**: Sina Entertainment.
From "Summer of the Band 3" to "The Sound of Life", and then to "Stage 2023", from "It's Dark" to "Green Light", and then to "Backlight", "unpopular singers" to "unpopular songs" are frequently covered, and many golden songs have the names of "Li Weixiang and Li Sixiang" behind them.
In the music variety program, the selection of songs determines the singer's "victory or defeat"?
When singers choose to cover classic songs, they often do so out of respect for the original and personal emotional resonance. In the competitive music comprehensive, the selection of songs can almost be determined, and this kind of "selection" is extremely difficult. The selection of songs not only tests the singer's understanding and control of the songs, but also from the perspective of the audience, on the one hand, it is the benchmark of the original singer, and on the other hand, the public aesthetics, and it is necessary to be cautious.
In "The Sound of Life: Treasure Island Season", Karen Mok and Dou Jingtong collaborated on the song "It's Dark", and both of them coincidentally chose Li Sixiang as the first work of their beloved disciple Stefanie Sun, for which Stefanie Sun won the Golden Melody Award for Best Newcomer in 2000. And Mok Wenwei and Dou Jingtong's singing does not see confrontation and competition, but more dialogue and integration, light but direct to the heart, the song won the golden song in the second half. On the stage of "The Sound of Life, the Glory of the Family", Zhou Shen and Chen Chusheng chose to cover "Backlight", from Li Weixiang's composition for Sun Yanzi, this pair of "Endless Life" combination also has a new exclamation, Chen Chusheng's voice is like the dawn of dawn, cutting through the darkness, Zhou Shen is warm and clear, like the light in the darkness penetrates powerfully, and the whole chorus that responds at the beginning and end is just like the power and hope that the song wants to convey.
In the program "Ace vs. Ace", Song Yaxuan and Guan Xiaotong chose to cover "Magic", the song was composed by Li Sixiang and originally sung by Sun Yanzi. And Song Yaxuan sang the topic of magic after six years, and it also became a hot topic after the show was broadcast, due to the early performance of the Times Youth League and the process of interpretation on the single stage, Song Yaxuan's growth also echoed the charm of the song, "The cultivation system has broken the big defense, and the after-sales service of six years will be so poignant!" Song Yaxuan sang "Magic" again after 6 years, and full of memories came to his heart. In terms of song modeling, Princess Guan Xiaotong is dressed up with Prince Song Yaxuan, which directly fills the sense of exotic atmosphere in India.
The band's summer 3", from the beginning of the original music comprehensive, also began to choose covers, the Rejuvenation Dan Band and Mayuan Poets both covered Wang Xinling's "Rainbow Smile", Sanren covered "It's Dark", and the supermarket covered "Green Light". Why is there less original singing and more covers? Each field has a different view on this. The reason why classics are classics is that they need to have the dissemination of word of mouth, and they also need enduring connotation.
FMCG songs emerge one after another, and classic works are deeply rooted in the hearts of the people
In recent years, in addition to the continuous popularity of Li Weixiang and Li Sixiang's ** works in the young market, the two brothers, who have been in the industry for 40 years and are close to the age of sixties, still maintain their strong creativity and love for the ** career, and have never stopped working as producers for singers, music comprehensives, film and television works, etc.
Recently, Stefanie Sun was invited to sing the theme song "Look" for the TV series "Love for a Long Time" (starring Yang Zi and Fan Chengcheng), and also invited Li Sixiang to serve as the producer. ”
Chen Huilin's 2024 new Chinese single "Time Gift" is also handled by Li Sixiang from composition recommendation to song production.
In the fast-moving digital age, works tend to pursue instant popularity and ephemeral attention. Some "hit" songs may get a moment of fireworks, but the classic works have been polished over the years to show their value. Each song is created with heart, and it is a two-way rush between the work and the audience.