In recent years, domestic ancient dramas have sprung up like mushrooms after a rain, however, with the increase in quantity, the problem of quality has gradually become prominent. From the flood of "funeral style" to the excessive decoration of "jewelry piling", domestic ancient dramas seem to have gone into a misunderstanding in creation and production. This article will look at the three aspects of disdedication, budget problems and carelessness, **where are these misunderstandings**.
1. Lack of dedication: lack of in-depth research on history and culture.
In domestic ancient dramas, we can often see some plots and shapes that are contrary to historical facts. This is not only because of the lack of in-depth research on history and culture by the writers and directors, but also because of their lack of professionalism in the production process. In order to cater to the audience's aesthetic taste, some producers choose to simplify history or even distort history, resulting in a large number of errors and misleading in the play.
For example, in terms of funeral style, many ancient dramas pursue formalized sadness and heaviness too much, and overuse funeral elements, making the style of the whole drama seem depressing and dull. This approach lacks not only innovation, but also reverence for history and culture. True history and culture are colorful and vibrant, not simply labelled as "funeral style".
2. Budget issues: Pursue gorgeous effects and ignore the quality of the plot.
The budget problem is also an important reason why domestic ancient dramas have fallen into misunderstandings. Due to limited funds, some producers tend to spend a lot of budget on the layout of the scene and the design of the costumes, while ignoring the quality of the plot and the shaping of the characters. This kind of practice of abandoning the basics has led to a large number of "jewelry piling" phenomena in the play.
Jewelry stacking refers to the characters in the play wearing too much ornate jewelry in pursuit of visual impact and appeal. However, this practice often makes the audience feel aesthetic fatigue and even disgusted with the image of the characters in the play. Too much jewelry not only fails to highlight the personality and characteristics of the characters, but rather obscures their inner world and emotional expression.
3. Carelessness: Lack of innovation and uniqueness.
In addition to disrespect and budget problems, there is also a bigger misunderstanding in domestic ancient dramas, that is, carelessness. Many producers lack innovation and uniqueness in the production process, and just blindly follow the trend and imitate, resulting in a large number of similarities and repetitions in the play.
For example, behind the funeral style and the accumulation of jewelry, it reflects the perfunctory attitude of some producers towards the creation of ancient dramas. They did not deeply think and study the real needs of the audience, nor did they use their hearts to explore and innovate, but simply pursued the superficial gorgeousness and liveliness. This approach not only fails to win the love and recognition of the audience, but also fails to promote the development and progress of domestic ancient dramas.
To sum up, the misunderstanding of domestic ancient dramas from "funeral style" to "jewelry piling" is mainly manifested in three aspects: disrespect, budget problems and carelessness. In order to get rid of these misunderstandings, producers need to strengthen in-depth research on history and culture, allocate budgets reasonably, pay attention to the quality of the plot and character building, and also need to innovate and explore carefully to create ancient masterpieces that truly meet the needs of the audience. Only in this way can domestic ancient dramas show a more dazzling light on the international stage.