynasty and the emperor of the two dynasties. This is exactly a Ming Dynasty Huanghuali round back chair. The Wuwei City Museum has a pair of similar Huanghuali chairs, which are exactly the same as the ones that appeared at Christie's.

The Liangzhou Mansion Niujian Huanghuali chair is made of precious Huanghuali wood, the wood is thick, the wood is excellent, the natural soft texture and color, and the calm texture is rigid and soft, which is more luxurious. In particular, the Huanghuali chair, because the production process is difficult and fragile, it is rare to survive to this day, and it has extremely high historical and artistic value. Plus EvenYang Yuebin, governor of Shaanxi and GansuBothExtreme adorationHistorical figures,Niu JianThe celebrity effect made Christie's auction pay more attention to Wuwei's Liangzhou culture.

The Liangzhou Niujian Huanghuali Chair is estimated to be worth no less than $2,000,000 to $3,000,000.

Ming Dynasty Huanghuali round back five carved chairs (a pair) Wuwei City Museum Collection Source: Wuwei City Museum's official WeChat***

Many friends come to Wuwei to travel, just to see Liangzhou Zhaowu Gate (Wuwei South City Gate), Kumarosh Temple, Wuwei Leitai Copper Galloping Horse. But it is a pity to inadvertently ignore the many exquisite Ming and Qing dynasty furniture in the Wuwei City Museum.

If you come to Wuwei, please stay for at least 3 days to carefully browse each cultural relic in the Wuwei City Museum.

Wuwei, known as Liangzhou in ancient times. This oasis city standing in the Hexi Corridor not only carries the legend of thousands of years of wind and sand, but also hides countless historical secrets. In this magical land, whether it is weather-beaten stones or mottled ceramic fragments, all contain profound historical accumulation and cultural heritage. Walking into the Wuwei City Museum, it is like starting a journey of time and space, and with the light touch of your fingertips, you seem to be able to feel the pulse of the ancient civilization and appreciate the glittering wisdom of the ancestors.

Dear friends, when you step into this temple of history, please allow plenty of time (at least 3 days) to listen to the voices of these silent artifacts with a reverent heart. They are telling you the ancient historical stories in silent language, vividly showing the glorious glory of Liangzhou in the past. Each exhibit here is like a window to the past, through which you can appreciate the prosperous scene of the ancient "100,000 families in the seven cities of Liangzhou, and the Hu people play the pipa half-detached", feel the majestic atmosphere of the prosperous Han and Tang dynasties, and capture the treasures of Liangzhou that have gone through vicissitudes but are still dazzling.

My hometown, Wuwei, is Yongzhou, Liangzhou, and Guzang, and it is a city worthy of your in-depth exploration and savoring. Murong Dongtang warmly invites you to come to Wuwei, let us reveal those treasures that have been carefully engraved by time, and experience the charm of dialogue that spans thousands of years. In every corner of Wuwei City Museum, every step is a deep journey to history, and every glance can touch the deep connotation of history.

Remember, in addition to your curiosity, but also with patience and respect, because these precious artifacts have been waiting for a long time to have a profound encounter with you. In the Wuwei City Museum, let us jointly protect this cultural heritage passed down from generation to generation, share this love for history and culture, let the culture of Liangzhou continue to circulate, and let the soul of Wuwei be deeply imprinted in the heart of every visitor. We look forward to your visit, Wuwei, and look forward to sharing this historical resonance with you!

1 : One piece of God! The extremely rare Ming Dynasty Huanghuali chair appeared, the first chair created by the ancient Chinese, *Exhibition 2023-03-21

2: Wubo Collection Ming Dynasty Huanghuali Folding Chair, **Wuwei City Museum2022-04-24

Liangzhou City is Wuwei City, Liangzhou refers to Wuwei County, Wuwei is also known as Yongzhou, Liangzhou, Xiongzhou, Liangzhou, Pig Ye, Yongliang, Gaizang, Guzang, Winged City, Chiwu, Longcheng, Shenniao, Xiliang, Tuge, Dugu, Xiuzhu, Chieftain, Futu, Xiutu, Daliang, Xizhou, Wuding, Wuxing, Liangcheng, Yongjun, Liangjun, Lotus City (Wolf Mountain City), Seven-level City, Sleepless City, Bird City, Yinshan City, Wolong City, Three Mule City, Phoenix Bird City, Wings City, Yongliang City, Tianfu Country, Civil and Military Capital, Yongcheng, Xia Du, Liangdu, Yongdu. "The Book of the Later Han Dynasty: The Records of Emperor Guangwu" notes: "Wuwei County, the ancient city is in the northwest of Guzang County, Liangzhou, so Liangcheng is also."

