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Focus on the composer, **Behind the Story**Name: Ghost in the ShellGhost in the Shell 2 Year of release: 2004 Record label: JVCKENWOOD Victor Entertainment ** Person: Kenji Kawai Kenji Kawai.
Good night on the 1650th day.
ghost in the shell.Ghost in the Shell 2 vol1650
''The birds are high in the sky, and the fish are in the depths of the water''
tracklist1. dungeon 01:24
2. the ballade of puppets : flowers grieve and fall 03:40
3. type 2052 "hadaly" 04:05
4. river of crystals 05:48
5. attack the wakabayashi 03:31
6. etorofu 03:55
7. the ballade of puppets : in a new world, gods will descend 05:11
8. the doll house i 01:31
9. the doll house ii 02:56
10. the ballade of puppets : the ghost awaits in the world beyond 09:47
11. toh kami emi tame 00:32
12. follow me 05:01
Ghost in the Shell 2: Not Guilty, Kenji Kawai
These quotes come from celebrities such as Buddha, Descartes, and Marx, as well as Japanese and Chinese classical poetry, and even John Milton's Paradise Lost:
Go alone, do no evil, seek less, like an elephant in the forest
Some people hold mirrors, he is not a demon, he is not a demon, he is not a demon, but a creator demon. That is, mirrors are not for gazing, but for contemplation.
Nothing is true without secrets.
Birds hide in the sky, fish in deep water.
Saito green rain. Let the spirit come out -
God is always geometrical - Plato.
You don't have to be a Caesar to understand Caesar-Max Weber.
You don't know life yet, you don't know death yet - Confucius.
''I ask you, do you feel happy? ''
This film is for people with patience, those who are interested in learning about the world around us, and how we interact with the world as human beings.
Innocence is set in a dystopian future, where the boundaries between humans and artificial intelligence are blurred when technology has advanced to the point where humans and robots coexist.
use''Thought-provoking''It's common practice to praise a movie, but Ghost in the Shell 2: Innocence is much more than that, designed to provoke so much thought inside and out that the urge overrides all considerations.
There's a lot more to the film than it's shown. We should appreciate films that dare to transcend plot design or today's prejudices, and who face the questioning of the environment and prejudices of the crowd.
One doesn't have to be a Catholic to appreciate the ceiling of the Sistine Chapel, and likewise, one doesn't have to care about Mamoru Oshii's mind to appreciate what Gits2 wants to show us
Innocence is so dense, whether it's imagery, language, or intelligence. It's the film that "The Matrix" wanted to be but failed to be, a profoundly vulgar exploration of virtuality and the presence of robots. Plot-wise, the film is a direct sequel to the first Ghost in the Shell, but conceptually and emotionally, "Innocence" enters a completely different level.
Always too skeptical, too sentimental and emotionally contradictory, Innocence does not offer a new cyborg philosophy, but it powerfully points out the inadequacy of our current notions. The events that happened went beyond the categories we applied to, and we finally realized: the most difficult, and the most necessary, is''As radical as reality''
In Innocence, most of the female characters are explicitly constructed, utilized, and often detached from any fixed personality. What sets "Innocence" apart from many other films with similar exploitative imagery and situations is that themes such as character, objectification, sound, and silence are all emphasized deeply and wisely. Director Mamoru Oshii points out every moment with his distracting, obvious interruptions, and he wants us to notice our range of reactions and feel interested, fearful, stimulated, and uneasy. Together with Batuu, we will explore the mystery: how did we get here? What the hell is going on with all this? 
When the direction and ** are combined in this way, it is like a light, shining so brightly
Kenji Kawai is the one who provided the voice for Ghost in the Shell.
In 1995, the soundtrack of the first "Ghost in the Shell" became one of the most iconic in the cyberpunk genre**, and its composer Kenji Kawai has not slowed down since then.
Everything about Ghost in the Shell 2: Innocence: the production, the images, the story, is ahead of its time when it was released in 2004. In terms of quality, there are still few animated films that can match "Innocence".
One of the most striking features of the Innocence soundtrack is Japan''minyoh''You can hear it in the seventh track of the soundtrack, "The Ballade of Puppets". The chorus, which sounds like a voice from another planet, was performed by 75 members of Nishida and Megumi Society, who came together to record a work for 14 hours.
Another unique fact about the sound is the **box tone used throughout the film. To add to the feeling of spaciousness, the music box notes were first recorded in the studio and then re-recorded in the underground space of the Utsunomiya Otani Quarry**, which was also set with two subwoofers, four speakers and eight microphones.
The result of all these crazy recording techniques is one of the most diverse soundtracks ever created.
Born in 1957, Kenji Kawai's two early films, Ghost in the Shell and Mobile Police, both directed by Mamoru Oshii, both depict a fascinating picture of Japan's future. The sound he composed for GITS is a memorable but beautiful choir with a very traditional oriental sound, much like the synthesizer is to Ridley Scott's Blade Runner.
In an interview with the French program, Kawai introduced the audience to his hometown of Shinagawa, and like other animation composers discussed in past features, Kawai's influence is rooted in public ** spaces, especially religious ones. For Kawai, it was the drumbeat of Shinagawa Shrine, a sound that he will never forget.
Kawai's style always sounds a little retro, but retro is by no means derogatory in it, on the contrary, it gives his ** a nostalgic quality, even in new works that clearly draw on more modern trends. Modern and classical sounds are mixed together, and rarely produce any sound that people would call typical.
Kenji Kawai's universe is typical, unique, and incomprehensible, it is an original genre, a huge yearbook in film format and suitable for letters
What makes a successful masterpiece? This question is eternal. And the "Ghost in the Shell" series has undoubtedly become one of the most precious cinematic miracles.
Sad, almost morbid, distilling a feeling of wandering aimless or hopeless in a world of inner loneliness and spiritual nihilism, "Innocence" confronts a sense of disappointment and helplessness in the face of fate. With a soundtrack that is far above current standards and never hypnotic or pompous, "Innocence" plays the world with the best of genre diversity, like a film that is hostile to all forms of human nature, objective and subversive.
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