What is Calligraphy? What is a Calligrapher? For those who write, and for those who learn calligraphy, they want to understand. Since I started learning calligraphy from a teacher in 2017, I have been thinking about how to learn calligraphy and how to become a calligrapher. However, after all these years, I feel that it is getting harder and harder. Recently, I saw a discussion in authoritative newspapers and periodicals such as "Japan's Xinhua Overseas Chinese Daily", "Japanese Culture and Economy Weekly", "Kansai Chinese Times", "Dongying Life", etc., some experts and scholars in Japan who study Chinese calligraphy believe that only by "having a pen, a law, and a fun" can one be called a calligrapher. 
What is Shen Peng's calligraphy? Japanese scholars believe that Shen Peng's calligraphy takes the law of the Jin people, takes the Han Li's pen meaning as the grass, and takes neutralization as the purpose in the creation, tempering the beauty of the realm of the withered vines and old trees, and the light clouds and autumn mountains. Sometimes Shen Peng's calligraphy ignores the full expressiveness of individual characters in order to intersperse up and down coherently, abstracting dot painting into painting lines, which are sometimes exploring, sometimes fluctuating, and full of poetry and rhythm in the glyphs. 
What is Shen Peng's calligraphy? Japanese scholars believe that Wang Yong's calligraphy emphasizes the interest of brush and ink, and draws on the creative form of Chinese painting, especially the expression method of brush and ink to achieve a kind of transplantation. In this way, the calligraphy is playful. Wang Yong's calligraphy inherits the idea of "calligraphy and painting have the same origin", and gives full play to the characteristics of pen and ink to complete its writing process. His works perfectly embody the layering of far, middle and near. Emphasizing the interest in dot painting, the philosophy is reflected through the size, fatness, thickness, length, and orthodoxy of the dot painting. 
Wang Yong's calligraphy: What is "obtaining the law"? Japanese scholars believe that Cheng Zhongchen, an adviser to the Japan-China Friendship and Cultural Exchange Association, has a very good cursive style. Its method is based on the two kings, Wei monument, Mi Fu body as the base, the fusion of Yan Zhenqing, Zhang Xu, Huaisu, Wang Juesi and other people and the formation of an art. Pay attention to the change of lines, put the press in the first place, and win with the artistic conception of agitation and pain, and radiance. In the view of Japanese scholars, Chinese calligraphy is not simply writing, but the profound Taoist bearing and accumulation of the works themselves, which is the true expression of the laws of nature and human life, as well as the inner beauty. 
Wang Yong calligraphy: People who really understand calligraphy know that an excellent calligraphy work is not flat but emphasizes three-dimensionality, through the friction between the pen and the paper to produce different strengths, and the pen and ink produce different colors under different strengths on the paper, forming a three-dimensional effect. I have carefully read the article of Suo Zhen, the general manager of an international auction in Beijing, and have a general understanding of what is a real calligraphy work and what is a calligrapher. "This article comes from the Internet".
Cheng Zhongchen calligraphy.
Cheng Zhongchen calligraphy.
Founded in Beijing in 2013 and a branch in Tianjin in 2020, Beijing Mozhen Painting and Calligraphy Institute is an enterprise focusing on academic research, organizing large-scale calligraphy and painting exhibitions, national style collection, public welfare undertakings and international exchange activities.