Guzang, first set up Yongzhou, then changed to Liangzhou, then changed to Yongzhou, and then changed to Liangzhou, so Wuwei is called "the capital of Yongliang". Liangzhou has a very early history of human activities. Back in.

Four or five thousand years ago, there were northern ethnic groups such as the Yueshi and Wusun who lived together. Zhou is the land of Yongzhou, before the Spring and Autumn Period, it was occupied by Xirong, and Qin was the grazing land of the Yueshi family. Wuwei County was established in the Western Han Dynasty, and belonged to the Liangzhou Thorn History Department, and governed Guzang (now Liangzhou District, Wuwei City). In the geographical masterpiece "Yu Gong", the land of Wuwei is classified as "Yongzhou". In the third year of Yuanshuo of the Western Han Dynasty (126 BC), the Han Empire changed Yongzhou to Liangzhou "with its gold and cold land". In the second year of Yuanjia in the Western Han Dynasty (121 B.C.), Liu Che, Emperor Wu of the Han Dynasty, in order to show the martial arts and military might of the Han Empire, placed Wuwei County in the territory of the former Xiongnu Xiutu State, from which Wuwei got its name. Later dynasties have set Wuwei as the cultural, military, and political center of the northwest.

Liangzhou (Wuwei) was the center of economic and cultural exchanges between the Central Plains and the Western Regions in ancient times, and once became the center of Buddhism in northern China. Literature and lyrics in the Middle Ages, the famous "Liangzhou Song", "Liangzhou Song", "Liangzhou Ci", "Liangzhou Order" (misrepresented as Liangzhou Order), "Liangzhou", "Liangzhou Daquan", "Liangzhou Xiaoquan", "Liangzhou Ling" were produced here, famous at home and abroad. It can be said that Guzang Liangzhou has played a very important role in preserving China's ancient traditional culture and spreading the culture of the Western Regions. Historically, Wuwei was the Liangzhou Thorn History Department, Yongzhou Mu, Yongzhou Thorn History, Yongliang Governor's Mansion, Liangzhou Mu, Liangzhou Thorn History, Liangzhou Dazhongzheng, Liangzhou Town of Northern Wei Dynasty, Guzang Town of Northern Wei Dynasty, Hexi Jiedu, Liangzhou Governor's Mansion, Liangzhou Governor's Mansion, Xiliang Mansion, Liangzhou General Soldier, Liangzhou Town Guard, Liangzhou Mansion, Liangzhuang Road, Gansu General Army, and Zhengyipin Liangzhou General's Mansion.

