People like to look forward to it, because expectation brings a kind of hope to everyone, and this hope can be imaginary. Why do we say that, because our film and television creators like to imagine all kinds of things about an era or era that they can't experience, or an individual, or add all the qualities they can imagine to a concrete image, and then the conflict will occur and the character can stand. Therefore, when we watch movies, we always see all kinds of characters, and these characters carry a certain kind of imagination.
But does imagination have to be real? This is a false proposition, and at the same time, it is not accepted by many audiences, because everything we see is easy to wash away our thoughts, and after a long time, no matter how firm our thoughts are, they will fade. This kind of scrubbing is somewhat related to the film we recommend to you today, this film is "Princess Sissi".
Princess Sissi tells the story of a standard prince falling in love with a princess, originally the prince was going to be engaged to Princess Sissi's sister at a banquet, but after Princess Sissi attended the banquet, during the banquet, she slipped out to play and met the prince, and the two immediately fell in love. After returning to the banquet, the prince began to complete his repentance in front of everyone, and eventually, the prince married Princess Sissi, and Princess Sissi's sister did not have much resentment towards her sister.
This is a fairy tale that can be said to come out of a book, and it is also a fairy tale that gives the audience a feeling of "fairy tales are like this" on the screen. The highlight of this film is not how beautiful Princess Sissi herself is and how handsome the prince is, but how delicate and gorgeous the film is in art.
For a long time, audiences immersed in Western fairy tales have a mysterious attachment to the imaginary story of princes and princesses, even if this attachment has no historical basis, it can't help but cause too many viewers to imagine in this direction, there is no standard answer to this imagination, but this film can be regarded as an answer. This answer meets the expectations of ordinary people for the royal family to a certain extent, so the significance of the film "Princess Sissi" is also there.
Ask the question, it seems that none of us wants to think about what ordinary love is? We are always blindly pursuing, but we can't find our true own. We don't know what we want, and we can't have an obvious expectation or a specific goal for what we want.
In the end, we can't find the love we want in our daily lives, so we pin all our hopes on another kind of expectation, that is, a group of people who don't belong to our own lives. The result of this is that whether it is Western culture or Eastern culture, those that have been passed down without exception are stories that belong to high-ranking officials and nobles, and ordinary people seem to have no stories, even if there are stories, they are also a kind of mythological stories, and the beautiful love we look forward to and the beautiful future we look forward to do not belong to ordinary people.
So what do we expect from that? Is it a kind of anesthesia for the future, for the present? I don't think anyone wants their expectations to be like that. As ordinary people, we also look forward to love, and we also expect our lives to be very bright, but in many film and television works, ordinary people are just a background board, just like the people who raise flags along the coast in Princess Sissi, the farmers who work on the farm, the passers-by who are in a hurry in the suburbs, and so on. Even if they don't even have lines, ordinary people are actually real people. This is our sentient beings, but not many film and television works are willing to focus on them.
Maybe the creators will say that they don't have a story, but even if it is the protagonist of a film like "Princess Sissi", is the story she shows really her true story? The creator can add all his imagination of history, or all the beautiful imagination, to a person, and that person has a story. At the same time, the creator can also add all the negativity of his own reality to a person, then this person also has a story. It's just that today's creators are more willing to add beautiful stories to princes and nobles, dignitaries and nobles, and when it comes to ordinary people, we can witness the darkest places in society.
We can't say absolutely that anyone necessarily has what kind of temperament, but we can say that no matter what kind of temperament, it is not divided into personality and high and low. Princess Sissi can have all the imagination of the creator for a beautiful fairy tale, ordinary people will also have it, and those who live their lives well with beautiful expectations will be such an image, why not put artistic imagination on them?
Creators are a group of people with brushes in their hands, so to a certain extent, they are people who have the right to speak in a certain field, and when this group of people makes peace with another group of people, what kind of works will we see? Perhaps the artists we expect are people who really stand among the majority, not stand-ins who serve a certain group of people. If artistic creation is farther and farther away from ordinary people, then the inspiration for creation will eventually dry up one day. I hope that every creator can absorb more nutrients, and I also hope that they can really see the same hope as ordinary people.
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