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Recently, two TV series adapted from the game "Sword and Fairy" have met the audience one after another. However, instead of achieving the expected box office success, they have raised a lot of questions from audiences and critics, the main of which is focused on the casting of the heroine.
Taking "Praying for the Present Dynasty" as an example, Yu Shuxin's beauty is undoubted, but her temperament seems to be different from the requirements of the role. Coupled with her slightly milky voice, it makes people feel a little uncomfortable. Such a casting undoubtedly brought some disappointment to the audience who were originally full of expectations.
In the public's impression, the female characters in "Praying for the Future" should be heroic, beautiful and moving, rather than giving people a feeling of weakness and powerlessness, let alone making people feel embarrassed. However, Yu Shuxin's interpretation does not seem to meet everyone's expectations, so it has aroused widespread doubts and discussions.
Ju Jingyi's problem is similar to Yu Shuxin's, and it can be said that they have their own merits. Her appearance is quite three-dimensional, she can control all kinds of collocations, even if there is blood stained between her eyebrows, she can still show her handsome demeanor. This unique charm makes her stand out among many actresses and is unforgettable.
Sometimes dressed in gorgeous saris and delicate tassel earrings, Ju Jingyi shows an elegant and noble temperament, as if incarnated as a temperament-type little fairy. Her beauty is full of magic, which makes many netizens fall in love with it, and they are full of infinite yearning for her beauty.
Even if Ju Jingyi's dress in the play is not conspicuous, her beauty is still the same, and that ethereal beauty purifies people's hearts and can't produce any ** thoughts. Her beauty is so pure and noble, as if it comes from the sound of nature, which makes people intoxicated and unable to extricate themselves.
In the TV series, Ju Jingyi, although beautiful and moving, is criticized for lacking soul. Judging from the performance of some angles and shots, her eyes seem hollow, coupled with the same Korean-style big eye makeup, as well as the lack of temperament of staring and pouting, making people feel that she is more like a beautiful wooden beauty, and her acting skills seem to cover up her beauty and temperament.
Similar to Angelababy, Ju Jingyi's beauty is admirable, but her performance seems a little stiff and lacking in spirituality. This way of acting not only failed to show the soul of the character, but also greatly reduced her beauty and temperament.
In addition to Yu Shuxin and Ju Jingyi, female star Mao Xiaohui was also ridiculed. Mao Xiaohui does not have many masterpieces in the circle, but she unexpectedly got the opportunity to play the important role of the little dragon girl in the remake of "The Legend of the Condor Heroes". Not only that, but she will also appear in the sequel to "The Legend of Sword and Fairy", which is obviously challenging classic film and television works. Such airborne and continuous starring opportunities can't help but make people question her strength and background, and also arouse the audience's doubts and worries about her acting skills.
However, Mao Xiaohui's response seemed a little weak. Although she claimed that she was a little fat at the time, judging from her performance in the play, her figure was not fat, but a mature style, which was not much different from now. It's more like she's making excuses for herself to escape criticism from the audience for her acting skills and image.
Looking back on the prosperous era of TV dramas, there were countless protagonists of costume beauties, but Liu Yifei's appearance and temperament are unique and unforgettable. Her beauty is not only about her appearance, but also about her inner temperament and emotion. In "The Legend of Sword and Fairy", the role she plays is heartwarming and can deeply touch the heartstrings of the audience. In contrast, today's actresses still have a lot of room for improvement in their acting skills and image.
Liu Yifei's beauty is the kind of otherworldly and fairy-like beauty. She is very good at creating fairy characters, the most typical of which is the role of Little Dragon Girl. The role of Zhao Linger has brought her career to a new peak, her appearance is amazing, and her pink face is like a flower and jade, as if she can pinch out water. In that era when makeup technology was not particularly advanced, Liu Yifei's plain makeup added a sense of purity and naturalness, as if clear water came out of hibiscus and was naturally decorated. Her beauty, both innocent and powerful, is captivating.
Because Liu Yifei's role in the game is different from the traditional costume fairy tale shape, she still holds ** in her hand, which makes her look more heroic and beautiful. Her posture and the ** in her hand complement each other, which not only shows her martial arts, but also adds a different kind of charm.
Not to mention, Liu Yifei's smart temperament is unmatched. When playing the role of a girl, she naturally exudes youthful vitality, and her smile is full of agility. The interaction with Lin Yueru played by An Yixuan is full of fun and sparks, and the jealousy between them has become a major attraction. The relationship line with Li Xiaoyao also makes people feel a strong sense of CP, which is moving.
Because of this, Zhao Ling'er played by Liu Yifei has become the love of many netizens, and "Sword and Fairy III" has also become an unsurpassed classic. It is not only a benchmark for many games and TV series, but also an eternal childhood memory in the hearts of many post-80s and post-90s. The emotions and stories conveyed by this work have been deeply imprinted in the hearts of a generation.
"Sword and Fairy III" is undoubtedly a model of TV series that conforms to the character design. Each character is carefully crafted and fully in line with the character design, which allows the audience to understand and feel the emotions and stories of the characters more deeply in the process. This work not only improves the aesthetic level of the audience, but also imperceptibly cultivates the audience's sentiment and temperament.
Because of this, when the audience goes to those anti-classic and subversive sequels after watching such an excellent TV series, they often find it difficult to accept. Those characters and plots that don't fit the character design will make people feel uncomfortable, as if they have lost the beautiful experience of emotional resonance with the characters.
Therefore, for the audience, it is crucial to choose a TV series that matches the character design. Only in such works can we truly feel the charm of the characters and the plot, and enjoy the beautiful experience of resonating with the emotions of the characters.
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