Liangzhou (Wuwei), the capital of the Hun Dynasty; Liangzhou Prefecture during the period of Emperor Xuan of the Western Han Dynasty; Wang Mang, Yongzhou Prefecture, New Dynasty; Liangzhou Prefecture during the period of Emperor Huan of the Eastern Han Dynasty; The Eastern Han Dynasty dedicated the emperor to Yongzhou Prefecture; Liangzhou Prefecture during the Cao Wei period; Liangzhou Town in the Northern Wei Dynasty (the three major towns in the early and middle Northern Wei Dynasty, Liangzhou, Chang'an, and Tongwancheng). the Dou Rong regime at the end of the New Dynasty; The front Liang, Hou Liang, South Liang, and North Liang of the Sixteen Kingdoms of the Eastern Jin Dynasty; the Great Liang of the late Sui Dynasty; the end of the Tang Dynasty in the end of the Hun (Murong family), the end of Wen (on the family), the six valleys of Tubo (Zheshi); Sogdia Hui to the state of Suhor; During the Western Xia period, the Qi State and the Xia Shenzong all built their capitals here. Later dynasties of the ** centralized system have set up county mansions in Wuwei to govern the northwest region, and govern the Western Regions and Tibet: during the Western Han Dynasty, it was the Liangzhou Thorn History Mansion; During the Dou Rong period, the general's mansion of the five counties of Hexi; During the New Dynasty, Yongzhou Thorn Mansion; Liangzhou Thorn History Mansion in the Eastern Han Dynasty; the Yongliang Central Governor's Mansion and the Western General's Mansion during the Cao Wei period; Liangzhou Town, the head of the three towns of the Northern Wei Dynasty in the middle of the Northern Wei Dynasty, Liangzhou Town is the capital of the general, and the Liangzhou Dazhong is located; The Liangzhou Governor's Mansion in the Western Wei Dynasty, the Liangzhou Governor's Mansion in the Northern Zhou Dynasty, and the Liangzhou Governor's Mansion in the Northern Zhou Dynasty; During the Tang and Zhou dynasties, the Liangzhou Metropolitan Governor's Mansion and the Hexi Jiedu Mansion of the Hexi Special Economic Zone; the location of the Western Longitude Division in the Tangut period; the capital of Western Xia; the Xiliang King (Kuoduan) Mansion during the Yuan Dynasty; During the Ming Dynasty, Liangzhou Weifu; During the Qing Dynasty, it was the Liangzhou General's Mansion; Liangzhou Mansion is located.

Wuwei is the birthplace of Yongliang culture, so Wuwei is also known as the "capital of Yongliang". Wuwei is flat, with the largest accumulation plain on the right side of the river, since ancient times it is the central city that controls the three major plateaus (Mongolian Plateau, Qinghai-Tibet Plateau, Loess Plateau) and the Western Regions. During the Eastern Jin Dynasty, there was Guzang in the north and Jiankang in the south, and Guzang was one of the two major centers in China. During the Northern Wei Dynasty, Guzang was one of the two major economic centers of the Northern Wei Dynasty. During the Sui and Tang dynasties, Liangzhou was one of the three major economic centers of the Tang Dynasty. "Liangzhou Zhen (Yongzhou Zhen)" said: "Every time I am in the king of Ji, I often lose my feelings. God is restless, and he orders the man to be cold. ”

Liangzhou (now Wuwei) is the capital of the ancient northwest and the largest city in the northwest, with countless historical monuments and historical celebrities (Northwest Shengji, Northwest Shengzu). The well-known historian Mr. Qian Mu's proud ** Yan Gengwang said that Liangzhou is in Chang'an, that is, Liangzhou (Wuwei) is more prosperous than Chang'an. Mr. Qi Chenjun, a well-known scholar of Liangzhou Studies and Dunhuang Studies, pointed out that "the real western culture in ancient times was in Liangzhou, and the center of Liangzhou was Wuwei County"; Mr. Qi Chenjun believes that the western culture "is a fusion of the agricultural culture of the Han people in the Central Plains, the nomadic culture of the Northwest and the culture of the Western Regions."

In fact, Liangzhou culture is the continuation of Luoyang culture, although Liangzhou Jin's (Wuwei Jin's) Jin Riyan shined in the Western Han Dynasty. But throughout the history of Liangzhou, the Liangzhou armed tycoons (Liangzhou Group) officially stepped onto the stage of history when Emperor Guangwu of the Eastern Han Dynasty Liu Xiuding was the capital of Luoyang. The six major families of the Eastern Han Dynasty had a close relationship with Liangzhou, and the Wuwei Dou family was even more important, profoundly influencing the process of the Eastern Han Dynasty. From the end of the Eastern Han Dynasty to the Cao Wei period, Taiwei Duan Xi, Taiwei Jia Xu, Empress Guo of the Ming Yuan Dynasty, and Sima Yi, the governor of Yongliang, were all related to Liangzhou (Wuwei).

