Chinese painting
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Zhang Gumin: When people talk about pen and ink, they think that the use of pen and ink is "pen and ink".
Mr. Zhang Gumin's remarks have indeed touched on an issue that cannot be ignored in the current Chinese painting world. In the current context of painting, the term "brush and ink" seems to be over-consumed, and given too many meanings and expectations. However, there are very few painters who can truly understand and use brush and ink appropriately.
First of all, we have to admit that brush and ink play a pivotal role in traditional Chinese painting. It is not only a painting technique, but also a manifestation of cultural spirit and aesthetic pursuit. However, with the passage of time and the change of the context of painting, the status and value of brush and ink seem to be ignored by some painters. They may pay more attention to the visual effect and sense of form of the picture, and ignore the charm and vividness of the brush and ink itself.
Secondly, for those painters who value brush and ink, the deviation between understanding and practice is also a problem that cannot be ignored. Although some painters pay lip service to the importance of brush and ink, it is often difficult for them to translate their ideas into concrete language of brush and ink in their actual creation. This may be because they don't have a deep enough understanding of pen and ink, or because they lack enough experience and skills in practice.
Therefore, it is necessary to re-examine the status and value of brush and ink in Chinese painting. We should make it clear that brush and ink is not only a painting technique, but also a manifestation of cultural spirit and aesthetic pursuit. In creation, we should pay attention to the charm and vividness of the brush and ink, and pursue the harmony and unity of the brush and ink and the picture as a whole.
At the same time, we should also strengthen the study and study of pen and ink. By in-depth understanding and mastery of the skills and essence of brush and ink, we can better apply it to our own creations and enhance the artistic value and aesthetic quality of our works.
Finally, we also need to advocate a correct concept and attitude towards painting. We should make it clear that painting is not only a pursuit of technique and form, but also a manifestation of cultural spirit and aesthetic pursuit. In creation, we should pay attention to expressing inner emotions and thoughts, and pursue the spiritual connotation and humanistic value of the work.
To sum up, Mr. Zhang Gumin's remarks remind us to re-examine the status and value of brush and ink in Chinese painting, strengthen the study and study of brush and ink, and advocate correct painting concepts and creative attitudes.