Mr. Wang Guilai, a critic, said that more research should be done and less standards should be dis

Mondo Culture Updated on 2024-03-07

As a critic of calligraphy and painting, I, Wang Guilai, are often confronted with the exploration of the "scale" of art. People always seem to be looking for a ruler that can measure the level of art, however, in my opinion, this ruler is like the moon in the water, untouchable. Art, like the stars, is bright and changeable, and each work carries a unique vitality and emotional expression. How can we measure their value by a rigid "standard"?

People are accustomed to relying on established frameworks to evaluate art, expecting to find a universal scale, but the real charm of art lies in its diversity that cannot be easily defined. A painting is not just a simple fusion of paint and canvas, it is a profound reflection and meticulous portrayal of the artist's inner world. It may be that landscape painting with delicate brushstrokes and deep colors, showing the magnificence and vastness of nature in its unique way; Or perhaps it is a work full of abstraction, expressing the artist's unique thoughts and emotions in an unconventional way.

Immersed in the world of painting and calligraphy, I am more inclined to immerse myself in the exploration of problems. These questions may involve the innovation of technique, the evolution of style, or the artist's mental journey in the creative process. By digging deeper into these questions, we can better understand the intrinsic meaning and value of works of art, rather than just scratching the surface and judging them by simple and crude criteria such as "whether they meet the standards". Because true art cannot be bound by a single framework, it makes us feel the beauty of life and the color of the world in its unique way.

Indeed, one might argue that the lack of uniform standards would lead to chaos. However, I firmly believe that it is this in-depth exploration and study of the issues that allows us to reveal more comprehensively the rich diversity and profound complexity of art. We do not need a set of fixed standards to restrain the pace of development of art, on the contrary, we should stimulate the creativity and innovative spirit of artists, and encourage them to try and challenge those existing "standards".

In the field of art, standards are often subjective, and different audiences and different cultural backgrounds may have completely different evaluations of the same work of art. This diversity and difference is the charm of art. It allows us to see the diversity of the world and to realize that art is not static, but constantly evolving and evolving.

Therefore, we should not be too rigid in fixed standards, but should appreciate and understand art with a more open and inclusive mind. In this way, we can not only better appreciate the charm of art, but also inject new vitality and inspiration into the development of art.

Ultimately, I believe that this in-depth exploration and challenge of art will enable us to understand the nature and value of art more deeply, and will also promote art towards a more diverse and inclusive future.

In my critical essays, I try to avoid using the word "standard" because I am well aware of the diversity and complexity of art. I prefer to analyze the problems and potential possibilities in artworks through specific case studies. In doing so, the aim is to stimulate the reader's thinking and guide them to feel the unique charm of the work of art, rather than just telling them what is good and what is bad.

When it comes to artworks, I focus on analyzing them from multiple angles and digging into the deeper meaning behind them. I believe that every work of art has its own unique value and meaning, and it is our task to discover and appreciate these values and meanings. Therefore, my text aims to provide readers with a space to think, so that they can freely use their imagination to feel the infinite charm of the work of art.

At the same time, I encourage readers to contribute their own opinions and opinions on the artwork. I believe that art is a subjective experience, and everyone will feel and understand it differently. It is this diversity that makes art more colorful. Therefore, I hope that my article can be a platform for communication between readers and readers to share their views and feelings and explore the infinite mysteries of art together.

My critical essays aim to guide readers to think about and feel works of art and discover their value and meaning through specific case studies. I hope that my words will spark the imagination and creativity of readers and allow them to soar freely in the world of art. At the same time, I also look forward to in-depth exchanges and ** with readers, and jointly contribute wisdom and strength to the development and progress of art.

Therefore, I propose that we dig more into the essence of the problem and reduce the discussion of those rigid "norms". Only in this way can we truly set foot in the field of art and experience the deep shock and touch brought by those creations that originate from the depths of our hearts.

As we all know, art is a field of great individuality and innovation, and it cannot be bound by a single "standard". Every artist has their own unique creative style and expression, and these styles and methods are the charm of art. If we blindly pursue the so-called "standard", then the diversity and richness of art will be obliterated and become monotonous.

On the contrary, if we can think more and study more problems, then we can understand the essence and connotation of art more deeply. We can appreciate and understand works of art from different perspectives, and discover the beauty and meaning contained in them. Such a process not only broadens our horizons, but also stimulates our creativity and imagination.

So, let's put aside those stereotypical "norms" and bravely explore the mysteries of art! Only in this way can we truly feel the shock and emotion brought by art, and make our lives more colorful.

Author: Wang Guilai (Editor-in-Chief of Tianjin Calligraphy and Painting Art Network).

March 6, 2024.

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