Jiugongge, originated from the Hetuluo book, has always been considered the source of Chinese civilization and is known as the Rubik's Cube of the Universe. When the ancient Fuxi clan was transmitted, the dragon horse emerged from the Yellow River in Mengjin County, northeast of Luoyang, carrying the river map and dedicated to Fuxi. Fuxi according to this and evolved into gossip, and then for the "Zhou Yi" ** and passed on, when Dayu, Luoyang Xiluoning County Luohe River emerged in the turtle, carrying Luoshu, dedicated to Dayu. Dayu succeeded in controlling the water according to this, and then drew the world into Kyushu. According to this, nine chapters were set **, governing the society, and it was handed down and included in the "Book of Shang", named "Hong Fan". "Yi Ji Ci Shang" says: The river produces a picture, Luo produces a book, and the sage does it, which refers to these two things. Hetu and Luoshu are the third-order magic squares in mathematics, which are called "vertical and horizontal diagrams" in ancient China. On the river map, the black and white dots arranged in several arrays contain infinite mysteries; The pattern on Vena Shu corresponds to nine numbers from 1 to 9, and whether it is vertical, horizontal, oblique, or the sum of the three numbers on the three lines is equal to 15, people did not know at that time, this is the third-order magic square in modern mathematics, and they call this mysterious number arrangement the nine-palace diagram. In this regard, Chinese and foreign scholars have made long-term exploration and research, and believe that this is the first milestone of ancient Chinese civilization.
The nine-square grid is developed on the basis of the vertical and horizontal diagram. Vertical and horizontal charts were originally used in the daily teaching of ancient mathematicians. Vena is the most basic 3 3rd order Rubik's Cube, which is the third order magic square in mathematics. The nine-square grid has a great effect on people's thinking exercise, and people have been aware of the educational significance of the nine-square since ancient times. It has had a huge impact for thousands of years, and has appeared in literature, film and television. The nine-square grid is also called the "magic square".
Nine Palaces, also ancient Chinese astronomers divided the Heavenly Palace into nine equal parts: Qiangong, Kan Palace, Gen Palace, Zhen Palace, Middle Palace, Xun Palace, Ligong, Kun Palace, and Dui Palace. The Nine Palaces Bagua Array is also a formation created by Zhuge Liang during the Three Kingdoms. In the Spring and Autumn Period and the Warring States Period, the marching formation and camp layout gradually became the mainstream. Even the imperial palaces of later generations were built with the layout of nine palaces and gossip. In the Three Kingdoms period, it was played vividly by Zhuge Liang and became famous all over the world.
The dragon is the totem of the Chinese nation and the symbol of the Chinese nation, which claims to be the descendant of the dragon. The "dragon" has an important place in Chinese culture, representing auspiciousness, vitality and bravery.
I was born in an ancient city, where there are still ruins of the ancient city of Yuwang, there is a mountain called Longwang Mountain, I heard that this mountain is made of a dragon. I often listened to adults tell legends and spend my childhood picking up mountains of ancient psychic pebbles. Since I was a teenager, I have often seen dragons in my dreams, dragons rushing out of the emerald lake, dragons painted in battle flags in the sky, dragons swimming in the water......Even in reality, before the summer storm, the dragon scales appeared in the sky, and the raindrops with the size of the bowl fell down, although it was just a dark cloud blown by the wind, but I think it was the dragon whistling by, leaving infinite reverie. After arriving in Beijing, I admired the dragon of the Forbidden City and the dragon of the Nine Dragon Wall. Later, I had the urge to write and draw dragons. In my creation, I have experienced the spirit of the dragon: awe-inspiring, energetic, aggressive, courageous, and fearless ......The dragon is born all over the body, and the dragon I painted has sharp steel teeth, jade horns, sharp claws, fins, thorny tails like iron sweeps, and sharp eyes, majestic, tenacious, and powerful body, irregular and jumping scales, symbolizing the god of war who is resolute, resolute, brave, invincible, invincible, and auspicious. There are these auspicious dragon town houses to ward off evil spirits, and evil spirits do not invade. My calligraphy and painting works and self-composed song "Chinese Dragon" depict the spirit and image of the dragon: "What dominates the group is the best in the world." The Chinese dragon is mighty and unyielding, and upright. The wind and clouds surged to the sky, and the dragon traveled thousands of miles. You swallow the sun and the moon, and dominate the world. Raise the mountains and call for wind and rain. You wave a little ink, the momentum is like a rainbow, and you pull the river, and the sky and the earth ......”
The qi is clear and turbid". The "qi" here is associated with people's talents and temperaments. The clarity of human talent has a direct and decisive effect on the work. Due to the study of classical culture since childhood, a strong interest in the theme of dragons, the creation of the Jiugong Dragon culture, Jiugong Dragon calligraphy, painting, carving will be nine fonts dragon characters, nine dragon paintings in the form of the Jiugong Rubik's Cube presented, as well as the integration of characters and paintings, containing various themes such as Dragon Town Kyushu, Nine Dragons Protector and so on. The combination of the top-level divine totem of the dragon and the unique source phalanx of the nine-square grid maximizes the energy of the dragon, making people feel the power of striving for progress and righteousness, and spreading the unique charm of the ancient traditional culture.
