In recent years, the discussion on "whether there is a meaning in preserving the artworks of traditional civilization in China" has gradually heated up. Tang Zheming, a doctor of art history, expressed deep concern about this and put forward his own opinions. He believes that today, when European and American civilizations are gradually declining, the revival of Chinese civilization is not only an affirmation and promotion of itself, but also a manifestation of the world's cultural diversity.
Dr. Tong's point is not groundless. Since the reform and opening up in 1978, the Chinese art market has experienced three cyclical "opportunity" fluctuations. These opportunities have not only promoted the prosperity of the art market, but also provided a strong impetus for the inheritance and development of traditional Chinese culture.
Nowadays, with the continuous favorable national policies, the vigorous development of the art industry and the transformation of the social and economic structure, we have reason to believe that the Chinese art market is ushering in new development opportunities.
1. National policy support and optimization of the market environment.
In recent years, China's investment and support in the field of culture and art have been increasing. At the beginning of 2016, the Ministry of Culture issued the newly revised Measures for the Management of Art Operations, changing "fine art" to "artworks", which not only expands the scope of artworks, but also provides a legal basis for the standardized management of the art market.
In addition, the "Opinions on the Implementation of the Project for the Inheritance and Development of Excellent Traditional Chinese Culture" issued by the General Office of the Communist Party of China clearly stated that it is necessary to "promote cultural exchanges and mutual learning between China and foreign countries", strengthen cultural exchanges and cooperation with foreign countries, and innovate cultural exchanges. These policies not only enhance the international status of the Chinese art market, but also provide market participants with a broader space for development.
At the same time, the "13th Five-Year Plan for the Development of National Cultural Relics" issued by the State Administration of Cultural Heritage proposes to effectively increase the protection of cultural relics and take multiple measures to make cultural relics come alive. The implementation of this policy will not only help protect and inherit China's rich cultural relics, but also inject new vitality into the art market.
With the strong support of the Chinese art market, the Chinese art market is gradually becoming mature and standardized, providing a safer and more transparent trading environment for investors and collectors.
2. The vigorous development and innovation trend of the art industry.
Despite the uncertainties in the global economy, the art market is showing a solid recovery. According to the TEFAF 2017 Art Market Report released by Art Fair Europe (TEFAF), the global art market reached $45 billion in sales in 2016.
This data not only proves the strong resilience of the art market, but also indicates its huge development potential. As China's economy continues to grow and the middle class rises, the Chinese market will be an important force driving global art sales.
Against this backdrop, China's art industry is also booming. On the one hand, the emergence of domestic artists and creative institutions has promoted the diversification and innovation of Chinese art. On the other hand, the introduction and exchange of international artworks are becoming more and more frequent, injecting new elements and vitality into the Chinese art market. This development model not only improves the overall level of the Chinese art market, but also provides investors and collectors with a richer choice.
3. The transformation of social and economic structure and the growth of art consumption.
With the rapid development of China's economy and the transformation of its social structure, people's demand for spiritual culture has become increasingly urgent. In this context, art, as a unique cultural consumer product and investment product, has gradually attracted more and more people's attention and sought after.
It is understood that investors from developed countries in Europe and the United States account for 20% of the total investment in cultural artworks in their own property portfolios, while China's domestic first-tier cities currently account for less than 5%. This comparison not only reveals the huge potential of the Chinese art market, but also indicates its future development.
Industry insiders believe that the potential demand of China's art market is as high as more than 6 trillion yuan, while the current scale is only a few hundred billion yuan. This imbalance between supply and demand not only provides great investment opportunities for investors, but also provides a strong impetus for the further development of the art market.
With the continuous growth of China's middle class and the improvement of spiritual and cultural demand, art consumption will continue to maintain a rapid growth trend.
Fourth, the high rate of return and capital attractiveness of art investment.
In the international capital market, art has long become an important investment target. As the "third pole wealth" after the world's three major investment projects and real estate, artworks have the characteristics of high added value and high rate of return. The Italian collector Bellini once said: "Only works of art are the most valuable in the world, with an average appreciation rate of 40% and a work of art of 95% in value." ”
This astonishingly high rate of return not only attracted the attention of many investors, but also brought a steady stream of capital inflows to the art market.
Author's Note:
Antique collecting has always been a high-profile field, attracting the attention of many collectors. However, this was followed by many fraudulent methods by auction companies, which caused countless collectors to suffer huge losses. The main reason why many people will be deceived is because they do not have a certain understanding of collectibles.
They always think that the antiques in their hands are valuable, even pricelessAnd others just took advantage of their greed and let them be fooled step by step.
It turns out that it was only in the end that it was discovered that something was not worth anything at allIt took hundreds of thousands of dollars to wake up。If you have a certain understanding of the collection, it is estimated that you will not be easily fooled.
The book "Guide to Chinese Antiques" just records the identification knowledge of porcelain, calligraphy and painting, coins and other antiques, which can make people realize what kind of antiques are valuable.
At the same time, it also contains the knowledge of antique auctions, so that people know what kind of auction companies are reliable, and help analyze how not to be deceived.
The book records various auction routines and acquisition frauds, and the author also summarizes his own experience of being deceived, so that people can recognize the current auction market tricks and understand how the other party is deceived.
The book also contains tips on how to sell your own collectiblesThere was once a Tibetan friend who was deceived and bruised, and later bought this book to realize that those so-called auction acquisition companies are simply nothing, but only after reading this book did he know how to realize the collection.
This book can make people take fewer detours, ** is only a few dozen yuan, which is better than being fooled for hundreds of thousands of dollars. If it doesn't work, feel free to comment on me.
In today's society, the market for antique collecting is growing, and more and more people are joining the ranks of antique collecting. However, as the antiques market boomed, more and more fraudulent methods also appeared.
Some criminals take advantage of people's lack of understanding of antiques and deceive people through various means, causing people to suffer huge economic losses.
Therefore, it is very important for those who are interested in collecting antiques to improve their cognitive level and learn relevant identification knowledge.
The book "Guide to Chinese Antiques" is a very good learning tool. It not only contains a wealth of antique appraisal knowledge, but also records various auction routines and acquisition frauds, and the author also summarizes his own experience of being cheated, which can make people recognize the sinister nature of the current auction market.
By studying this book, people can have a deeper understanding of the operation of the antique collection market, improve their identification ability, and reduce the risk of being scammed.
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