Although the Spring Festival is gone, the performance of the Spring Festival movies is quite disappointing. Although everyone is full of expectations for Jia Ling's "Hot and Hot", the attention of "Article 20" does not seem to have met expectations.
However, what is surprising is that it is now showing the trend of a dark horse, and the single-day box office has surpassed Jia Ling's "Hot and Hot".
Zhang Yimou has devoted a lot of effort to this film and television work, aiming to present the work from his own unique perspective. To this end, he specially selected a group of actors who he recognized as acting and created a strong cast.
Among them, any actor is a senior and powerful person, which is enough to support any film and television work.
A movie is almost in trouble because of one person, this person is the so-called "relation", no matter how good the acting skills of the leading actor are, he is powerless to save it. Every time I saw her, I felt very embarrassed.
Other than that, what about the acting skills of the other actors in the movie?
In the movie, Han Ming didn't want to speak up for the righteous and brave people at first, thinking that it had nothing to do with him. However, when he heard the voice of Zhang Guisheng's daughter Yaya, and felt the cry of the innocent family and the desire for legal justice from her mouth, his thoughts changed.
He argues that if law and justice do not protect these families who need it most, then what is the point of their existence?
The importance of Yaya's role is self-evident, her performance has become a turning point in the entire film and television work, and her acting skills and acting skills have attracted the attention of the audience. The role needed to be neither too crazy nor too bland, with a natural transition and a touching cry, which was not easy to deal with.
For a new generation of actors, how to accurately grasp all this?
When the camera zooms in, we realize that our previous fears are not groundless. Although Yaya tried her best to perform the crying scene, her performance was slightly stiff. She tried her best to squeeze out her tears, as if to make her tears visible to the audience.
At this moment, what the audience is looking forward to is not just the flood of tears, but the vivid depiction of emotions and the outburst of affection. However, she doesn't show that. What the public longs to see is an excellent actor who can pour his emotions into his opponent in front of the audience, but Yaya never looked at Han Ming head-on.
This caused the two people in front of the camera to communicate wordlessly, as if they were doing their own thing, and the audience would feel very dramatic.
The lack of acting experience may be due to the fact that there are not enough scenes filmed, but for the lack of lines, it cannot be used as an excuse for the lack of filming scenes. In this shot, her line skills seem to be quite bad, and every sentence seems to be read from a textbook, which not only sounds stiff, but also makes people feel awkward, and there is no emotion at all.
Although such lines are extremely difficult, no one who acts can read them more vividly than hers. Maybe Zhang Yimou was biased in choosing this role, or he had too high expectations for her.
So, who is the actor of this girl? What is her background like?
Xu Jingya, a young actor born in 2004, is currently studying at the Beijing Dance Academy. This is not the first time she has set foot in the film industry, as early as in "Man Jianghong" with Zhang Yimou, she played an unknown maid role.
Although there are not many scenes, it is this role that allows her to truly understand the way of acting.
Although the crew who had followed Zhang Yimou before should have an understanding of Zhang Yimou's shooting requirements and attention to detail, this performance was unsatisfactory, which was indeed surprising.
But to be able to work with such a big director as soon as she debuted, her background may not be ordinary.
Although there is no hard evidence online, some believe that he may have come in through a relationship. Overall, though, "Article 20" is a landmark film and television work, and the other actors in the film do a great job and deserve praise.
Especially Aruna and Wang Peilu, they performed very well in "Hurricane".
In the work, Aruna successfully created an image of a hated bully with his unique acting skills. He is ruthless and indifferent to others, which makes us deeply experience the pain of being bullied.
His performance is so realistic that it even makes people feel as if they are there, and when they see him, their hearts are full of anger and they want to teach him a hard lesson. In this work, he plays Liu **, a villain who often oppresses Wang Yongqiang's family, he not only bullies the family, but even drags the other party's wife in to suffer.
Liu ** behaved very confidently in **, even smiling, and he did not have any guilt after facing the disabled person by him**, and even took it for granted.
There is a kind of evil hidden in his eyes, even if he is silent in front of the camera, it is impressive. His performance was so shocking that some viewers even said after watching it that if they met him in real life, they would not hesitate to put him to death.
03 When Wang Peilu plays the role of a bully, he has a unique performance style, he will not immediately make the audience angry, but he can show his arrogant and arrogant side in front of the prosecutor, as if someone is behind him, covering the sky with one hand, and ignoring others. ”
His acting skills allow the audience to see the shadow of a real-life bully in the character. Once the bullies have power in their hands, they will act recklessly, and they can even cover the sky with one hand, making people helpless.
The actors who came out of the crew of "Hurricane", their acting skills are impeccable. Although they play small roles and have limited shots, they show the ability to surpass some big actors, and sometimes even steal the limelight from the protagonists.
Yang Haoyu, a veteran actor, knows how to accurately shape the tension of the character in front of the camera. Even without saying a word, he is able to vividly show the humble state of the characters.
The footage of him waiting for the prosecutor under the tree has reached the same classic level as Zhang Yi's noodle eating scene, and it is expected that this scene will be included in Beiying's textbooks in the future.
Although he was silent, that embarrassing smile made up his humility. How similar this is to what we feel in life.
In the search for leadership, our humility and insignificance are reflected in waiting. Although in front of them, we seem to be unable to do anything other than nod, their presence reveals an atmosphere of helplessness and sadness.
He was just a good guy who just wanted justice and suffered a disaster because of it. Three years in prison pained him deeply, simply because all he wanted was justice. His request is so simple, he just hopes that the world will give him justice.
The role of Zhang Guisheng has made many viewers empathize, and they all hope to give him a happy ending, let him live a good life, and get everyone's respect and understanding.
If there is no such conflict in this role, then the idea that Article 20 is intended to convey may not be revealed. And this ingenious design, coupled with the excellent performance of the actors, makes this role perfectly displayed in front of the audience.