The dragon series of calligraphy and painting works are praised for having the righteousness of gold and stone, and strength. Lei Zhengmin, a master of calligraphy and painting and a critic, once commented on my calligraphy and painting works: "Zhang Fanfan is a poet, and he has profound attainments in calligraphy and painting. In terms of theory, she put forward the spirit of a fresh culture, so she is still a relatively comprehensive person in all departments of literature and art. She is an artist who is mainly a poet, and she started with literature, because she has a keen sense of art, so she can quickly grasp the core of painting. To put it simply, her paintings belong to the category of literati paintings, which is the most prominent point of our Chinese paintings: they give up the form and take the spirit, which is very charming. She doesn't have to be very detailed in terms of specific depictions, but she expresses the emotional taste, which is what sets her apart from other painters, and this is the main characteristic. In addition, from the stylistic point of view, her paintings are very delicate, and there is some roughness between them. She started writing poems and singing, the little girl looks very much like Lin Daiyu, but she is not Lin Daiyu, Lin Daiyu is only outstanding in Lingxiu, and she still has a rough side. I think that as an art, there must be these rough and wild things in order to have greater vitality. The characteristics of her paintings are vitality, atmosphere, taste and aesthetic characteristics. Some of her paintings are not very realistic, but mixed with abstract things. Looking at her paintings a few days ago, there was the style of Mr. Zhu Qizhan, and she ran through the artistic ideas of fresh culture in her paintings. Her paintings are also added with heavy color, which is to add color to the fresh tone, which is more bright and sunny, but the overall artistic conception is the realm of poetry. Her paintings are very good at using very small, partial things to show something more expansive. So it's very concise in the picture, and there are a lot of things in the ethereal that are not in the picture, but outside the picture, so the sense of depth in her painting is very good. She can have such a style, can quickly take out the brush and ink to shape the image, plastic art, that is because her artistic thinking is in the fresh thinking, coupled with her artistic thinking sensitive, quickly grasp the key to reality, and she needs to express what has her own ideas, not like some painters to take similar truthful expression, she will find the poetry of life, the deeper thoughts expressed. As an artist, the work needs to be very attractive and have a deep connotation, and she just did that. ”
In addition to calligraphy and painting, I also carve the dragon character of the Nine Palaces, and I am willing to try it on wood, bamboo, and stone, as long as it is a moving material that can be carved. I carved the dragon word to abandon the rigidity of craftsmanship, and strive to be simple and simple, concise and vigorous, and the majestic temperament of the dragon and the spirituality of natural materials are just right to integrate together. Just as I wrote a poem "Nuwa Carving the Dragon" when I was in my twenties: "The heavenly dragon with a beautiful shape is an ......exemplary example of hundreds of millions of unformed and incorporeal people."It depicts the soul he should have, passionate and righteous and persistent male: that is the totem of the dragon! The dancing lines are the passion of the idea, depicting the heart of the dragon. He has a form and a soul. Perfect incarnation. "The nine dragon characters represent the image and temperament of various dragons, and in the Nine Palaces Rubik's Cube, it seems that each dragon exudes tremendous energy.
More than 20 years ago, I created the Fresh Culture Ideology. Fresh culture is divided into fresh cultural undertakings and fresh cultural industries, including the construction and promotion of fresh cultural ideas and theories, the creation and display of fresh literary and artistic works, and the development of fresh industries. The construction and development of fresh ideas and concepts is a fresh cultural cause, advocating that people should uphold the word "fresh" in real life and in their ideological understanding, promote righteousness, and remove dirt. This ideological orientation is not only applicable to the cultural field, but also to society and people's daily life. Advocating the concept of freshness and developing a fresh culture is to stir up turbidity and promote purity, resist and remove evil spirits and twilight, and lead the renewal and development of society and culture with excellent ideas and culture. In addition, the fresh culture has the characteristics of "diving into the night with the wind, moisturizing things silently", which can make people feel the simple wind of "paradise", relieve the psychological pressure from society, life, work and other aspects, thereby helping to form a positive and healthy mentality, create a good psychological foundation and social atmosphere, purify the social atmosphere, and reduce the cost of governance. The social order guided by fresh thinking is in good order. Therefore, the concept of freshness is universal, not limited to the scope of literature and art, but has a guiding and promoting role in life, politics, economy, society, environment and other aspects. Facts have proven that fresh ideas can promote the healthy and upward development of individuals, societies, countries and the whole world. Over the years, I have been committed to promoting fresh culture, and the proposal of this theme has aroused great repercussions in the cultural circles and all walks of life, setting off a wave of "fresh culture".
It can be seen that the fresh culture and the Jiugonglong culture make people feel the power of progress, giving people motivation and energy. The spirit of freshness is consistent with the spirit of the dragon, and the dragon culture of Jiugong is a powerful branch to promote the culture of freshness and a part of the culture of freshness.
About the Author
Zhang Fanfan, the master of the Jiugong Dragon, Dai Yulong, poet, singer, ideological scholar, founder of Qingxin Culture (Fresh Thought), founder of Qingxin, New National Tide Song, Jiugonglong Culture, graduate graduate, member of the China Democratic Construction Association, member of the Chinese Prose Literature Association, member of the Chinese Literature and Art Critics Association, member of the China ** Home Association, member of the China ** Literature Society, member of the China ** Copyright Association, member of the Beijing ** Home Association, member of the Beijing Film Association, executive director of the Qingxin Painting and Calligraphy Institute, etc. He has published his works in various journals and platforms many times. He has deep attainments in theory, literature, calligraphy and painting, etc. He has participated in many performances and served as a judge of the Hanfu Competition. From January 2005 to November 2018, Zhang Fanfan organized and held 15 sessions of the Fresh Culture Seminar. Former South Korean Prime Minister Lee So-sung and other ambassadors and counselors of many countries, leaders from all walks of life at home and abroad, scholars, and literary artists gave inscriptions to Zhang Fanfan and Qingxin Culture, affirming and encouraging her work in promoting cultural exchanges and maintaining world integration.