In film and television works, we often see some very tense hands-on scenes, among which the slap plot is the most eye-catching. Different actors have different opinions on how to deal with this type of play. Some actors think that it is just filming and there is no need to be beaten, while some actors firmly believe that only real beatings can make the scene more realistic. On this issue, actor Huo Jianhua's attitude and performance have been controversial, and he has taken a real approach because he is too involved in filming, which has made many actresses who work with him miserable.
In the TV series "The Princess of the World", a scene between Huo Jianhua and Hong Xiaoling caused a lot of waves. There is not only a kiss scene in this scene, but also a slap plot. During the filming, Huo Jianhua was completely immersed in the role and gave Hong Xiaoling a slap without hesitation, which not only shocked the director, but also made Hong Xiaoling stunned on the spot. She only felt that her face was hot, and even her earrings were knocked off. After this scene, Hong Xiaoling had a deep fear of the fight with Huo Jianhua.
The same situation also happened on the filming site of "The Legend of Ruyi". Xin Zhilei plays an abominable character in the play, and when she makes a mistake, the emperor played by Huo Jianhua directly slaps her to the ground. Although Xin Zhilei had communicated with Huo Jianhua in advance about the slap clip, she didn't expect Huo Jianhua to work so hard at all. At that time, she was beaten so unsteady that she fell to the ground, her mind was blank, and she couldn't even speak. The filming of this plot once again sparked controversy about Huo Jianhua's performance method.
Regarding Huo Jianhua's performance in filming, some people think that he is too involved and ignores the feelings of the rival actors; While others believe that his performances are authentic and powerful, and that they can better represent the emotions of the characters. However, it is undeniable that Huo Jianhua's behavior did cause trouble for other actors and also caused him to fall into controversy.
In the program "The Birth of an Actor", there was also a similar controversy. Chai Biyun and Yu Mingjia had a disagreement about whether to really fight in a scene. Yu Mingjia believes that the performance on stage does not need to be too real, while Chai Biyun insists on real fighting. This controversy was resolved with the intervention of Huang Shengyi, but the final performance caused doubts from the audience.
Veteran actor Liu Peiqi is opposed to a real slap. He believes that a good director should not require actors to really fight, because real performance should be reflected in the expression of emotions, not through external blows. Peggy Liu's views have been shared by some, but there are also some viewers who believe that in some cases, real play can make the performance more realistic and more touching the hearts of the audience.
So, what should we think about whether we should really fight in filming? On the one hand, real fighting can indeed allow actors to experience the emotions of the characters more deeply, thus bringing more realistic performances. But on the other hand, excessive real hitting may cause physical and psychological damage to the actors, and even affect the entire filming process. Therefore, during the filming process, the director and actors need to try to find a balanced way to deal with this kind of scene while ensuring the performance effect.
In February**Dynamic Incentive Plan In general, although Huo Jianhua's "real hit" performance method has improved the realism of the work to a certain extent, it has also caused a lot of controversy. In future shoots, the actors need to pay more attention to communication with the opposing actors and respect each other's feelings to ensure the smooth progress of the filming. At the same time, directors should also pay more attention to the expression of emotions and the shaping of characters when directing actors' performances, and avoid relying too much on external means to enhance the dramatic effect. Only in this way can the audience enjoy more exciting and real film and television works.