Qigong s Orchid Pavilion Preface only has the King 7 fractal god, and there are many failures, d

Mondo Culture Updated on 2024-03-03

Reading guide:Mr. Qigong's most classic temporary post work is "Orchid Pavilion Preface",Other temporary post works,Basically, they are all "Qi Gong style",Just require the penmanship to arrive,And he wrote the "Orchid Pavilion Preface,At most, there are only 7 fractal gods,Do you agree with such a point of view?

In fact, we also found that Mr. Qi Gong's views on calligraphy are also unique, although many temporary works, but, basically, it is still the main style of their own, just in the penmanship requirements in place, and this "Orchid Pavilion Preface" makes people have a sense of surprise, is to the greatest extent to follow the characteristics of the original post, let's enjoy it together.

As the most classic work of the book "Orchid Pavilion Preface", not only ranked "the first line of books in the world", but also the exquisite penmanship, is also a swan song for the ages, even Wang Xizhi has not written a second piece, it can be seen that its subtlety has been influenced by many things, both the performance of traditional culture, and the catharsis of emotions, and even more, in his work, or in a slightly drunk state of the product, this is also a kind of time, place and people performance, calligraphy actually attaches more importance to such characteristics, And Mr. Qi Gong has also put a certain amount of effort into this work, otherwise, there would be no 7-fractal god, right?

In Mr. Qi Gong's "Orchid Pavilion Preface", you will see that the personalized dot painting, especially the long horizontal pen, shows a sense of cutting in the brush, and we also see that this kind of long horizontal pen, at the beginning is a kind of heavy press effect, gradually tapering, and on the pen, there is a prominent phenomenon of pause pen, with different insights and views, but careful friends will also find that in his work, there are still a lot of failures, such as the "Jun" in the mountains and mountains The last stroke of the word, it shows a kind of failure, the pen is relatively long, and, although there is a heavy press effect on the pen, however, there is an obvious phenomenon that is not in place, especially in the pen, there is a downward connection with the foot, this phenomenon, it seems to be more casual, but, it gives people a very abrupt feeling, I don't know, do you have such a view after you see it?

For example, the writing of the word "目", it feels obvious that it is a failed way of writing, and the two vertical pens present a kind of waist-pinching appearance, such a treatment, is it also surprising to you? And this word is too thin, if you can write broader, I believe it is very in place, there is also a characteristic, maybe it is the performance of personality, maybe it is a kind of inadvertent writing, that is, on the ** article, we know that the traditional "Orchid Pavilion Preface" line performance is very strong, at the same time, the thickness of the line is also very uniform, and in Mr. Qigong's "Orchid Pavilion Preface", there is a too obvious contrast between thickness and thickness, and even a contrast between shades and shades, and the sense of hierarchy is also very prominent. I wonder if you have this opinion after seeing it?

For Mr. Qi Gong's "Orchid Pavilion Preface", do you think it is his highest level? How do you feel about what Pro wrote? The author thinks that there are only 7 fractal gods, do you agree? Talk about your opinions and talk to each other**.

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