The grandson of Sima Yi, the minister of Cao Wei, and the eldest son of Sima Zhao, Sima Yan, established the Western Jin Dynasty. The culture of the Western Jin Dynasty was originally the backbone of the Wei and Jin dynasties, which came from Cao Wei. The Western Jin Dynasty inherited the cultural heritage of Cao Wei, and among the scholars and doctors of the Western Jin Dynasty, they took Jingzhao Du, Hanoi Chang, Hedong Pei, Chenjun Xie, Anding Zhang, Wuwei Jia, Hanoi Sima, Qinghe Cui, Boling Cui, Hedong Wei, Chen Liu**, Guangping Chen, Zhaojun Li, Zhaojun Feng, Taiyuan Wang, Fanyang Lu, Zhongshan Wang (Wuwei Wang), Yingchuan Xun, Dongyang Chen, Xingyang Zheng, Dunhuang Suo, etc. Most of the Yongjia Rebellion avoided the chaos in the northwest Qianliang Guzang and the local Wuwei Jia clan and Wuwei Yin clan in Liangzhou jointly governed Liangzhou and opened schools, so the Han culture did not withdraw from the historical stage during the Sixteen Kingdoms period, but was preserved in the northwest Qianliang.

It is precisely because this group of people came to Liangzhou, the core of the northwest, that there was a prosperous era of Qianliang. Later, Houliang continued the cultural and architectural heritage of Qianliang. Then, Nanliang inherited Beiliang and Xiliang. Later, the West Liang and the North Liang also inherited the South Liang. Later, the Northern Wei Dynasty defeated the last regime of the Sixteen Kingdoms, Beiliang, and completely absorbed the culture of Beiliang into the population. The process of sinicization of the Northern Wei Dynasty and the migration of Liangzhou contributed a lot. The Northern Wei Dynasty split the Eastern Wei Dynasty and the Western Wei Dynasty, and this residual vein is still continuous.

The Eastern Wei Dynasty became the Northern Qi Dynasty and belonged to the regular army of the Northern Wei Dynasty. The Western Wei Dynasty became the Northern Zhou Dynasty, which belonged to the miscellaneous army of the Northern Wei Dynasty. Therefore, culturally, the Liangzhou system is mainly in the Eastern Wei Dynasty, but in the Northern Qi and Northern Zhou dynasties, the Liangzhou culture has a great influence on them. The Northern Zhou Dynasty and the Northern Qi Dynasty returned to the Sui Dynasty, and the Sui and Tang dynasties were just like that. The cultural relay of Luoyang and Liangzhou amazed Mr. Chen Yinke again and again. Luoyang, the ancient capital of the Thirteen Dynasties, and Liangzhou, the first city in the northwest, are such cultural origins.

Note: Northwest Scenic Spot is one of the logos of Murong Dongtang's original series of articles on Wuwei history and culture. Victorious sites refer to famous monuments and relics. Tang Dynasty poet Meng Haoran "Ascending Daxian Mountain with Zhuzi": "Personnel have metabolism, and exchanges become ancient and modern. The rivers and mountains leave traces of victory, and our generation will come again. There is also a description of the victory. The Northwest Scenic Spot is not only centered on Wuwei Jinchang, but also classifies and writes the historical relics, historic sites and buildings on the right side of the river. Murong Dongtang is based in Liangzhou, watching Wuwei, looking at Jinchang, looking at the whole country, and looking at the world, and will provide you with prudent and scientific Liangzhou cultural IP consulting. Dongtang hopes to sort out the cultural context behind the Tang poem "Liangzhou Ci" through publicity and promotion, and establish an academic system of Liangzhou Studies with Wuwei as the core. * Northwest Scenic Spots, Northwest Sheng Clan, Wuliang Culture, Gonzo, Northwest Geography, Northwest Cuisine, Murong Dong Tang Says the Three Kingdoms, Northwest History, series of articles, to be continued.

About the author of this article: Murong Dongtang, alias Qibi Xiaoyou, Ziyou, formerly known as Feng Dongtang. His ancestral home is Luoyang, which originated from Zhao County. Committed to the knowledge visualization of Liangzhou culture and Luoyang culture, I hope to create a Liangzhou learning model with Wuwei as the center to serve all Wuwei's small and medium-sized entrepreneurs, Internet celebrity bloggers, etc. to complete their own cultural empowerment. *The author is only a shallow learner, if there are omissions or errors in this article, please correct them.